Night Hostess

Last updated
Night Hostess
Written by Philip Dunning
Directed by Winchell Smith
Date premieredSeptember 12, 1928 (1928-09-12)
Place premiered Martin Beck Theatre
Original languageEnglish
SubjectNightclub melodrama
Genre Dramatic comedy
SettingThe lounge of the Little Casino, New York City

Night Hostess is a 1928 play in three acts written by Philip Dunning. Its author called it a Dramatic comedy, but most contemporary reviewers said it was a melodrama. [1] [2] It has a large cast, fast pacing, and one setting. The main storyline concerns a crooked nightclub manager who is robbing customers and cheating the owner, complicated by two murders and a romantic triangle.

Contents

Produced by John Golden and staged by Winchell Smith, it starred Norman Foster, Ruth Lyons, Averell Harris, Maurice Freeman, and Gail DeHart. [3] After tryouts in Atlantic City and Minneapolis-St. Paul during July and August, it ran on Broadway from September through December 1928. Night Hostess drew unfavorable comparisons from critics with the author's earlier Broadway . [4] [5]

Katharine Hepburn made her Broadway debut in Night Hostess, playing a bit part as one of the "Other Hostesses". She was billed under her own name (spelled as "Katherine") for the tryout in Minneapolis, [6] but according to IBDb took the stage name of "Katherine Burns" for the Broadway run.

Characters

Lead

Supporting

Featured

Bit players and Walk-ons

Synopsis

Chris Miller, manager of the Little Casino nightclub has been cheating the proprieter, Ben Fischer, for some time. Miller's girlfriend Julia, and his henchmen Hardware Herman and Hennessy have been setting up "chumps" for rolling after a big win. Miller is getting interested in hostess Buddy Miles, who also sings for the customers a ditty called Everybody's Buddy. One night a rolling goes wrong, and the chump is murdered, with Julia leaving her cigarette case behind in the apartment. Meanwhile, Ben Fischer has been getting suspicious about the club's income dip when it is busy every night. He sends for Rags Conway, a vaudeville performer, to be his secret informant in the club. Rags and Buddy have had a relationship going, but Miller has gotten Buddy's attention by promising her a part in a Chicago stage show in which he has an interest.

Julia, whose substance abuse has led her to a near breakdown, becomes jealous of Buddy, and threatens to spill about the murder. Miller kills her and stuffs her body in a trunk. Tom Hayes, assigned to investigate the killing, recognizes the cigarette case as belonging to his estranged wife, Julia. He questions Miller about her whereabouts, but gets no satisfaction. Miller, panicking, has some hoodlums shift the trunk with Julia's body several times. This draws the attention of Conway and Hayes, who finally are able to find the trunk. Miller sends for some hoodlums to take out Conway and Hayes, but the doorman Tish won't pass them thru into the club. Pursued by Hayes, Miller meets his literal downfall courtesy of an open elevator shaft.

Original production

Background

Philip Dunning's 1926 play Broadway had been a success, for which George Abbott received much credit for rewriting and directing. However, Dunning went solo on the writing for Night Hostess. A reporter at the second tryout said Dunning made note of audience reactions to specific lines and adjusted the dialogue. [7]

Producer John Golden managed an empire of touring stage and vaudeville companies. He advertised his productions extensively, and rather than trot out his players for the press, he cultivated journalists by giving personal interviews. [8] [9] He had a long-standing partnership with playwright-director Winchell Smith. [9]

Cast

The production was on hiatus from July 30 through August 25, 1928, and again from December 17 through December 23, 1928.

