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Nirmal Puwar is a Professor in the department of Sociology at Goldsmiths University and Co-Director of Methods Lab. [1] She is a member of the Feminist Review editorial collective since 2000. [2] Puwar has co-edited 17 Collections, including: Post-colonial Bourdieu; Orientalism and Fashion; Intimacy in Research; Live Methods and, South Asian Women in the Diaspora. [3]
Puwar has written about and researches postcolonialism; institutions, race and gender & critical methodologies and has written two books; Space Invaders: race, gender and bodies out of place (2004), [4] in which she argues that that diversity is about perceptions of whiteness rather than how whiteness operates, [5] and Fashion and Orientalism (2003). [6] In 2007, she directed the film Coventry Ritz which emphasizes "the haunting remnants of emptied out architecture and unused space." [7]
Goldsmiths, University of London, legally the Goldsmiths' College, is a constituent research university of the University of London. It was originally founded in 1891 as The Goldsmiths' Technical and Recreative Institute by the Worshipful Company of Goldsmiths in New Cross, London. It was renamed Goldsmiths' College after being acquired by the University of London in 1904, and specialises in the arts, design, computing, humanities and social sciences. The main building on campus, known as the Richard Hoggart Building, was originally opened in 1844 and is the site of the former Royal Naval School.
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Feminist geography is a sub-discipline of human geography that applies the theories, methods, and critiques of feminism to the study of the human environment, society, and geographical space. Feminist geography emerged in the 1970s, when members of the women's movement called on academia to include women as both producers and subjects of academic work. Feminist geographers aim to incorporate positions of race, class, ability, and sexuality into the study of geography. The discipline was a target for the hoaxes of the grievance studies affair.
Paul Gilroy is an English sociologist and cultural studies scholar who is the founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at University College London (UCL). Gilroy is the 2019 winner of the €660,000 Holberg Prize, for "his outstanding contributions to a number of academic fields, including cultural studies, critical race studies, sociology, history, anthropology and African-American studies".
Intersectionality is a sociological analytical framework for understanding how groups' and individuals' social and political identities result in unique combinations of discrimination and privilege. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, height, physical appearance, age, and weight. These intersecting and overlapping social identities may be both empowering and oppressing.
Cyberfeminism is a feminist approach which foregrounds the relationship between cyberspace, the Internet, and technology. It can be used to refer to a philosophy, art practices, methodologies or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general.
Black feminism is a branch of feminism that focuses on the African-American woman's experiences and recognizes the intersectionality of racism and sexism. Black feminism philosophy centers on the idea that "Black women are inherently valuable, that liberation is a necessity not as an adjunct to somebody else's but because of our need as human persons for autonomy."
Standpoint feminism is a theory that feminist social science should be practiced from the standpoint of women or particular groups of women, as some scholars say that they are better equipped to understand some aspects of the world. A feminist or women's standpoint epistemology proposes to make women's experiences the point of departure, in addition to, and sometimes instead of men's.
Fat feminism, often associated with "body-positivity", is a social movement that incorporates feminist themes of equality, social justice, and cultural analysis based on the weight of a woman or a non-binary feminine person. This branch of feminism intersects misogyny and sexism with anti-fat bias. Fat feminists advocate body-positive acceptance for all bodies, regardless of their weight, as well as eliminating biases experienced directly or indirectly by fat people. Fat feminists originated during third-wave feminism and is aligned with the fat acceptance movement. A significant portion of body positivity in the third-wave focused on embracing and reclaiming femininity, such as wearing makeup and high heels, even though the second-wave fought against these things. Contemporary western fat feminism works to dismantle oppressive power structures which disproportionately affect fat, queer, non-white, disabled, and other non-hegemonic bodies. It covers a wide range of topics such as diet culture, fat-phobia, representation in media, ableism, and employment discrimination.
Womyn-born womyn (WBW) is a term developed during second-wave feminism to designate women who were assigned female at birth, were raised as girls, and identify as women. The policy is noted for exclusion of trans women. Third-wave feminism and fourth-wave feminism have generally done away with the idea of WBW.
