Editor and publisher | Michel Segard |
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Senior editor | Tom Mullaney |
Assistant editor | Nathan Worcester |
Categories | art magazines |
Frequency | Bimonthly |
Founded | 1973 |
Country | United States |
Based in | Chicago |
Language | English |
Website | www |
ISSN | 0740-6592 |
Editor-in-Chief | Nancy Nesvet |
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Publisher | Daniel Benshana |
Categories | art magazines |
Frequency | Bimonthly |
Founded | 1973 |
First issue | 1973 |
Country | United Kingdom and International |
Based in | Cornwall, UK, Chicago and Washington D.C., USA |
Language | English |
Website | www |
ISSN | 0886-8115 |
The New Art Examiner is a bi-monthly international magazine of critical art thinking founded in Chicago, Illinois in October 1973 by Derek Guthrie and Jane Addams Allen. [1] Publication ceased in 2002. [1] The magazine was relaunched in Cornwall, UK in September of 2015 by the original publisher and co-founder, Derek Guthrie, and Daniel Nanavati with Tom Mullaney in Chicago. In 2017, there was a split between Guthrie and then US Editor Michel Segard, leading to an ongoing trademark dispute between Derek Guthrie and the Chicago enterprise. Both publications have print and online editions.
An anthology of representative articles and editors from New Art Examiner, Essential New Art Examiner, was published in 2011. Each section of the book begins with a new essay by the original editor of the pieces therein that reconsiders the era and larger issues at play in the local, national, and international art world when the works were first published.
At the time of the New Art Examiner 's launch in October 1973, [1] Chicago was "an art backwater" according to Artnet's Victor Cassidy. Artists who wished to be taken seriously left Chicago for New York City, and apart from a few local phenomena, such as the Hairy Who, little attention was given to Chicago art and artists. [2] For the generations of artists who grew up reading the New Art Examiner, it provided a unique vantage point outside the artistic mainstream. [3]
According to Terri Griffith and Kathryn Born, the New Art Examiner was "the only successful art magazine ever to come out of Chicago." It enjoyed a nearly three-decade long run, and since its founding in 1973 by Jane Addams Allen and Derek Guthrie, no art periodical published in the Windy City has lasted longer or has achieved the critical mass of readers and admirers that it did. Editor Jane Addams Allen, an art historian who studied under Harold Rosenberg at the University of Chicago and a relative of progressive reformer Jane Addams, was influential in developing new writers who later became significant on the New York scene and encouraged a writing style that was lively, personal, and honestly critical. [4] It is cited by its creator as the largest art magazine of the time outside of New York.
Called "a stalwart of the Chicago scene" by Art in America the New Art Examiner was conceived to counter this bias and was almost the only art magazine to give any attention to Chicago and Midwestern artists ( Dialogue magazine, which covered Midwestern art exclusively, was founded in Detroit in 1978, but it has also ceased publication).
The critics and artists who wrote for the New Art Examiner, included Devonna Pieszak, Fred Camper, Jan Estep, Ann Wiens, Bill Stamets, Michael A. Weinstein, Adam Green, Robert Storr, Carol Diehl, Jerry Saltz, Eleanor Heartney, Betty McCasland, Carol Squiers, Janet Koplos, Vince Carducci, Danielle Probst, and Mark Staff Brandl.
Over the next three decades Chicago's art scene flourished, with new museums, more art dealers, and increased art festivals, galleries, and alternative spaces. Critics asserted that the New Art Examiner "ignored, opposed or belittled" Chicago's artistic developments, that it was overly politicized, overloaded with jargon, and did not serve the Chicago or midwest arts communities. [2]
In 2008, Derek Guthrie visited Chicago, not long after the death of his wife Jane Addams Allen, to give a lecture. The event spurred a great homecoming and intense discussion about art publishing. The flurry of excitement prompted Terri Griffith and Kathryn Born to create an anthology to help a new generation understand the significance of the New Art Examiner. [5] In this age of de-centralized media, the idea of a publication being so central to the art scene is almost mythical. To imagine a simple magazine as the only source of information and news on a topic is the stuff of a bygone era.
