Nicholas Staggins (died 13 June 1700 [1] ) was an English composer.
Staggins first studied music under his father. He was made Master of the King's Music by Charles II in 1674. In 1682, he was granted a musical doctorate by Cambridge University, and from 1684 until his death was Professor of Music at Cambridge. [2] Following his death on the night of 12–13 June 1700, he was succeeded by John Eccles.
From the few fragments of his compositions that survive, his musical ability is generally regarded to have been slender. His most significant work was his music for John Crowne's masque Calisto, or The Chaste Nymph. His other works include odes for the birthdays of William III (in at least 1693, 1694 and 1696). He also wrote incidental music for John Dryden's Conquest of Granada and Marriage à la Mode, George Etheridge's The Man of Mode, Nathaniel Lee's Gloriana, and Thomas Shadwell's Epsom Wells .
In Tom Brown's Letters from the Dead to the Living, Staggins is described as "bandy legged and contemptuously regarded". Following his death he was buried in Woollon on 16 June 1700 at St. George's Chapel, Windsor. [3]
(Achille) Claude Debussy was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Olivier Eugène Prosper Charles Messiaen was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called modes of limited transposition, which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime.
Master of the King's Music is a post in the Royal Household of the United Kingdom. The holder of the post originally served the monarch of England, directing the court orchestra and composing or commissioning music as required.
Events from the year 1714 in literature.
Events from the year 1672 in literature.
Orlando Gibbons was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625. As a result, Gibbons's oeuvre was not as large as that of his contemporaries, like the elder William Byrd, but he made considerable contributions to many genres of his time. He is often seen as a transitional figure from the Renaissance to the Baroque periods.
Charles Louis Ambroise Thomas was a French composer and teacher, best known for his operas Mignon (1866) and Hamlet (1868).
The Locrian mode is the seventh mode of the major scale. It is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there. Its ascending form consists of the key note, then: half step, whole step, whole step, half step, whole step, whole step, whole step.
Marriage à la Mode is a Restoration comedy by John Dryden, first performed in London in 1673 by the King's Company. It is written in a combination of prose, blank verse and heroic couplets. It has often been praised as Dryden's best comedic endeavour, and James Sutherland accounts for this by observing that "the comic scenes are beautifully written, and Dryden has taken care to connect them with the serious plot by a number of effective links. He writes with ... one of the most thoughtful treatments of sex and marriage that Restoration comedy can show."
Anne Bracegirdle was an English actress.
Guillaume-Gabriel Nivers was a French organist, composer and theorist. His first livre d'orgue is the earliest surviving published collection with traditional French organ school forms. Nivers's other music is less known; however, his treatises on Gregorian chant and basso continuo are still considered important sources on 17th century liturgical music and performance practice.
Elizabeth Boutell, was a British actress.
Johann Kuhnau was a German polymath, known primarily as a composer today. He was also active as a novelist, translator, lawyer, and music theorist, and was able to combine these activities with his duties in his official post as Thomaskantor in Leipzig, which he occupied for 21 years. Much of his music, including operas, masses, and other large-scale vocal works, is lost. His reputation today rests on his Biblical Sonatas, a set of programmatic keyboard sonatas published in 1700, in which each sonata depicted in detail a particular story from the Bible. After his death, Kuhnau was succeeded as Thomaskantor by Johann Sebastian Bach.
Francis Hueffer was a German-English writer on music, music critic, and librettist.
Edward James Loder was an English composer and conductor. His best remembered work is perhaps the 1855 opera Raymond and Agnes, though his most successful opera during his lifetime was The Night Dancers.
Thomas Tudway was an English musician and Professor of Music at Cambridge University. He is known as a composer, and for his compilation of a collection of Anglican church music.
Epsom Wells is a 1672 restoration comedy by the English writer Thomas Shadwell. It was the first in a line of plays set in spa towns. The incidental music was composed by Nicholas Staggins. In the 1690s Henry Purcell scored a new staging of the play. It was performed at the Dorset Garden Theatre by the Duke's Company. The cast included Henry Harris as Rains, Thomas Betterton as Bevil, William Smith as Woodly, Cave Underhill as Justice Clodpate, Anne Gibbs as Lucia, Mary Betterton as Mrs Jilt, James Nokes as Bisket and Edward Angel as Fribble.
Elizabeth "Betty" Cox was an English stage actress of the seventeenth century.
Marmaduke Watson was an English stage actor of the seventeenth century. Part of the King's Company based at the Theatre Royal, Drury Lane, he was one of the actors who sided with Charles Killigrew during a dispute in the company in 1677. In 1682 when the United Company was formed he left and went to Dublin to join the Smock Alley Theatre. He later returned to London where his final known performances were with Thomas Betterton's company at the Lincoln's Inn Fields Theatre.