News from the Republic of Letters is the third magazine collaboration between Saul Bellow and Keith Botsford, following Noble Savage and ANON. The journal, originally based in Boston and later operated from the editor's home in Costa Rica, publishes new and newly discovered writings from American and international writers. The magazine appears twice a year at widely varying intervals; subscribers purchase one issue at a time or a subscription for four issues. It first appeared in 1997 in newsprint; issues between 2003 and 2008 were published in bound edition; with the publication of No. 19 by the London-based publisher Sylph Editions, the journal has returned to broadsheet format.
The contents of TRoL fall into several categories. TEXTS are Works of fiction or non-fiction, of varying length, written in English or translated into English from any language. LIVES are memoirs, correspondence, biography and autobiography. ARIAS, a unique category, are personal statements and brief essays without restriction of subject. MUSIC, ART, BOOKS comprise intelligent work on any aspect of the arts. Works in the ARCHIVES are selected by the Editor to introduce readers to undeservedly lesser known writers from previous generations. POETRY includes both original verse and work from translation. Reviews and critical essays appear under NEW FICTION and as a part of P.B.'s NOTEBOOK, a column written by Mr. Botsford in the spirit of Enlightenment philosopher and writer Pierre Bayle. In 1684 Bayle began the publication of his Nouvelles de la république des lettres, after which TRoL takes its name.
Another unique feature has been the inclusion in newsprint issues of French-style pamphlets, which readers tear from the other pages and fold and cut themselves into small booklets. "Salido" by Louis Guilloux appears in this form in No.2, as does "O Brother!" by Mr. Botsford in No.3.
TRoL is distinguished by its international character and the publication of unknown authors alongside those already accomplished. The name of the magazine references the network of literary and political correspondence which united prominent thinkers across Europe during the Enlightenment:
The Republic of Letters is of very ancient origin ... It embraces the whole world and is composed of all nationalities, all social classes, all ages and both sexes ... All languages, ancient as well as modern, are spoken. The arts are joined to letters, and artisans have their place in it; but its religion is not uniform, and its manners (as in all republics) are a mixture of good and bad. Piety and licentiousness are both to be found ... Praise and honor are awarded by popular acclaim. (M. de Vigneul-Marville, 1699)
In a 1999 interview with The New York Times Mr. Bellow explained his motivation for the magazine:
One early reader wrote that our paper, "with its contents so fresh, person-to-person", was "real, non-synthetic, undistracting." Noting that there were no ads, she asked, "Is it possible, can it last?" and called it "an antidote to the shrinking of the human being in every one of us." And toward the end of her letter our correspondent added, "It behooves the elder generation to come up with reminders of who we used to be and need to be." This is what Keith Botsford and I had hoped that our "tabloid for literates" would be. And for two years it has been just that. We are a pair of utopian codgers who feel we have a duty to literature.,
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The Southern Literary Messenger was a periodical published in Richmond, Virginia, from August 1834 to June 1864, and from 1939 to 1945. Each issue carried a subtitle of "Devoted to Every Department of Literature and the Fine Arts" or some variation thereof and included poetry, fiction, nonfiction, reviews, and historical notes. It was founded by Thomas Willis White, who served as publisher and occasional editor until his death, in 1843.
The Little Review, was an American literary magazine founded by Margaret Anderson in Chicago's historic Fine Arts Building, published literary and art work from 1914 to May 1929. With the help of Jane Heap and Ezra Pound, Anderson created a magazine that featured a wide variety of transatlantic modernists and cultivated many early examples of experimental writing and art. Many contributors were American, British, Irish, and French. In addition to publishing a variety of international literature, The Little Review printed early examples of surrealist artwork and Dadaism. The magazine's most well known work was the serialization of James Joyce's Ulysses.
The Republic of Letters is the long-distance intellectual community in the late 17th and 18th centuries in Europe and the Americas. It fostered communication among the intellectuals of the Age of Enlightenment, or philosophes as they were called in France. The Republic of Letters emerged in the 17th century as a self-proclaimed community of scholars and literary figures that stretched across national boundaries but respected differences in language and culture. These communities that transcended national boundaries formed the basis of a metaphysical Republic. Because of societal constraints on women, the Republic of Letters consisted mostly of men. As such, many scholars use "Republic of Letters" and "men of letters" interchangeably.
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Keith Botsford was an American/European writer, Professor Emeritus at Boston University and editor of News from the Republic of Letters.
Irving Malin was an American literary critic. Malin attended Thomas Jefferson High School and Jamaica High School and graduated magna cum laude from Queens College in 1955 and received his PhD from Stanford University in 1958. He married Ruth Lief in 1955 and they remained married until his death. He taught at the City College of New York from 1960 until his retirement in 1996. Malin did his dissertation on the fiction of William Faulkner and made his initial academic mark as a critic of American Jewish Literature, editing an early collection on the fiction of Saul Bellow as well as a critical book and a general anthology on Jewish literature in the US. He subsequently became interested in writers who practiced innovative techniques such as James Purdy and John Hawkes as well as writers who broke down the boundaries between fiction and nonfiction such as William Styron and Truman Capote. One of the pioneering academics to take an interest in metafiction and experimental writing, Malin was an early contributor to the Review of Contemporary Fiction, writing over five hundred book reviews for this and other publications. In the latter portion of his career, Malin edited several anthologies of essays on Henry James, Thomas Pynchon, William Goyen, George Garrett, Don DeLillo, Vladimir Nabokov, Leslie Fiedler, and William Gass. He was a fellow at Yaddo and the Huntington Library and served on many boards and award panels. Malin died December 3, 2014.
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