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Peer Gynt is a 1934 German drama film directed by Fritz Wendhausen and starring Hans Albers, Lucie Höflich and Marieluise Claudius. It is based on the play Peer Gynt by Henrik Ibsen.
The Humble Man and the Chanteuse is a 1925 German silent film directed by E. A. Dupont and starring Lil Dagover, Olga Limburg and Margarete Kupfer. It was based on a novel by Felix Hollaender.
The Girl with the Whip is a 1929 German silent comedy film directed by Carl Lamac and starring Anny Ondra, Werner Fuetterer and Sig Arno. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Heinrich Richter. It was based on a play by Hans H. Zerlett.
People to Each Other is a 1926 German silent film directed by Gerhard Lamprecht and starring Alfred Abel, Aud Egede-Nissen, and Eduard Rothauser. The film's art direction was by Otto Moldenhauer.
Target in the Clouds is a 1939 German drama film directed by Wolfgang Liebeneiner and starring Albert Matterstock, Leny Marenbach and Brigitte Horney. It was based on a novel by Hans Rabl. The film portrays the struggles of the fictional German aviation pioneer Walter von Suhr, an officer in the pre-First World War German army who saw the potential for military aircraft.
The Heart of St. Pauli is a 1957 West German musical film directed by Eugen York and starring Hans Albers, Hansjörg Felmy and Jürgen Wilke. The film is set in the St. Pauli district of Hamburg and was an attempt to capitalise on the success of Albers’ earlier starring role in Große Freiheit Nr. 7. It was made by the Hamburg-based studio Real Film and shot at the Wandsbek Studios and on location in the city. The film's sets were designed by the art directors Mathias Matthies and Ellen Schmidt.
Hurrah! I'm a Father or Hurrah! I'm a Papa is a 1939 German comedy film directed by Kurt Hoffmann and starring Heinz Rühmann, Albert Florath, and Carola Höhn.
The Divine Jetta is a 1937 German musical comedy film directed by Erich Waschneck and starring Grethe Weiser, Viktor de Kowa, and Marina von Ditmar.
The Venus of Montmartre is a 1925 German silent drama film directed by Frederic Zelnik and starring Lya Mara, Hans Albers, Jack Trevor, and Olga Tschechowa.
Last Stop is a 1935 German romantic comedy film directed by E. W. Emo and starring Paul Hörbiger, Hans Moser, and Josefine Dora. It was filmed and set in Vienna.
Semi-Silk is a 1925 German silent film directed by Richard Oswald and starring Bernd Aldor, Mary Parker and Valeska Stock.
Suzy Saxophone or Saxophone Suzy is a 1928 French-German silent comedy film directed by Karel Lamač and starring Anny Ondra and Hans Albers. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Carl Ludwig Kirmse.
Painted Youth is a 1929 German silent drama film directed by Carl Boese and starring Toni van Eyck, Wolfgang Zilzer, and Olga Limburg. It was shot at the National Studios in Berlin. The film's sets were designed by Karl Machus.
Nanette is a 1940 German musical film directed by Erich Engel and starring Jenny Jugo, Hans Söhnker and Albrecht Schoenhals.
Dangerous Game is a 1937 German comedy film directed by Erich Engel and starring Jenny Jugo, Harry Liedtke and Karl Martell.
The Coral Princess is a 1937 German-Yugoslav comedy film directed by Victor Janson and starring Iván Petrovich, Hilde Sessak and Ita Rina.
Love's Carnival is a 1955 West German historical drama film directed by Willy Birgel and starring Ruth Niehaus, Dietmar Schönherr and Elma Karlowa. It was shot at the Wiesbaden Studios and on location in Baden-Baden and Rastatt. The film's sets were designed by the art directors Fritz Maurischat and Theo Zwierski.
Midnight is a 1918 German silent crime film directed by Ewald André Dupont and starring Max Landa, Karl Beckersachs and Reinhold Schünzel.
With the Eyes of a Woman is a 1942 German drama film directed by Karl Georg Külb and starring Ada Tschechowa, Olga Tschechowa and Gustav Fröhlich.
The Merciful Lie is a 1939 German drama film directed by Werner Klingler and starring Hilde Krahl, Elisabeth Flickenschildt and Ernst von Klipstein. It was shot at the Johannisthal Studios in Berlin and on location in Bremen. The film's sets were designed by the art directors Karl Böhm and Erich Czerwonski.
References
- ↑ Parish p.4