Principal cast for the tryouts in Atlantic City, Minneapolis, St. Paul, and during the original Broadway run.
RoleActorDatesNotes and sources
Rags Conway Ross Alexander Jul 23, 1928 - Jul 28, 1928He was just 17 when cast in the first tryout. [8]
Norman FosterAug 26, 1928 - Dec 29, 1928Foster replaced Alexander when the latter was injured in an auto accident just before the second tryout. [6]
Buddy Miles Marguerite Churchill Jul 23, 1928 - Jul 30, 1928She was just 18 when cast in the first tryout. [8]
Ruth LyonsAug 26, 1928 - Nov 03, 1928She left the production to take a lead in Jimmies Women. [10]
Kay CarlinNov 05, 1928 - Dec 29, 1928 [11]
Chris MillerAverell HarrisJul 23, 1928 - Dec 29, 1928
Ben FischerMaurice FreemanJul 23, 1928 - Dec 29, 1928
Julia BarnesGail DeHartJul 23, 1928 - Dec 29, 1928
Tish Porter Hall Jul 23, 1928 - Dec 29, 1928
Tom HayesCharles LaiteJul 23, 1928 - Dec 29, 1928
Hardware HermanJohn L. KearneyJul 23, 1928 - Dec 29, 1928
HennessyFrancis O'RelleyJul 23, 1928 - Dec 29, 1928
PeggyLouise KirtlandJul 23, 1928 - Dec 29, 1928
JoeNorvell KeedwellJul 23, 1928 - Jul 28, 1928
Henry LawrenceAug 26, 1928 - Dec 29, 1928
Frank WardellHarold WoolfJul 23, 1928 - Dec 29, 1928
DotLilian LyndonJul 23, 1928 - Dec 29, 1928
RitaJane AllynJul 23, 1928 - Dec 29, 1928
First ChumpJ. S. BoatsmanJul 23, 1928 - Dec 29, 1928
Second ChumpChester De WhirstJul 23, 1928 - Dec 29, 1928
Cyril KeaneGraham VelseyJul 23, 1928 - Dec 29, 1928

Tryouts

The play was first presented at the Apollo Theatre in Atlantic City for a one-week run beginning July 23, 1928. [12] The local reviewer gave the storyline and identified some cast members, but limited their opinions to general praise for the production. [12]

A. G. Bainbridge Jr., who leased the Metropolitan theaters in Minneapolis and St. Paul, struck a deal with John Golden to host the second tryout at his theaters. [13] Bainbridge agreed to pay for the round-trip cost of transporting the company from Atlantic City to Minneapolis, where the play would open at his Metropolitan Theatre on August 26, 1928. [13] After one week there, it would then move to the Metropolitan Theatre in St. Paul, Minnesota for another week-long run. [13]

When the play opened as scheduled, one local reviewer noted that it was either a "sequel" or "twin" to Broadway: "The resemblance between Broadway and Night Hostess is striking. Nearly every element in the former show has a counterpart in the second". [14] This same reviewer praised Averell Harris as the villain, and Norman Foster as "the juvenile lead", [fn 1] but thought "a stronger feminine lead" would help. [14]

Merle Posner wrote in his review that the theatre for the unusual Sunday opening night was "only partially filled", but the audience gave an "enthusiastic reception" to the play. [6] He also reported that author Dunning was making notes throughout the performance, and that Ruth Lyons as Buddy Miles would be more convincing with less refinement. [6]

Premiere and reception

Night Hostess had its Broadway premiere on September 12, 1928 at the Martin Beck Theatre. [4] Brooks Atkinson of The New York Times , who subtitled his review 'Foiling the Palukas', [fn 2] labelled Night Hostess as a "farrago", and said "It might well be the end of the Broadway formula in low-life melodrama". [4] He acknowledged the five leads performed their parts creditably, but said "Night Hostess seemed too much like forced and synthetic entertainment". [4]

Arthur Pollock in the Brooklyn Daily Eagle thought the only innovation in the play was to attempt an underworld melodrama without any salacious language, otherwise there was "no originality in either scene or dialogue". [1] Rowland Field in the Brooklyn Times Union said Night Hostess stood the comparison with Broadway well enough. [2] Burns Mantle was clear that Night Hostess might have benefited from the George Abbott touch, but considered it an exciting melodrama that pleased the opening night audience. [5]

Change of venue and closing

Night Hostess finished at the Martin Beck Theatre on Saturday, December 1, 1928, re-opening on Monday, December 3, 1928 at the Vanderbilt Theatre. It took a one-week hiatus from December 17, re-opening on December 24, 1928, only to close for good on December 29, 1928.

Notes

  1. The term "juvenile" in this context is not disparaging nor does it indicate a child, but rather at that time it was a type of male role, as an ingénue is a type of female role.
  2. A term more commonly spelled as 'palooka'.

Related Research Articles

<span class="mw-page-title-main">Oscar Levant</span> American comedian, composer, pianist and actor (1906-1972)

Oscar Levant was an American concert pianist, composer, conductor, author, radio game show panelist, television talk show host, comedian, and actor. He was known for his performances in the films Rhapsody in Blue (1945), The Barkleys of Broadway (1949), An American in Paris (1951), and The Band Wagon (1953). He was awarded a star on the Hollywood Walk of Fame in 1960 for recordings featuring his piano performances. He was equally famous for his mordant character and witticisms, on the radio and later in movies and television, as for his music. He was portrayed by Sean Hayes in the Broadway play Good Night, Oscar, written by Doug Wright.

