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Musicology is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus. Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist.
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation ; the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built."
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology of the early 20th century and postwar era. Many of the procedures of new musicology are considered standard, although the name more often refers to the historical turn rather than to any single set of ideas or principles. Indeed, although it was notably influenced by feminism, gender studies, queer theory, postcolonial studies, and critical theory, new musicology has primarily been characterized by a wide-ranging eclecticism.
Absolute music is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony.
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment of music. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant.
Georgina Emma Mary Born, is a British academic, anthropologist, musicologist and musician. As a musician she is known as Georgie Born and is known for her work in Henry Cow and with Lindsay Cooper.
Karl P. Ameriks is an American philosopher. He is the Emeritus McMahon-Hank Professor of Philosophy at the University of Notre Dame.
Philosophy of music is the study of "fundamental questions about the nature of music and our experience of it". The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since the 1980s.
Margaret Bent CBE, is an English musicologist who specializes in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, English masses as well as the works of Johannes Ciconia and John Dunstaple.
Gary Alfred Tomlinson is an American musicologist and the John Hay Whitney Professor of Music and Humanities at Yale University. He was formerly the Annenberg Professor in the Humanities at the University of Pennsylvania. He graduated from the University of California, Berkeley, with a Ph.D., in 1979 with thesis titled Rinuccini, Peri, Monteverdi, and the humanist heritage of opera.
Mark Everist is a British music historian, critic and musicologist.
Ludomusicology is a field of academic research and scholarly analysis focusing on video game music, understood as the music found in video games and in related contexts. It is closely related to the fields of musicology and interactive and games audio research, and game music and audio are sometimes studied as a united phenomenon. Ludomusicology is also related to the field of game studies, as music is one element of the wider video game text and some theories on video game functions are directly relevant to music.
J. P. E. Harper-Scott is a British musicologist and formerly Professor of Music History and Theory at Royal Holloway, University of London. He is a General Editor of the Cambridge University Press series 'Music in Context'.
Katharine Ellis, is a British musicologist and academic, specialising in music history. Since 2017, she has been the 1684 Professor of Music at the University of Cambridge. She previously taught at the Open University, at Royal Holloway, University of London and at the School of Advanced Study, University of London, before serving as Stanley Hugh Badock Professor of Music at the University of Bristol (2013–2017).
Simon Charles Robert Swain, FBA, is a classicist and academic. Since 2000, he has been Professor of Classics at the University of Warwick, where he has also been Pro-Vice-Chancellor for Arts and Social Sciences since 2014.
David Richard Widdess, FBA is a musicologist and academic. Since 2005, he has been Professor of Musicology at the School of Oriental and African Studies, University of London.
Thomas James Samson, FBA, commonly known as Jim Samson, is a musicologist, music critic and retired academic. Educated at Queen's University Belfast (BMus) and University College, Cardiff, he was appointed to a research fellowship at the University of Leicester in 1972. He moved to the University of Exeter in 1973 as a lecturer; promotions followed, to reader in 1987 and Professor of Musicology in 1992. In 1994, he was appointed Stanley Hugh Badock Professor of Music at the University of Bristol, and was then Professor of Music at Royal Holloway, University of London, between 2002 and 2011.
Murray Smith is a film theorist and philosopher of art based at the University of Kent, where he is Professor of Film and co-director of the Aesthetics Research Centre. He is the author of three books and numerous articles on film and aesthetics, and the co-editor of three collections of essays. He was President of the Society for Cognitive Studies of the Moving Image from 2014-17, and has served on the editorial boards of Screen, Cinema Journal, the British Journal of Aesthetics, Projections and Series. He has held a Leverhulme Research Fellowship (2005-6), and a Laurance S Rockefeller Fellowship at Princeton University’s Centre for Human Values (2017-18). He delivered a Kracauer Lecture in 2014 at the Goethe University Frankfurt, the inaugural Beacon Institute lecture in 2015, and the Beardsley Lecture in 2018, sponsored by Temple University at the Barnes Foundation.
Harry White is an Irish musicologist and university professor. With specialisations in a) Irish musical and cultural history, b) the music of the Austrian baroque composer Johann Joseph Fux, and c) the development of Anglo-American musicology since 1945, he is one of the most widely published and influential academics in his areas of research. White is also a poet, with two published collections of poetry.
Ellie Hisama is a Japanese-American music theorist. She is the Dean of the Faculty of Music and a Professor of Music at the University of Toronto. Her work focuses on issues of gender, race, sexuality, and the sociology of music.
References
- ↑ COOK, Prof. Nicholas (John)’, Who's Who 2012, A & C Black, 2012; online edn, Oxford University Press, Dec 2011 ; online edn, Nov 2011 accessed 9 April 2012
