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Claude Le Jeune was a Franco-Flemish composer of the late Renaissance. He was the primary representative of the musical movement known as musique mesurée, and a significant composer of the "Parisian" chanson, the predominant secular form in France in the latter half of the 16th century. His fame was widespread in Europe, and he ranks as one of the most influential composers of the time.
Sandrin was a French composer of the Renaissance. He was a prolific composer of chansons in the middle of the 16th century, some of which were extremely popular and widely distributed.
Philippe Basiron was a French composer, singer, and organist of the Renaissance. He was an innovative and prominent composer of the late 15th century, and was praised by many of his contemporaries.
Guillaume Costeley [pronounced Cotelay](1530, possibly 1531 – 28 January 1606) was a French composer of the Renaissance. He was the court organist to Charles IX of France and famous for his numerous chansons, which were representative of the late development of the form; his work in this regard was part of the early development of the style known as musique mesurée. He was also one of very few 16th century French composers of music for keyboard. In addition, he was a founding member of the Académie de Poésie et de Musique along with poet Jean-Antoine de Baïf, and he was one of the earliest composers to experiment with microtonal composition.
Antoine de Bertrand was a French composer of the Renaissance. Early in his life he was a prolific composer of secular chansons, and late in his life he wrote hymns and canticles, under the influence of the Jesuits. He was murdered by Protestants during the French Wars of Religion.
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Musique mesurée à l'antique was a style of vocal musical composition in France in the late 16th century. In musique mesurée, longer syllables in the French language were set to longer note values, and shorter syllables to shorter, in a homophonic texture but in a situation of metric fluidity, in an attempt to imitate contemporary understanding of Ancient Greek music. Although this compositional method did not attain popularity at first, it attracted some of the most famous composers of the time. Its basis in a desire to re-create the artistic ethos of Ancient Greece, especially in respect to text declamation, had a strong similarity to contemporary movements in Italy, such as the work of the Florentine Camerata which engendered the first operas, and brought about the beginning of the Baroque era in music.
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Nationality words link to articles with information on the nation's poetry or literature.
The decade of the 1530s in music involved some significant events, publications, compositions, births, and deaths.
Pierre Clereau was a French composer, choirmaster and possibly organist of the Renaissance, active in several towns in Lorraine, including Toul and Nancy. He wrote both sacred and secular vocal music, in Latin, French, and Italian. Among his many compositions is a Requiem mass, as well as some sacred songs influenced by the Huguenot psalm style; he is not known, however, to have converted to Protestantism.
Cornelius Canis was a Franco-Flemish composer, singer, and choir director of the Renaissance, active for much of his life in the Grande Chapelle, the imperial Habsburg music establishment during the reign of Emperor Charles V. He brought the compositional style of the mid-16th century Franco-Flemish school, with its elaborate imitative polyphony, together with the lightness and clarity of the Parisian chanson, and he was one of the few composers of the time to write chansons in both the French and Franco-Flemish idioms.
Nicolas Bernier was a French Baroque composer.
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Guillaume Minoret was a French baroque composer.
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References
- Howard Mayer Brown: "Chanson, 4." The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
- Frank Dobbins: "Guillaume Costeley", Grove Music Online, ed. L. Macy (Accessed July 6, 2007), (subscription access)
- Reese, Gustave (1954). Music in the Renaissance . W. W. Norton & Co. ISBN 978-0-393-09530-2.
