Paulette Dubost was a French actress who began her career at the age of 7 at the Paris Opera.
La Maison de la Fléche is a 1930 French mystery film directed by Henri Fescourt, starring Alice Field, Léon Mathot and Gaston Dupray. The film was based on the 1924 novel The House of the Arrow by A.E.W. Mason, and was made at Twickenham Studios in London as part of a co-production that saw an English-language version directed by Leslie S. Hiscott.
The Chocolate Girl is a 1950 French musical comedy film directed by André Berthomieu and starring Giselle Pascal, Claude Dauphin and Henri Genès. It is based on a play by Paul Gavault. An earlier adaptation The Chocolate Girl was released in 1932.
The Scandal is a 1934 French romantic drama film directed by Marcel L'Herbier and starring Gaby Morlay, Henri Rollan, and Jean Galland. The film is based on a play written by Henry Bataille, which had previously been turned in a 1923 British silent film of the same title.
Roger la Honte is a 1946 French historical drama film directed by André Cayatte and starring Lucien Coëdel, María Casares and Paul Bernard. The film is an adaptation of the novel of the same name by Jules Mary. It was followed by a sequel The Revenge of Roger featuring many of the original cast and released the same year.
Happy Go Lucky is a 1946 French comedy film directed by Marcel L'Herbier and starring Danielle Darrieux, André Luguet and François Périer. It was shot at the Neuilly Studios in Paris. The film's sets were designed by the art director Jacques Colombier.
Le Bal is a 1931 French comedy drama film directed by Wilhelm Thiele, and written jointly by Curt Siodmak, Ladislas Fodor and Henri Falk (dialogue). A German-language version, Der Ball, was simultaneously filmed with a different cast.
The Man from Nowhere is a 1937 French drama film directed by Pierre Chenal and starring Pierre Blanchar, Isa Miranda and Catherine Fonteney. It was made at the Cines Studios in Rome, and based on Luigi Pirandello's 1904 novel Il fu Mattia Pascal. A separate Italian-language version of the film was also produced.
White as Snow is a 1948 French comedy film directed by André Berthomieu and starring Bourvil, Mona Goya and Paulette Dubost. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Raymond Nègre. It was a hit, with admissions in France of 3,666,283.
King Pandora is a 1950 French comedy film directed by André Berthomieu and starring Bourvil, Mathilde Casadesus and Paulette Dubost. It was a sizeable box office hit. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Raymond Nègre.
A Caprice of Pompadour is a 1931 French historical musical film directed by Joë Hamman and Willi Wolff and starring André Baugé, Marcelle Denya and Gaston Dupray. A separate German version Madame Pompadour was also made. It marked the film debut of the future star Suzy Delair.
My Aunt from Honfleur is a 1949 French comedy film directed by René Jayet and starring Suzanne Dehelly, Jean Parédès and Paulette Dubost. It is based on the 1914 play My Aunt from Honfleur by Paul Gavault.
Atlantis is a 1930 drama film directed by Ewald André Dupont and Jean Kemm and starring Maxime Desjardins, Alice Field and Constant Rémy. The film was made as French version of the British film Atlantic, produced by British International Pictures at Elstree Studios. Such Multiple-language versions were common in the early years of sound before dubbing became a more established practice. Like the original version it is based on the 1929 West End play The Berg by Ernest Raymond.
The Last of the Six is a 1941 French mystery thriller film directed by Georges Lacombe and starring Pierre Fresnay, Michèle Alfa and Suzy Delair. It was shot at the Billancourt Studios in Paris. The film's sets were designed by the art director Andrej Andrejew. It is based on the 1931 novel The Six Dead Men by the Belgian writer Stanislas-André Steeman.
Ferdinand the Roisterer is a 1935 French comedy film directed by René Sti and starring Fernandel, Paulette Dubost and André Alerme. The film is based on 1895 one-act play of the same title by Léon Gandillot. It was shot at the Cité Elgé studios of Gaumont in Paris. The film's sets were designed by the art director Pierre Schild.
Azaïs is a 1931 French comedy film directed by René Hervil and starring Max Dearly, Simone Rouvière and Jeanne Saint-Bonnet. It is based on a play of the same title by Georges Berr and Louis Verneuil. The film's sets were designed by the art director Jean d'Eaubonne.
In Venice, One Night is a 1937 French comedy film directed by Christian-Jaque and starring Albert Préjean, Elvire Popesco and Roger Karl. It was made at the Cité Elgé studios in Paris. The film's sets were designed by the art director Pierre Schild. Location shooting took place in Nice and Venice.
The Nude Woman is a 1949 French drama film directed by André Berthomieu and starring Yves Vincent, Gisèle Pascal and Jean Tissier. It is based on the 1909 play of the same title by Henry Bataille. The film's sets were designed by the art director Raymond Nègre.
The Firemen's Ball is a 1948 French comedy drama film directed by André Berthomieu and starring Claude Dauphin, Paulette Dubost and Dominique Nohain. The film's sets were designed by the art director Raymond Nègre.
A Telephone Call is a 1932 French comedy film directed by Georges Lacombe and starring Jean Weber, Colette Darfeuil and Jeanne Boitel. It is based on a play of the same title by Paul Gavault and Georges Berr. The film's sets were designed by the art directors Eugène Lourié, Lazare Meerson and Pierre Schild.
