New York Doll | |
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Directed by | Greg Whiteley |
Produced by | Ed Cunningham Seth Gordon |
Starring | Arthur Kane David Johansen Sylvain Sylvain |
Music by | Brett Boyett |
Distributed by | First Independent Pictures Vivendi Entertainment |
Release date |
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Running time | 75 minutes |
Country | United States |
Language | English |
New York Doll is a documentary based on the life of former New York Dolls member Arthur Kane. It was nominated for both a Satellite Award and a Grand Jury Prize at the Sundance Film Festival, where it premiered in 2005.
The film details the history of both the New York Dolls and one of its members, Arthur "Killer" Kane. The film narrates the history of the band from its formation in 1972, through its drug problems and the deaths of several of its members. The central focus of the film, however, is Arthur's life after conversion to The Church of Jesus Christ of Latter-day Saints after struggles with alcoholism, drug abuse, an attempt at suicide, and a 1992 beating with a baseball bat (falsely rumored to be related to the Rodney King riots happening at the same time) that left him near death and needing a long recovery. [1]
As Kane struggles with both loneliness and poverty, he discovers that he will once again have a chance to perform with the Dolls in London. After overcoming his differences with former band member David Johansen, Kane has a successful performance. Upon his return to Los Angeles, Kane contemplates touring with the reunited Dolls, but plans are cut short by his unexpected death from leukemia.
The film features interviews with Morrissey, who arranged the reunion show, as well as other artists such as Chrissie Hynde and Bob Geldof.
New York Doll was shot on digital camcorders with an aspect ratio of 1.78:1. [2] [3] [4]
It scored a 90% on Rotten Tomatoes out of 51 reviews. [5]
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New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—New York Dolls (1973) and Too Much Too Soon (1974)—became among the most popular cult records in rock. The line-up at this time comprised vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today".
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