New York Clipper

Last updated

New York Clipper
New York Cipper masthead.jpg
NY Clipper Building.png
New York Clipper building, 1876
TypeWeekly entertainment newspaper
Founded1853
LanguageEnglish
Ceased publication1924
Headquarters New York City, 88-90 Centre Street
Free online archives New York Clipper at the Illinois Digital Newspaper Collections, University of Illinois at Urbana–Champaign University Library

The New York Clipper, also known as The Clipper, was a weekly entertainment newspaper published in New York City from 1853 to 1924. It covered many topics, including circuses, dance, music, the outdoors, sports, and theatre. It had a circulation of about 25,000. [1] The publishers also produced the yearly New York Clipper Annual. In 1924, The Clipper was absorbed into the entertainment journal Variety .

Contents

History

Frank Queen began publishing the New York Clipper in 1853, making it the first American paper devoted entirely to entertainment; the paper eventually shortened its name to The Clipper. The paper was one of the earliest publications in the United States to regularly cover sports, and it played an important role in popularizing baseball in the country. In addition to more popular sporting events, the New York Clipper also wrote about billiards, bowling, even chess. It began covering American football in 1880. In 1894, however, The Clipper dropped its sports coverage and devoted itself entirely to theatre.

In addition to entertainment, The Clipper regularly published short satirical pieces written in exaggerated dialects such as African American English or the speech of the New York Bowery b'hoys. For example, this letter is from a fictitious Irish travel writer named "Shamus McFudd":

Cover of the New York Clipper from February 7, 1914 Cover of New York Clipper (February 7, 1914).jpg
Cover of the New York Clipper from February 7, 1914

After me an Tim had seen the illiphant, an exhamined his trunk to see how many klane shurts he had, we wint to see a grate big snake, wid a body the size iv a whale, a tail that wud wind 3 times around Pat Clansey's cow stable. Och! sich a monster I niver want to clap me ises on agin. His mouth was so big that he cud take me an Tim at wan swaller widout openin it at all; and when his 2 jaws cum together, the Whole house wud shake as it is had a fit iv the ager. They feed him on broiled pavin stones, an whin he takes dhrink, feth he laves the river so dhry that all the ships ran aground. The divil a wurd iv a lie I'm telling ye. [2]

The Clipper was the paper of record for the circus business from its founding until about 1902 when the Billboard overtook it in coverage. For most of its life the paper carried a circus section and contained both classified and display advertising for circuses. It remains the single best news source for the circus in the second half of the 19th century, and is essential to circus historians. It had its competitors for circus news including the Sporting and Theatrical Journal, the New York Mercury , and the Dramatic News, all of which covered circuses to a greater or lesser degree. The Clipper is also an important source for minstrel shows and popular theater.

In 1922, Sime Silverman, the publisher of the rival newspaper Variety , acquired the Clipper and folded it 2 years later. [3]

Today, the New York Public Library and the Library of Congress possess nearly complete collections of the newspaper. Many other research libraries have microfilm copies. Many issues are available online at fultonhistory.com, an archive of historical newspapers from New York, in the University of Illinois digital newspaper collection and at archive.org.

See also

Related Research Articles

<span class="mw-page-title-main">Vaudeville</span> Entertainment genre

Vaudeville is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent.

<span class="mw-page-title-main">John Morrissey</span> American politician

John Morrissey, also known as Old Smoke, was an Irish American politician, bare-knuckle boxing champion, and criminal.

Bryant's Minstrels was a blackface minstrel troupe that performed in the mid-19th century, primarily in New York City. The troupe was led by the O'Neill brothers from upstate New York, who took the stage name Bryant.

<span class="mw-page-title-main">Bowery Theatre</span> Playhouse in Manhattan, New York (1826-1898)

The Bowery Theatre was a playhouse on the Bowery in the Lower East Side of Manhattan, New York City. Although it was founded by rich families to compete with the upscale Park Theatre, the Bowery saw its most successful period under the populist, pro-American management of Thomas Hamblin in the 1830s and 1840s. By the 1850s, the theatre came to cater to immigrant groups such as the Irish, Germans, and Chinese. It burned down four times in 17 years, a fire in 1929 destroying it for good. Although the theatre's name changed several times, it was generally referred to as the "Bowery Theatre".

<span class="mw-page-title-main">Buckley's Serenaders</span> Blackface minstrel troupe

Buckley's Serenaders was a family troupe of English-born American blackface minstrels, established under that name in 1853 by James Buckley. They became one of the two most popular companies in the U.S. from the mid-1850s to the 1860s, the other being the Christy and Wood Minstrels.

<span class="mw-page-title-main">William L. Slout</span>

William Lawrence Slout was an American professor of theater at California State University, San Bernardino. He wrote Olympians of the Sawdust Circle and other reference books on circus history.

<span class="mw-page-title-main">Mechanics' Hall (New York City)</span>

Mechanics' Hall was a meeting hall and theatre seating 2,500 people located at 472 Broadway in New York City, United States. It had a brown façade. Built by the Mechanics' Society for their monthly meetings in 1847, it was also used for banquets, luncheons, and speeches held by other groups.

