Related Research Articles
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
African-American art is a broad term describing visual art created by African Americans. The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. Some have drawn on cultural traditions in Africa, and other parts of the world, for inspiration. Others have found inspiration in traditional African-American plastic art forms, including basket weaving, pottery, quilting, woodcarving and painting, all of which are sometimes classified as "handicrafts" or "folk art".
The Washington Color School, also known as the Washington, D.C., Color School, was an art movement starting during the 1950s–1970s in Washington, D.C., in the United States, built of abstract expressionist artists. The movement emerged during a time when society, the arts, and people were changing quickly. The founders of this movement are Morris Louis and Kenneth Noland, however four more artists were part of the initial art exhibition in 1965.
Samella Sanders Lewis was an American visual artist and art historian. She worked primarily as a printmaker and painter. She has been called the "Godmother of African American Art". She received Distinguished Artist Award for Lifetime Achievement from the College Art Association (CAA) in 2021.
“Art is not a luxury as many people think – it is a necessity. It documents history – it helps educate people and stores knowledge for generations to come.” – Dr. Samella Lewis
Renée Stout is an American sculptor and contemporary artist known for assemblage artworks dealing with her personal history and African-American heritage. Born in Kansas, raised in Pittsburgh, living in Washington, D.C., and connected through her art to New Orleans, her art reflects this interest in African diasporic culture throughout the United States. Stout was the first American artist to exhibit in the Smithsonian's National Museum of African Art.
Hans Anton Aschenborn was a renowned animal painter of African wildlife. He is the father of Dieter Aschenborn and the grandfather of Hans Ulrich Aschenborn, both painters.
Hans Ulrich "Uli" Aschenborn is a Southern African animal painter. The musea in Windhoek and Swakopmund (Namibia) have artwork of Uli as well as the National Art Gallery of Namibia.
Tulipamwe means "we are together" and is an independently funded artists project coordinated by the Tulipamwe Arts Trust in Namibia. The trust is organized under the auspices of the Visual & Performing Arts Department of the University of Namibia and is affiliated to the Triangle Network of Workshops initiated by Sir Robert Lauder.
Anja Marais is a South African sculptor and multi-disciplinary artist. She has completed residencies in Japan, Korea, Russia and Florida and completed solo and group shows in Asia, Europe and the US.
Aida Tomescu is an Australian contemporary artist who is known for her abstract paintings, collages, drawings and prints. Tomescu is a winner of the Dobell Prize for Drawing, the Wynne Prize for Landscape and the Sir John Sulman Prize, by the Art Gallery of New South Wales.
John Ndevasia Muafangejo was a Namibian artist who became internationally known as a maker of woodcut prints. He created linocuts, woodcuts and etchings.
Helga Kohl is a photographer born in Poland and based in Namibia whose work explores abandoned diamond mine towns in Namibia. Her main series of buildings in Kolmanskop show how the Namib desert's sands have reclaimed abandoned buildings. She is a member of the Professional Photographers in Southern Africa (PPSA) and her works have been exhibited and collected internationally, though especially prominent in Namibia.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Peju Alatise is a Nigerian artist, poet, writer, and a fellow at the National Museum of African Art, part of the Smithsonian Institution. Alatise received formal training as an architect at Ladoke Akintola University in Oyo State, Nigeria. She then went on to work for 20 years as a studio artist.
Senzeni Marasela is a South African visual artist born in Thokoza who works across different media, combining performance, photography, video, prints, textiles, and embroidery in mixed-media installations. She obtained a BA in Fine Arts at the Wits School of Arts, University of the Witwatersrand, Johannesburg in 1998.
Adama Delphine Fawundu is a Sierra Leonean-American multi-disciplinary photographer and visual artist promoting African culture and heritage, a co-founder and author of MFON: Women Photographers of the African Diaspora – a journal and book representing female photographers of African descent. Her works have been presented in numerous exhibitions worldwide. She uses multiple mediums to create works with themes about identity, utopia, decolonization, and stories of the past, present and future. She is a Professor of Visual Arts at Columbia University.
Mulenga Jestina Mulenga is a Zambian painter, writer, sculptor and photographer.
Yhonnie Scarce is an Australian glass artist whose work is held in major Australian galleries. She is a descendant of the Kokatha and Nukunu people of South Australia, and her art is informed by the effects of colonisation on Indigenous Australia, in particular Aboriginal South Australians. She has been active as an artist since completing her first degree in 2003, and teaches at the Centre of Visual Art in the Victorian College of the Arts in Melbourne.
The visual arts of Sudan encompass the historical and contemporary production of objects made by the inhabitants of today's Republic of the Sudan and specific to their respective cultures. This encompasses objects from cultural traditions of the region in North-East Africa historically referred to as the Sudan, including the southern regions that became independent as South Sudan in 2011.
Nicola Brandt is a Namibian-German artist working at the intersection between memory studies, landscape, ecology, and feminist and queer theory. Much of her work uses the metaphor of place and landscape and centres around themes of power, desire, and destruction.
References
- ↑ "About Nicky Marais". Imago Mundi. Retrieved 2021-10-24.
- 1 2 3 Viljoen, Hercules (2016). Weber, Carmen Sylvia (ed.). Namibia - Kunst einer jungen Generation / Namibia - Art of a Young Generation: Sammlung Würth und Leihgaben. Swiridoff Verlag. ISBN 9783899293326.
- ↑ Lange, Gill. "12 Artists From Namibia You Should Know". Culture Trip. Retrieved 2021-10-24.
- 1 2 "Art talk with Nicky Marais at NAGN". The Namibian . 2017-06-07. Retrieved 2021-10-24.
- ↑ Elago, Sabina (2017-05-19). "Painter creates presence in absence with exhibition". The Namibian .