The Desperate Hours is a 1955 play by Joseph Hayes, adapted from his 1954 novel of the same title. It is a three-act melodrama, with a medium sized cast and tense pacing. The story concerns a family of four, living in a suburb of Indianapolis, whose quiet home is invaded by three convicts recently escaped from prison.

<span class="mw-page-title-main">Wesley Addy</span> American actor (1913–1996)

Robert Wesley Addy was an American actor of stage, television, and film.

<i>Valley Forge</i> (play)


Valley Forge is a 1934 three-act historical play by Maxwell Anderson, about the winter that George Washington spent in Valley Forge. It has four settings, a large cast, and slow pacing. It concerns Washington's struggle to keep faith with his soldiers amidst intrigue from General Howe and the British Army in Philadelphia, and despite little support and outright treachery from the Continental Congress. Like the playwright's earlier historical dramas, Elizabeth the Queen and Mary of Scotland, the play's action, though set in historical circumstances, is fictional.

<i>Broken Glass</i> (play) 1994 play written by Arthur Miller

Broken Glass is a 1994 play by Arthur Miller, focusing on a couple in New York City in 1938, the same time of Kristallnacht, in Nazi Germany. The play's title is derived from Kristallnacht, which is also known as the Night of Broken Glass.

<span class="mw-page-title-main">Fulton Theatre</span> Former theatre in Manhattan, New York

The Fulton Theatre was a Broadway theatre located at 210 West 46th Street in Manhattan, New York City, that was opened in 1911. It was renamed the Helen Hayes Theatre in 1955. The theatre was demolished in 1982. After the former Little Theatre on 44th Street became the current Helen Hayes Theatre, the Fulton Theatre was sometimes referred to as the First Helen Hayes Theatre.

<span class="mw-page-title-main">Linda Balgord</span> American actress

Linda Balgord is an American Broadway actress and singer, most notable for playing Norma Desmond in the 1996 United States tour of Andrew Lloyd Webber's musical Sunset Boulevard, being the last actress to portray Grizabella in the original Broadway run of Cats, and originating the role of Queen Elizabeth I in The Pirate Queen on Broadway. She has also played the role of Madame Giry in Andrew Lloyd Webber's The Phantom of the Opera, in both the restaged North American tour and on Broadway.

<span class="mw-page-title-main">Dorothy Appleby</span> American actress (1906–1990)

Dorothy Appleby was an American film actress. She appeared in over 50 films between 1931 and 1943.

Murray Kinnell was a British-born American actor, recognized for playing smooth, gentlemanly, although rather shady characters. He began acting on the English stage in 1907, toured in the United States from 1912 through 1914, then returned to England where he served in the British Army during World War I. After the war, he emigrated to the US. He appeared in 71 films between the pre-code era of 1930 and 1937. He later served the Screen Actors Guild in several positions for 16 years.

<span class="mw-page-title-main">A Night in Spain</span>

A Night in Spain is a musical revue with a book by Harold R. Atteridge, music by Jean Schwartz and lyrics by Al Bryan. Additional music and lyrics were contributed by Phil Baker, Sid Silvers and Ted Healy. The revue was presented on Broadway in 1927 for a total of 174 performances.

<span class="mw-page-title-main">Blanche Friderici</span> American actress (1878–1933)

Blanche L. Friderici was an American film and stage actress, sometimes credited as Blanche Frederici.

The Tender Trap is a 1954 play by Max Shulman and Robert Paul Smith. It is a three-act farce, with a small cast, one setting, and moderate pacing. The story concerns a bachelor with a trio of professional women and a recent college grad as girl friends, who tries to avoid their suggestions of marriage.

The Woman Racket is an extant 1930 Pre-Code talking film produced and distributed by Metro-Goldwyn-Mayer starring Tom Moore and Blanche Sweet. It is based on a 1928 Broadway play, Night Hostess by Philip Dunning. In January 2012 the film became available on DVD from the Warner Archive collection home library. It was one of Blanche Sweet's three talking films.

<span class="mw-page-title-main">Alice Frost</span> American actress (1910–1998)

Alice Frost was an American actress. An inaugural member of Orson Welles's Mercury Theatre on radio and the stage, she later performed the role of Pamela North on the radio series Mr. and Mrs. North for nearly 10 years.

<span class="mw-page-title-main">House Jameson</span> American actor (1902–1971)

House Baker Jameson was an American actor in the era of old-time radio and early television.

