No pain, no gain (or "No gain without pain") is a proverb, used since the 1980s as an exercise motto that promises greater value rewards for the price of hard and even painful work. Under this conception competitive professionals, such as athletes and artists, are required to endure pain (physical suffering) and stress (mental/emotional suffering) to achieve professional excellence. Medical experts agree that the proverb is mostly ineffective for exercise. [1]
It came into prominence after 1982 when actress Jane Fonda began to produce a series of aerobics workout videos. In these videos, Fonda would use "No pain, no gain" and "Feel the burn" as catchphrases for the concept of working out past the point of experiencing muscle aches. [2]
It expresses the belief that solid large muscle is the result of training hard. Delayed onset muscle soreness is often used as a measure of the effectiveness of a workout. [3]
In terms of the expression used for development, the discomfort caused may be beneficial in some instances while detrimental in others. Detrimental pain can include joint pain. Beneficial pain usually refers to that resulting from tearing microscopic muscle fibers, which will be rebuilt more densely, making a bigger muscle.
The expression has been adopted in a variety of sports and fitness activities, beginning in 1982 to present day.
David B. Morris wrote in The Scientist in 2005, "'No pain, no gain' is an American modern mini-narrative: it compresses the story of a protagonist who understands that the road to achievement runs only through hardship." [4] The concept has been described as being a modern form of Puritanism. [5]
The ancient Greek poet Hesiod (c. 750-650 BC) expresses this idea in Works and Days where he wrote:
...But before the road of Excellence the immortal gods have placed sweat. And the way to it is long and steep and rough at first. But when one arrives at the summit, then it is easy, even though remaining difficult. [6] [7] [8] [9]
The ancient Greek playwright Sophocles (5th Century BC) expresses this idea in the play Electra (line 945). [7] [10] [11] This line is translated as: "nothing truly succeeds without pain", [12] "nothing succeeds without toil", [13] "there is no success without hard work", [14] and "Without labour nothing prospers (well)." [15]
A form of this expression is found in the beginning of the second century, written in The Ethics of the Fathers 5:23 (known in Hebrew as Pirkei Avot ), which quotes Ben Hei Hei as saying, "According to the pain is the reward." [10] [16] [17] This is interpreted to be a spiritual lesson; without the pain in doing what God commands, there is no spiritual gain.
In 1577 British poet Nicholas Breton wrote: "They must take pain that look for any gain." [18]
One of the earliest attestations of the phrase comes from the poet Robert Herrick in his "Hesperides". In the 1650 edition, a two-line poem was added:
NO PAINS, NO GAINS.
If little labour, little are our gains:
Man's fate is according to his pains.
A version of the phrase was crafted by Benjamin Franklin, in his persona of Poor Richard (1734), to illustrate the axiom "God helps those who help themselves":
Industry need not wish, as Poor Richard says, and he that lives upon hope will die fasting. There are no gains, without pains...
— as reprinted in his The Way to Wealth (1758) [20]
In the phrase, Franklin's central thesis was that everyone should exercise 45 minutes each day. [21]
In 1853 R. C. Trench wrote in On Lessons in Proverbs iv: "For the most part they courageously accept the law of labour, No pains, no gains,—No sweat, no sweet, as the appointed law and condition of man's life." [18]
In 1859 Samuel Smiles included “No pains no gains” in a list of proverbs about the secret to making money in Self-Help_(book).
In Greek mythology, Agamemnon was a king of Mycenae who commanded the Achaeans during the Trojan War. He was the son of King Atreus and Queen Aerope, the brother of Menelaus, the husband of Clytemnestra, and the father of Iphigenia, Iphianassa, Electra, Laodike, Orestes and Chrysothemis. Legends make him the king of Mycenae or Argos, thought to be different names for the same area. Agamemnon was killed upon his return from Troy by Clytemnestra, or in an older version of the story, by Clytemnestra's lover Aegisthus.
In Greek mythology, Menelaus was a Greek king of Mycenaean (pre-Dorian) Sparta. According to the Iliad, the Trojan war began as a result of Menelaus’s wife, Helen, fleeing to Troy with the Trojan prince Paris. Menelaus was a central figure in the Trojan War, leading the Spartan contingent of the Greek army, under his elder brother Agamemnon, king of Mycenae. Prominent in both the Iliad and Odyssey, Menelaus was also popular in Greek vase painting and Greek tragedy, the latter more as a hero of the Trojan War than as a member of the doomed House of Atreus.
In ancient Greek religion and mythology, Achelous was the god associated with the Achelous River, the largest river in Greece. According to Hesiod, he was the son of the Titans Oceanus and Tethys. He was also said to be the father of the Sirens, several nymphs, and other offspring.
In Greek mythology, Phineus or Phineas, was a king of Salmydessus in Thrace and seer, who appears in accounts of the Argonauts' voyage. Some accounts make him a king in Paphlagonia or in Arcadia.
