Nicole Heaston (born 1965, USA) is an American soprano. She has sung for the Norwegian National Opera, and the Houston Grand Opera. [1] She has sung the role of Rosina in the Marriage of Figaro in the Boston Lyric Opera and the San Francisco Opera. [1] [2]
The Barber of Seville, or The Useless Precaution is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy The Barber of Seville (1775). The première of Rossini's opera took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
Rinat Shaham is an Israeli born mezzo-soprano who has received numerous accolades for her international operatic, concert and recital performances.
Isabel Bayrakdarian is a Lebanese-born Canadian operatic soprano of Armenian descent who now resides and works in the United States.
Ruth Ann Swenson is an American soprano who is renowned for her coloratura roles.
Agni Baltsa is a leading Greek mezzo-soprano singer.
Rebecca Ann Evans is a Welsh operatic soprano.
Anna Tomowa-Sintow is a Bulgarian soprano who has sung to great acclaim in all the major opera houses around the world in a repertoire that includes Mozart, Rossini, Verdi, Puccini, Heinrich Marschner,Wagner, and Strauss. She enjoyed a particularly close professional relationship with conductor Herbert von Karajan from 1973 until his death in 1989.
Catherine Malfitano is an American operatic soprano and opera director. Malfitano was born in New York City, the daughter of a ballet dancer mother, Maria Maslova, and a violinist father, Joseph Malfitano. She attended the High School of Music and Art and studied at the Frank Corsaro Studio and Manhattan School of Music, graduating in 1971. She often mentions that she was rejected from The Juilliard School.
Ferruccio Furlanetto is an Italian bass. His professional debut was in 1974 in Lonigo, he debuted at the Teatro alla Scala in Milan in 1979, in a production of Verdi's Macbeth, conducted by Claudio Abbado. He has gone on to sing numerous roles, including both Don Giovanni and Leporello in Mozart's Don Giovanni, Philip II in Verdi's Don Carlos, Figaro in Mozart's Le nozze di Figaro, Gremin in Tchaikovsky's Eugene Onegin, Zaccaria in Verdi's Nabucco, Méphistophélès in Gounod's Faust, Orestes in Strauss' Elektra, Fiesco in Verdi's Simon Boccanegra, the title role of Mussorgsky's Boris Godunov, as well as many other roles.
Mary Elizabeth Mills is an American opera singer.
Sarah Fox is an English operatic soprano who has performed at several of the world's leading opera houses, notably the Royal Opera House Covent Garden.
Miah Persson is a Swedish soprano, active internationally and in recordings.
Susanne Mentzer is an American operatic mezzo-soprano. She is best known for singing trouser roles, such as Cherubino in Mozart's Le nozze di Figaro, Idamante in Mozart's Idomeneo, Octavian in Richard Strauss' Der Rosenkavalier and the composer in Strauss' Ariadne auf Naxos, as well as other music of Mozart, Strauss, Rossini, Berlioz and Mahler.
Geraldine McMillian is an American soprano who has had an active career in concerts and operas since the mid-1980s.
Wendy White is an American mezzo-soprano who has had an active international singing career in operas and concerts since the late 1970s. She has performed annually with the Metropolitan Opera since her debut with the company in 1989, and as of April 2011 has appeared in a total of 505 performances at the Met.
Andrew Shore, is an English operatic baritone.
Brenda Lewis was an American operatic soprano, musical theatre actress, opera director, and music educator. She enjoyed a 20-year-long collaboration with the New York City Opera (NYCO) with whom she notably created roles in several world premieres by American composers; including the title role in Jack Beeson's Lizzie Borden in 1965. She also performed with frequency at the Metropolitan Opera from 1952 to 1965, and was active as a guest artist with notable opera companies both nationally and internationally. Although she is mainly remembered as an exponent of American operas and musicals, she performed a broad repertoire of works and was particularly celebrated for her portrayals of Marie in Wozzeck, Rosalinde in Die Fledermaus, and the title roles of Carmen and Salome; the latter of which she performed for the inauguration of the Houston Grand Opera in 1956.
Tracy Elizabeth Dahl is a Canadian coloratura soprano who has performed in opera houses and on concert stages around the world. Alongside her performing career, Dahl teaches voice at the University of Manitoba Desautels Faculty of Music, and conducts masterclasses and workshops across North America. She lives in Winnipeg, Manitoba with her husband and two children.
Gwendolyn Jones is an American operatic mezzo-soprano who has had an active career in concerts and operas since the late 1960s. From 1972–1980 she was a resident artist with the San Francisco Opera, and was afterwards a regular performer with the New York City Opera and New Orleans Opera.
Judith Christin is an American operatic mezzo-soprano.