The articles in the Essential New Art Examiner are organized chronologically. Each section of the book begins with a new essay by the original editor of the pieces therein that reconsiders the era and larger issues at play in the art world when they were first published. The result is a fascinating inside look at the artistic trends and aesthetic agendas that guided it. Derek Guthrie and Jane Addams Allen, for instance, had their own renegade style. The story of the New Art Examiner is the story of a constantly evolving publication, shaped by talented editors and the times in which it was printed. [4]
The volume was co-edited by Examiner writer Janet Koplos. The editors settled upon the idea of showcasing representative articles and spotlighting the editors, choosing this concise, "best of" format to catch the high points. Yet this format also omits the chronology, complexities, financials, scandals and personalities that accompany any art magazine. There is more to the story than is contained in this anthology. [6]
Whether memories are fond or not-so-fond, New Art Examiner is a reflection of the intellectually aware 1970s Chicago art scene that gave birth to this feisty periodical. [7]
Essential New Art Examiner | |
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Publisher | Northern Illinois University Press |
Format | Paperback, 350pp |
ISBN | 0875806627 |
Distributor | University of Chicago Press |
Publication Date | November 2011 |
The website is www.newartexaminer.net (Guthrie; Cornwall and Washington Publication).
Charles Samuel Addams was an American cartoonist known for his darkly humorous and macabre characters. Some of his recurring characters became known as the Addams Family, and were subsequently popularized through various adaptations.
Laura Jane Addams was an American settlement activist, reformer, social worker, sociologist, public administrator, philosopher, and author. She was a leader in the history of social work and Women's suffrage. In 1889, Addams co-founded Hull House, one of America's most famous settlement houses, in Chicago, Illinois, providing extensive social services to poor, largely immigrant families. Philosophically a "radical pragmatist", she was arguably the first woman public philosopher in the United States. In the Progressive Era, when even presidents such as Theodore Roosevelt and Woodrow Wilson identified themselves as reformers and might be seen as social activists, Addams was one of the most prominent reformers.
The Dinner Party is an installation artwork by American feminist artist Judy Chicago. There are 39 elaborate place settings on a triangular table for 39 mythical and historical famous women. Sacajawea, Sojourner Truth, Eleanor of Aquitaine, Empress Theodora of Byzantium, Virginia Woolf, Susan B. Anthony, and Georgia O'Keeffe are among the symbolic guests.
Terri Windling is an American editor, artist, essayist, and the author of books for both children and adults. She has won nine World Fantasy Awards, the Mythopoeic Fantasy Award, and the Bram Stoker Award, and her collection The Armless Maiden appeared on the short-list for the James Tiptree, Jr. Award.
Art in America is an illustrated quarterly, international magazine concentrating on the contemporary art world in the United States, including profiles of artists and genres, updates about art movements, show reviews and event schedules. It is designed for collectors, artists, art dealers, art professionals and other readers interested in the art world. It has an active website, ArtinAmericaMagazine.com.
Artforum is an international monthly magazine specializing in contemporary art. The magazine is distinguished from other magazines by its unique 10½ × 10½ inch square format, with each cover often devoted to the work of an artist. Notably, the Artforum logo is a bold and condensed iteration of the Akzidenz-Grotesk font, a feat for an American publication to have considering how challenging it was to obtain fonts favored by the Swiss school via local European foundries in the 1960s. Artforum is published by Artforum Media, LLC, a subsidiary of Penske Media Corporation.
New Masses (1926–1948) was an American Marxist magazine closely associated with the Communist Party USA (CPUSA). It was the successor to both The Masses (1911–1917) and The Liberator (1918–1924). New Masses was later merged into Masses & Mainstream (1948–1963).
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Irving Kane Pond was an American architect, college athlete, and author. Born in Ann Arbor, Michigan, Pond attended the University of Michigan and received a degree in civil engineering in 1879. He was a member of the first University of Michigan football team and scored the first touchdown in the school's history in May 1879.
Carol Diehl is an American artist, art critic and poet. In addition to her writing, most recently appearing in her blog Art Vent, she is best known for her paintings, which have often documented daily life in a manner described as diaristic, even compulsive, using dense, painterly, often indecipherable words, numbers and symbols in grid or geometric frameworks. Diehl has also been a prolific art critic, having contributed features and reviews to numerous periodicals, including Art in America, ARTnews, and Art + Auction, as well as to books and artist catalogues. In the 1990s, she became active in New York's performance poetry scene. Diehl lives in New York City and southwestern Massachusetts. She has two sons, Matt Diehl and Adam Diehl.
Corey Postiglione is an American artist, art critic and educator. He is a member of the American Abstract Artists in New York, and known for precise, often minimalist work that "both spans and explores the collective passage from modernism to postmodernism" in contemporary art practice and theory. New Art Examiner co-founder Jane Allen, writing in 1976, described him as "an important influence on the development of contemporary Chicago abstraction." In 2008, Chicago Tribuneart critic Alan G. Artner wrote "Postiglione has created a strong, consistent body of work that developed in cycles, now edging closer to representation, now moving further away, but remaining rigorous in approach to form as well as seductive in markmaking and color."