Alastor refers to a number of people and concepts in Greek mythology:
In Greek mythology, Phorcys or Phorcus is a primordial sea god, generally cited as the son of Pontus and Gaia (Earth). Classical scholar Karl Kerenyi conflated Phorcys with the similar sea gods Nereus and Proteus. His wife was Ceto, and he is most notable in myth for fathering by Ceto a host of monstrous children. In extant Hellenistic-Roman mosaics, Phorcys was depicted as a fish-tailed merman with crab-claw legs and red, spiky skin.
In Greek mythology, Aerope was a Cretan princess as the daughter of Catreus, king of Crete. She was the sister to Clymene, Apemosyne and Althaemenes. Aerope's father Catreus gave her to Nauplius, to be drowned, or sold abroad, but Nauplius spared her, and she became the wife of Atreus, or Pleisthenes, and by most accounts the mother of Agamemnon and Menelaus. While the wife of Atreus, she became the lover of his brother Thyestes, and gave Thyestes the golden lamb, by which he became the king of Mycenae.
Sir Richard Claverhouse Jebb was a British classical scholar and MP for Cambridge.
Electra, also Elektra or The Electra, is a Greek tragedy by Sophocles. Its date is not known, but various stylistic similarities with the Philoctetes and the Oedipus at Colonus lead scholars to suppose that it was written towards the end of Sophocles' career. Jebb dates it between 420 BC and 414 BC.
In Greek mythology, Electra was one of the Pleiades, the seven daughters of Atlas and Pleione. She lived on the island of Samothrace. She had two sons, Dardanus and Iasion, by Zeus.
In Greek mythology, Chrysippus was a divine hero of Elis in the Peloponnesus (Greece), sometimes referred to as Chrysippus of Pisa.
Sophocles' Ajax, or Aias, is a Greek tragedy written in the 5th century BCE. Ajax may be the earliest of Sophocles' seven tragedies to have survived, though it is probable that he had been composing plays for a quarter of a century already when it was first staged. It appears to belong to the same period as his Antigone, which was probably performed in 442 or 441 BCE, when he was 55 years old. The play depicts the fate of the warrior Ajax, the second greatest hero at Troy, after the events of the Iliad but before the end of the Trojan War.
The Epigoni is an ancient Greek tragedy written by the Greek playwright Sophocles in the 5th century BC and based on Greek mythology.
Wisdom literature is a genre of literature common in the ancient Near East. It consists of statements by sages and the wise that offer teachings about divinity and virtue. Although this genre uses techniques of traditional oral storytelling, it was disseminated in written form.
Halie or Halia is the name of the following characters in Greek mythology:
In Greek mythology, Nauplius is the name of one mariner heroes. Whether these should be considered to be the same person, or two or possibly three distinct persons, is not entirely clear. The most famous Nauplius, was the father of Palamedes, called Nauplius the Wrecker, because he caused the Greek fleet, sailing home from the Trojan War, to shipwreck, in revenge for the unjust killing of Palamedes. This Nauplius was also involved in the stories of Aerope, the mother of Agamemnon and Menelaus, and Auge, the mother of Telephus. The mythographer Apollodorus says he was the same as the Nauplius who was the son of Poseidon and Amymone. Nauplius was also the name of one of the Argonauts, and although Apollonius of Rhodes made the Argonaut a direct descendant of the son of Poseidon, the Roman mythographer Hyginus makes them the same person. However, no surviving ancient source identifies the Argonaut with the father of Palamedes.
In Greek mythology, Aleus was the king of Arcadia, eponym of Alea, and founder of the cult of Athena Alea. He was the grandson of Arcas. His daughter Auge was the mother of the hero Telephus, by Heracles. Aleus' sons Amphidamas and Cepheus, and his grandson Ancaeus were Argonauts. Ancaeus was killed by the Calydonian boar.
In Greek mythology, the name Chthonius or Chthonios may refer to:
In Greek mythology, Nicostratus is a son of Menelaus, king of Mycenaean Sparta. He was known to Hesiod and epic poet Cinaethon. His name means 'Victorious Army' and suggests that his birth came after the Trojan War.
In Greek mythology, Pyrrha may refer to the following women:
ELECTRA: Remember, sister: no pain, no gain
nothing truly (τοι) succeeds without pain
What is particularly striking is Josephus' citation (War 3. 495, 5.501 , Ant. 3.58) on three occasions of the proverb that great successes never come without risk/ toil, which is very close to the of Electra 945 that nothing succeeds without toil.
At 945, for example, Electra says that without toil (πόνου... χωρὶς) nothing succeeds
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: CS1 maint: location missing publisher (link)To paraphrase Chazal (Avot 5:22), "no pain, no gain."
Le-fum tsa'ara agra, said R. Ben He He— the reward is proportional to the pain(staking effort). Or as we say in plain American English, "No pain, no gain."