<i>Spirit of the Times</i> 19th-century American sporting newspaper

The Spirit of the Times: A Chronicle of the Turf, Agriculture, Field Sports, Literature and the Stage was an American weekly newspaper published in New York City. The paper aimed for an upper-class readership made up largely of sportsmen. The Spirit also included humorous material, much of it based on experience of settlers near the southwestern frontier. Theatre news was a third important component. The Spirit had an average circulation of about 22,000, with a peak of about 40,000 subscribers.

Harry Steppe, March 16, 1888 – November 22, 1934 was a Russian Jewish-American actor, musical comedy performer, headliner comedian, writer, librettist, director and producer, who toured North America working in Vaudeville and Burlesque. Steppe performed at several well-known theaters on the Columbia, Mutual and Orpheum circuits. Steppe was one of Bud Abbott's first partners.

Simon J. Silverman was an American journalist and newspaper publisher. He was the founder of the weekly newspaper Variety in New York City in 1905, which gave theatre and vaudeville reviews and the Hollywood-based Daily Variety magazine in 1933, focusing on the emerging motion picture film industry.

<span class="mw-page-title-main">Frank Brower</span> American entertainer

Francis Marion Brower was an American blackface performer active in the mid-19th century. Brower began performing blackface song-and-dance acts in circuses and variety shows when he was 13. He eventually introduced the bones to his act, helping to popularize it as a blackface instrument. Brower teamed with various other performers, forming his longest association with banjoist Dan Emmett beginning in 1841. Brower earned a reputation as a gifted dancer. In 1842, Brower and Emmett moved to New York City. They were out of work by January 1843, when they teamed up with Billy Whitlock and Richard Pelham to form the Virginia Minstrels. The group was the first to perform a full minstrel show as a complete evening's entertainment. Brower pioneered the role of the endman.

<span class="mw-page-title-main">John Diamond (dancer)</span>

John Diamond, aka Jack or Johnny, was an Irish-American dancer and blackface minstrel performer. Diamond entered show business at age 17 and soon came to the attention of circus promoter P. T. Barnum. In less than a year, Diamond and Barnum had a falling-out, and Diamond left to perform with other blackface performers. Diamond's dance style merged elements of English, Irish, and African dance. For the most part, he performed in blackface and sang popular minstrel tunes or accompanied a singer or instrumentalist. Diamond's movements emphasized lower-body movements and rapid footwork with little movement above the waist.

<span class="mw-page-title-main">T. Allston Brown</span> American historian

Thomas Allston Brown was an American theater critic, newspaper editor, talent agent and manager, and theater historian, best known for his books, History of the American Stage and A History of the New York Stage from the First Performance in 1732 to 1901.

<i>Illustrated Sporting and Dramatic News</i>

The Illustrated Sporting and Dramatic News was a British weekly magazine founded in 1874 and published in London. In 1945 it changed its name to the Sport and Country, and in 1957 to the Farm and Country, before closing in 1970.

<i>Variety</i> (magazine) American weekly entertainment trade magazine

Variety is an American media company owned by Penske Media Corporation. The company was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville. In 1933 it added Daily Variety, based in Los Angeles, to cover the motion-picture industry. Variety.com features entertainment news, reviews, box office results, cover stories, videos, photo galleries and features, plus a credits database, production charts and calendar, with archive content dating back to 1905.

<i>New York Dramatic Mirror</i>

The New York Dramatic Mirror (1879–1922) was a prominent theatrical trade newspaper.

<span class="mw-page-title-main">Mrs Howard Paul</span> British actress, singer and manager

Isabella Hill, better known as Mrs Howard Paul, was an English actress, operatic singer and actress-manager of the Victorian era, best remembered for creating the role of Lady Sangazure in the Gilbert and Sullivan comic opera The Sorcerer (1877).

<span class="mw-page-title-main">Rossa Matilda Richter</span> English aerialist and actor who became the first human cannonball

Rossa Matilda Richter, who used the stage name Zazel, was an English aerialist and actor who became known as the first human cannonball at the age of 17. She began performing at a very young age, practicing aerial stunts like tightrope walking in an old London church. She took up ballet, gymnastics, and trapeze by the time she was 6 and, at 12, went on tour with a travelling acrobat troupe. In 1877, she was the first person to be fired out of a cannon, in front of a large crowd at the Royal Aquarium.

<span class="mw-page-title-main">Balasis family acrobatic act</span>

Balasis family acrobatic act was performed by the Balasic family who were performers who specialized in acrobatics and appeared in variety shows, vaudeville theaters and circuses of Europe, Canada and America from the early 1900s to 1930 with a special feat billed as "The Boys With The Steel Heads", "The World's Only Head to Head Jugglers".

<span class="mw-page-title-main">Aimée Dalmores</span> American actress

Aimée Dalmores, née Aimée Cerruti, was an Italian-born American actress in musical theatre and silent films.

References

  1. Oriard 102.
  2. 9 July 1853 The Clipper. Quoted in Mahar 76.
  3. "Veteran 'Variety' Mugg Gives Some Inside Stuff on Sime's Starting 'V'".Variety. September 26, 1933 p. 3

Further reading