Carole Harmel is an American artist and photographer, who gained recognition for her provocative images of nudes in the 1970s and 1980s and still lifes combining photography with short narratives, wordplay and mixed media. Fundamental to Harmel's work is a questioning of reality and photographic conventions, a penchant for surrealism, and humor. The New Art Examiner described her nudes as having a "startling, queasy impact," "rich in ambiguity, discomforting in content." About her still lifes, critic Michael Weinstein wrote, "sophisticated academic criticism is fused with love of color and visual form to create images at once conceptually engaging and perceptually arresting."
John Himmelfarb is an American artist, known for idiosyncratic, yet modernist-based work across many media. Diverse influences ranging from Miró, Matisse and Picasso to Dubuffet, New York school artists like de Kooning, Guston, and Pop artists inform his work, described by critics and curators as chaotically complex and tightly constructed. He often employs energetic, gestural line, dense patterns of accumulated shapes, and fluid movement between figuration and abstraction, using strategies of concealment and revelation to create a sense of meaning that is both playful and elusive. His work is also unified by "a circulating library" of motifs and organizing structures, such as geographic and urban mapping, abstracted natural and industrial forms, and language systems. Assessing him at mid-career, New Art Examiner’s Andy Argy wrote "Himmelfarb’s art is original […] His unabashed immersion in graphic art, emphasizing drawing over painting, has earned him an important place among artists who make drawings into major aesthetic statements." Himmelfarb next turned to monumental paintings that critic Christopher Moore called joyful, luminous, and frenetic pyrotechnical displays. In 2006, he began to devote considerable studio time to sculpture that curator Gregg Hertzlieb described as an expression of the "human need for play and (our) enduring fascination with metamorphosis and transformation."
Jan Cicero Gallery was a contemporary art gallery founded and directed by Jan Cicero, which operated from 1974 to 2003, with locations in Evanston and Chicago, Illinois and Telluride, Colorado. The gallery was noted for its early, exclusive focus on Chicago abstract artists at a time when they were largely neglected, its role in introducing Native American artists to mainstream art venues beyond the Southwest, and its showcasing of late-career and young women artists. The gallery focused on painting, and to a lesser degree, works on paper, often running counter to the city's prevailing art currents. It was also notable as a pioneer of two burgeoning Chicago gallery districts, the West Hubbard Street alternative corridor of the 1970s, and the River North district in the 1980s.
Barbara Grad is an American artist and educator, known for abstract, fractured landscape paintings, which combine organic and geometric forms, colliding planes and patterns, and multiple perspectives. Her work's themes include the instability of experience, the ephemerality of nature, and the complexity of navigating cultural environments in flux. While best known as a painter, Grad also produces drawings, prints, mixed-media works and artist books. She has exhibited in venues including the Art Institute of Chicago, Kemper Museum of Contemporary Art, Danforth Art, Rose Art Museum, Indianapolis Museum of Art and A.I.R., and been reviewed in publications, including Artforum, Arts Magazine and ARTnews. Grad co-founded Artemisia Gallery, one the country's first women-artist collectives, in Chicago in 1973. She has been an educator for over four decades, most notably at the Massachusetts College of Art and Design. Grad has been based in the Boston area since 1987.
Frank Piatek is an American artist, known for abstract, illusionistic paintings of tubular forms and three-dimensional works exploring spirituality, cultural memory and the creative process. Piatek emerged in the mid-1960s, among a group of Chicago artists exploring various types of organic abstraction that shared qualities with the Chicago Imagists; his work, however relies more on suggestion than expressionistic representation. In Art in Chicago 1945-1995, the Museum of Contemporary Art, Chicago (MCA) described Piatek as playing “a crucial role in the development and refinement of abstract painting in Chicago" with carefully rendered, biomorphic compositions that illustrate the dialectical relationship between Chicago's idiosyncratic abstract and figurative styles. Piatek's work has been exhibited at institutions including the Whitney Museum, Art Institute of Chicago, MCA Chicago, National Museum, Szczecin in Poland, and Terra Museum of American Art; it belongs to the public art collections of the Art Institute of Chicago and MCA Chicago, among others. Curator Lynne Warren describes Piatek as "the quintessential Chicago artist—a highly individualistic, introspective outsider" who has developed a "unique and deeply felt world view from an artistically isolated vantage point." Piatek lives and works in Chicago with his wife, painter and SAIC professor Judith Geichman, and has taught at the School of the Art Institute of Chicago since 1974.
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Kathryn Evelyn Bard Cherry was an American impressionist painter and educator. She painted marine scenes, floral still life, and landscapes.
Myrtle Merritt French (1886–1970) was an American ceramicist. She is known for founding the Hull-House Kilns program and for directing the program from 1927 to 1937.