Neuromancer is a 1984 novel by William Gibson.
Neuromancer may also refer to:
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Chris Cunningham is a British video artist and music video director who directed music videos for electronic musicians such as Autechre, Squarepusher, and Aphex Twin on videos for "Windowlicker" and "Come to Daddy", and Björk's "All is Full of Love". All were used in Chris' chapter in Director's Label.
Matrix most commonly refers to:
Neuromancer is a 1984 science fiction novel by American-Canadian writer William Gibson. Considered one of the earliest and best-known works in the cyberpunk genre, it is the only novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. It was Gibson's debut novel and the beginning of the Sprawl trilogy. Set in the future, the novel follows Henry Case, a washed-up hacker hired for one last job, which brings him in contact with a powerful artificial intelligence.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans, a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
A tie-in work is a work of fiction or other product based on a media property such as a film, video game, television series, board game, web site, role-playing game or literary property. Tie-ins are authorized by the owners of the original property, and are a form of cross-promotion used primarily to generate additional income from that property and to promote its visibility.
Burning Chrome (1986) is a collection of short stories written by William Gibson. Most of the stories take place in Gibson's Sprawl, a shared setting for most of his early cyberpunk work. Many of the ideas and themes explored in the short stories were later revisited in Gibson's popular Sprawl trilogy.
Molly Millions is a recurring character in stories and novels written by William Gibson, particularly his Sprawl trilogy. She first appeared in "Johnny Mnemonic", to which she makes an oblique reference in Neuromancer. She later appeared in Mona Lisa Overdrive under the name "Sally Shears".
Defender(s) or The Defender(s) may refer to:
Joseph Kahn is a Grammy-winning South Korean-American film and music video director. Kahn has worked with various artists such as Taylor Swift, Britney Spears, Eminem, Backstreet Boys, Imagine Dragons, Lady Gaga, Rob Thomas, Snoop Dogg, Chris Brown, Kelly Clarkson, Ava Max, Mariah Carey and Destiny's Child.
A fable is a story intended to illustrate a moral.
A sandbox is a sandpit, a wide, shallow playground construction to hold sand, often made of wood or plastic.
William Roy "wiL" Francis is an American rock musician, record producer, author, and artist. He came to prominence as the lead vocalist and principal songwriter of the horror punk band Aiden.
Tactic(s) or Tactical may refer to:
Beyond may refer to:
Transformers is a franchise centered on shapeshifting alien robots.
Neuromancer is an adventure video game developed by Interplay Productions and published by Mediagenic. It was released in 1988 for the Amiga, Apple II, Apple IIGS, Commodore 64, and MS-DOS. It was loosely based on William Gibson's 1984 novel of the same name and set within both the fictional "real world" and the extensively realized and detailed world of cyberspace. It has a soundtrack based on the Devo song "Some Things Never Change" from their album Total Devo. Writer Timothy Leary had sub-contracted the rights to a video game adaptation of the novel, and eventually brought the project to Interplay to develop.
Straylight may refer to:
William Control is an American music project founded in 2008 in Seattle, Washington. It was the side project of Aiden's William Francis before Aiden's hiatus, and he later operated as William Control full-time. 'William Control' therefore refers to both the band as a whole and to Francis as his stage name. Francis was signed to Victory Records before starting his own independent label, Control Records, and, as William Control, has released five full-length albums, an EP, two acoustic albums, two live DVDs and a remix album (Remix). The first part of Revelations, The Pale, was released on October 14, 2016. The second EP The Black followed on February 17, 2017, and the third, entitled The Red, followed that with a release date of July 14 of the same year. The album was completed by The White on November 24.
The Neuromancer is the fourth studio album by William Control. Preceded by a lyric video for Illuminator, the album was released on April 4, 2014, through Control Records, and was produced and engineered by William Control. It was recorded at Control's own Hell's Half Acre studio in September/October 2013, mixed by Ryan O John, and mastered by Alan Douches at West West Side. All lyrics are by William Francis. The single Revelator was also released in April, and accompanied by a video. This was followed in May by a second single, Price We Pay. The album had been scheduled for release in late 2013, but was delayed in order to make it 'the best it could possibly be'.