George Dewey Washington (1898–1954) was an American singer active in vaudeville and motion pictures from the 1920s through the 1940s. He was a baritone or bass-baritone who often appeared on stage in the guise of "The Gentleman Tramp". He was sometimes compared to Al Jolson.

<span class="mw-page-title-main">Percy Waram</span>

Percy Thomas Carne Waram was a British-born stage and film actor who spent much of his career in the United States. His career lasted 55 years on the American stage, and he had memorable roles in The Shanghai Gesture, Elizabeth the Queen, Mary of Scotland, Pride and Prejudice, and Anne of the Thousand Days. He starred in the Chicago production of Life With Father for three years, setting box office and attendance records, after which he took the production on the road for another 38 weeks. He starred in the Broadway production of The Late George Apley for a year, and then spent another 80 weeks with the show's national tour.

Molière is a 1919 play written by Philip Moeller, who subtitled it "A Romantic Play in Three Acts". It has a medium-sized cast, moderate pacing, and two sets; Acts I and III share the same set. Some of the play's characters are historical, figures from the French court of the 1670s. The first two acts have a single scene, while the third has a curtain drop to signal the passage of two hours time. The play shows a few scenes from the twilight of Molière, as he loses the favor of Louis XIV but retains his independence.

Boy Meets Girl is a three-act, seven-scene play, written by Bella and Samuel Spewack, staged and produced by George Abbott. It is a farce with a large cast, fast pacing, two settings and a film sequence. The action centers around two scenarists at the Royal Studios in Hollywood, their volatile producer, the fading western actor they write for, and a pregnant single waitress whose baby they turn into a film star. The play's title comes from a trope common to early film plots: Boy Meets Girl, Boy Loses Girl, Boy Gets Girl. Though not original to the play, the phrase received a boost in popular usage as a result.

<i>The Family Upstairs</i>

The Family Upstairs is a play in three acts by Harry Delf. It has a medium-sized cast, one setting, and quick pacing. It is a domestic comedy, centered around the five-member apartment-dwelling Heller family, their endless bickering, and the elder daughter's suitor.

References

  1. 1 2 Pollock, Arthur (September 13, 1928). "The Theaters". Brooklyn Daily Eagle. Brooklyn, New York. p. 36 via Newspapers.com.
  2. 1 2 Field, Rowland (September 13, 1928). "The New Play". Brooklyn Times Union. Brooklyn, New York. p. 8 via Newspapers.com.
  3. Kayton, Alvin J. (September 13, 1928). "The Premiere". Brooklyn Citizen. Brooklyn, New York. p. 3 via Newspapers.com.
  4. 1 2 3 4 Atkinson, J. Brooks (September 13, 1928). "The Play". The New York Times. New York, New York. p. 40 via NYTimes.com.
  5. 1 2 Mantle, Burns (September 13, 1928). "'Night Hostess' A Broadway Echo". Daily News. New York, New York. p. 363 via Newspapers.com.
  6. 1 2 3 4 Posner, Merle (August 27, 1928). "'Night Hostess' Wins Approval". The Minneapolis Journal. Minneapolis, Minnesota. p. 10 via Newspapers.com.
  7. Lowry, Helen Bullit (August 28, 1928). "'Night Hostess' Audiences Help Write Broadway Play". The Minneapolis Star. Minneapolis, Minnesota. p. 2 via Newspapers.com.
  8. 1 2 3 Dimon, Howard P. (July 29, 1928). "John Golden Puts Dependence On Atlantic City's Opinion". Atlantic City Sunday Press. Atlantic City, New Jersey. p. 32 via Newspapers.com.
  9. 1 2 "'Night Hostess' Producer Here". The Minneapolis Journal. Minneapolis, Minnesota. September 1, 1928. p. 9 via Newspapers.com.
  10. "Guest Artist In 'Jimmies Women'". Brooklyn Times Union. Brooklyn, New York. November 12, 1928. p. 10 via Newspapers.com.
  11. "Playhouse News". Brooklyn Times Union. Brooklyn, New York. November 4, 1928. p. 131 via Newspapers.com.
  12. 1 2 Farrell, J. J. (July 24, 1928). "New Apollo Show Is Good Entertainment". Atlantic City Daily Press. Atlantic City, New Jersey. p. 2 via Newspapers.com.
  13. 1 2 3 "Minneapolis to See Play Before New York Does". The Minneapolis Star. Minneapolis, Minnesota. August 1, 1928. p. 1 via Newspapers.com.
  14. 1 2 "Drama". The Star-Tribune. Minneapolis, Minnesota. August 27, 1928. p. 7 via Newspapers.com.