Sara Ahmed is a British-Australian writer and scholar whose area of study includes the intersection of feminist theory, lesbian feminism, queer theory, affect theory, critical race theory and postcolonialism. Her foundational work, The Cultural Politics of Emotion, in which she explores the social dimension and circulation of emotions, is recognized as a foundational text in the nascent field of affect theory.
HERESIES: A Feminist Publication on Art and Politics (1977–1993) was a feminist journal that was produced by the New York–based Heresies Collective.
In 2015 a racial controversy developed in the United Kingdom surrounding the activities of Bahar Mustafa, a representative for Goldsmiths Students' Union. The incident resulted in media and academic discussions regarding hate of boys and men, race relations and the impact of police investigations on free speech.
Multiracial feminist theory refers to scholarship written by women of color (WOC) that became prominent during the second-wave feminist movement. This body of scholarship "does not offer a singular or unified feminism but a body of knowledge situating women and men in multiple systems of domination."
White feminism is a term which is used to describe expressions of feminism which are perceived as focusing on white women while failing to address the existence of distinct forms of oppression faced by ethnic minority women and women lacking other privileges. Whiteness is crucial in structuring the lived experiences of white women across a variety of contexts. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. In white feminism, the oppression of women is analyzed through a single-axis framework, consequently erasing the identity and experiences of ethnic minority women in the space. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
Alok Vaid-Menon is an American writer, performance artist, and media personality. Vaid-Menon is gender non-conforming and transfeminine, and uses the singular they third person pronouns.
Heidi Safia Mirza is a British academic, who is Professor of Race, Faith and Culture at Goldsmiths, University of London, Professor Emerita in Equalities Studies at the UCL Institute of Education, and visiting professor in Social Policy at the London School of Economics (LSE). She has done pioneering research on race, gender and identity in education, multiculturalism, Islamophobia and gendered violence, and was one of the first black women professors in Britain. Mirza is author and editor of several notable books, including Young, Female and Black (1992), Black British Feminism (1997), Tackling the Roots of Racism: Lessons for Success (2005), Race Gender and Educational Desire: Why Black Women Succeed and Fail (2009), Black and Postcolonial Feminisms in New Times (2012), and Respecting Difference: Race, Faith, and Culture for Teacher Educators (2012).
Brittney Cooper is an American academic author, activist, and cultural critic. She is a professor of women’s, gender, and sexuality studies and Africana studies, and the principal investigator and founding director of the Race and Gender Equity Lab at Rutgers University–New Brunswick.
Feminist rhetoric emphasizes the narratives of all demographics, including women and other marginalized groups, into the consideration or practice of rhetoric. Feminist rhetoric does not focus exclusively on the rhetoric of women or feminists but instead prioritizes the feminist principles of inclusivity, community, and equality over the classic, patriarchal model of persuasion that ultimately separates people from their own experience. Seen as the act of producing or the study of feminist discourses, feminist rhetoric emphasizes and supports the lived experiences and histories of all human beings in all manner of experiences. It also redefines traditional delivery sites to include non-traditional locations such as demonstrations, letter writing, and digital processes, and alternative practices such as rhetorical listening and productive silence. In her book, Rhetorical Feminism and This Thing Called Hope (2018), Cheryl Glenn describes rhetorical feminism as, "a set of tactics that multiplies rhetorical opportunities in terms of who counts as a rhetor, who can inhabit an audience, and what those audiences can do." Rhetorical feminism is a strategy that counters traditional forms of rhetoric, favoring dialogue over monologue and seeking to redefine the way audiences view rhetorical appeals.
Bread and Roses was a socialist women's liberation collective active in Boston in the 1960s and 1970s. The group is named after the slogan of the 1912 Lawrence textile strike, with Bread signifying decent wages and Roses meaning shorter hours and more leisure time. The overarching theme of the original Bread and Roses movement pertained to gaining economic stability and dignity for women across the workforce.
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