Nils Ohlsen (born 1967 in Oldenburg, Germany), is director of the Lillehammer Art Museum since 2018. From 2010 to 2018 he worked as the director of old masters and modern art at the National Museum of Art, Architecture and Design in Oslo since 2010. Before that he worked as curator at the Kunsthalle Emden, from 2006 as scientific director. He studied art history, classical archaeology and prehistory, as well as multimedia design, in Berlin and Stockholm, also working as an archaeologist in 1996/97. In 1993 he obtained a magister artium degree at the Freie Universität Berlin with a thesis on Max Beckmann, before completing his PhD in 1997 at the same university with a dissertation on Scandinavian interior painting in the late 19th and early 20th centuries.
He has organized and written essays for many exhibitions and publications on art from romanticism until today, including ones on The nude in 20th-century art (2002), Garden Eden. The garden in art since 1900 (2007), Realism, Adventure Reality (2010), Between Film and Art - Storyboards from Hitchcock to Spielberg (2011) and Edvard Munch 1863-1944 (2013, co-curator). [1] He is considered among the leading Munch scholars. [2]
Edvard Munch was a Norwegian painter. His 1893 work, The Scream, has become one of Western art's most acclaimed images.
The Scream is a composition created by Norwegian artist Edvard Munch in 1893. The Norwegian name of the piece is Skrik (Scream), and the German title under which it was first exhibited is Der Schrei der Natur. The agonized face in the painting has become one of the most iconic images of art, seen as symbolizing the anxiety of the human condition. Munch's work, including The Scream, had a formative influence on the Expressionist movement.
Madonna is the usual title given to several versions of a composition by the Norwegian expressionist painter Edvard Munch showing a bare-breasted half-length female figure created between 1892 and 1895 using oil paint on canvas. He also produced versions in print form.
The National Museum of Art in Norway, also known simply as the National Museum, shortened NaM is a Norwegian state-owned museum in Oslo. It holds the Norwegian state's public collection of art, architecture, and design objects. The collection totals over 400.000 works, amongst them the first copy of Edvard Munch's The Scream from 1893.
The Neue Galerie New York is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan.
The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world.
The Dixon Gallery and Gardens is an art museum within 17 acres of gardens, established in 1976, and located at 4339 Park Avenue, Memphis, Tennessee, United States.
The Berlin Secession was an art movement established in Germany on May 2, 1898. Formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded," demonstrating against the standards of academic or government-endorsed art. The movement is classified as a form of German Modernism, and came on the heels of several other secessions in Germany, including Jugendstil and the Munich Secession.
The Sick Child is the title given to a group of six paintings and a number of lithographs, drypoints and etchings completed by the Norwegian artist Edvard Munch between 1885 and 1926. All record a moment before the death of his older sister Johanne Sophie (1862–1877) from tuberculosis at 15. Munch returned to this deeply traumatic event repeatedly in his art over a period of more than 40 years. In the works, Sophie is typically shown on her deathbed accompanied by a dark-haired, grieving woman assumed to be her aunt Karen; the studies often show her in a cropped head shot. In all the painted versions Sophie is sitting in a chair, obviously suffering from pain, propped by a large white pillow, looking towards an ominous curtain likely intended as a symbol of death. She is shown with a haunted expression, clutching hands with a grief-stricken older woman who seems to want to comfort her but whose head is bowed as if she cannot bear to look the younger girl in the eye.
For much of its history Norwegian art is usually considered as part of the wider Nordic art of Scandinavia. It has, especially since about 1100 AD, been strongly influenced by wider trends in European art. After World War II, the influence of the United States strengthened substantially. Due to generous art subsidies, contemporary Norwegian art has a high production per capita.
Puberty is an 1894–95 painting created by Norwegian artist Edvard Munch. Puberty has associations with both symbolism and expressionism, the former a movement from which Munch emerged, and the latter a movement in which Munch was pivotal. It is part of an informal series or cycle of paintings, prints, and images known as The Frieze of Life, that Munch created in 1890s, although he often revisited and explored themes and images from the series throughout his career. The painting was also done as a lithograph and an etching by Munch.
The National Gallery is a gallery in Oslo, Norway. Since 2003 it is administratively a part of the National Museum of Art, Architecture and Design.
Massimiliano Gioni is an Italian curator and contemporary art critic based in New York City, and artistic director at the New Museum. He is the artistic director of the Nicola Trussardi Foundation in Milan as well as the artistic director of the Beatrice Trussardi Foundation. Gioni was the curator of the 55th Venice Biennale in 2013.
Robert Meyer is a Norwegian art photographer, professor, photo historian, collector, writer and publicist. He is the son of journalist Robert Castberg Meyer and homemaker Edel Nielsen; and brother of the industrial designer Terje Meyer.
The Kiss is an oil painting on canvas completed by the Norwegian symbolist artist Edvard Munch in 1897. Part of his Frieze of Life, which depicts the stages of a relationship between men and women, The Kiss is a realization of a motif with which he had experimented since 1888/89: a couple kissing, their faces fusing as one in a symbolic representation of their unity. Exhibited as early as 1903, this work is held at the Munch Museum in Oslo.
Joanna Mytkowska (1970) is a Polish curator and art critic. She has been the director of the Museum of Modern Art, Warsaw since 2007. She is the co-founder of the Foksal Gallery Foundation, which since 2001 has been operating independently from the Foksal Gallery.
Model by the Wicker Chair is a 1919–1921 painting by the Norwegian artist Edvard Munch that is in the collection of the Munch Museum in Oslo.
John B. Ravenal is an art historian, writer, and museum curator. Before 1998, he was the Associate Curator of 20th-Century Art at the Philadelphia Museum of Art. From 1998 to 2015 he was curator of contemporary art at the Virginia Museum of Fine Arts in Richmond, Virginia, where he organized exhibitions of Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project(2011), and Sally Mann: The Flesh and The Spirit (2010). He was curator of the VMFA's Jasper Johns and Edvard Munch exhibition, Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life. His lecture about the exhibition took place in the Leslie Cheek Theater in the Virginia Museum of Fine Arts. The show opened in November 2016 in partnership with the Munch Museum in Oslo. He is the author of the exhibition catalogue Jasper Johns and Edvard Munch: Inspiration and Transformation.
Una Johnson was an American curator and art historian. She was the head curator of prints and drawings at the Brooklyn Museum for more than 25 years.
A single-artist museum features the life and work of one artist and can be a private or public entity. It can be established during the artist's lifetime or after the artist's death.