Related Research Articles
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets.
Dame Ninette de Valois was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russes, later establishing the Royal Ballet, one of the foremost ballet companies of the 20th century and one of the leading ballet companies in the world. She also established the Royal Ballet School and the touring company which became the Birmingham Royal Ballet. She is widely regarded as one of the most influential figures in the history of ballet and as the "godmother" of English and Irish ballet.
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.
Sir Robert Murray Helpmann CBE was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War, Helpmann took over from him while continuing as a principal dancer.
The Macedonian music refers to all forms of music associated with ethnic Macedonians. It share similarities with the music of neighbouring Balkan countries, yet it remains overall distinctive in its rhythm and sound.
Sir Frederick William Mallandaine Ashton was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
Sadler's Wells Theatre is a London performing arts venue, located in Rosebery Avenue, Islington. The present-day theatre is the sixth on the site. Sadler's Wells grew out of a late 17th-century pleasure garden and was opened as a theatre building in the 1680s.
Dame Margaret Evelyn de Arias DBE, known by the stage name Margot Fonteyn, was an English ballerina. She spent her entire career as a dancer with the Royal Ballet, eventually being appointed prima ballerina assoluta of the company by Queen Elizabeth II. Beginning ballet lessons at the age of four, she studied in England and China, where her father was transferred for his work. Her training in Shanghai was with Russian expatriate dancer Georgy Goncharov, contributing to her continuing interest in Russian ballet. Returning to London at the age of 14, she was invited to join the Vic-Wells Ballet School by Ninette de Valois. She succeeded Alicia Markova as prima ballerina of the company in 1935. The Vic-Wells choreographer, Sir Frederick Ashton, wrote numerous parts for Fonteyn and her partner, Robert Helpmann, with whom she danced from the 1930s to the 1940s.
The Edinburgh International Festival is an annual arts festival in Edinburgh, Scotland, spread over the final three weeks in August. Notable figures from the international world of music and the performing arts are invited to join the festival. Visual art exhibitions, talks and workshops are also hosted.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Royal Opera is a British opera company based in central London, resident at the Royal Opera House in Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, the company had that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
Sylvia, originally Sylvia, ou La nymphe de Diane, is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. Sylvia is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The work is notable for its mythological Arcadian setting, creative choreographies, expansive sets and, above all, its remarkable score.
Sir Kenneth MacMillan was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992.
Nadia Nerina was a South African dancer who was "one of the most gifted, versatile, and inspiring ballerinas of The Royal Ballet" during the 1950s and 1960s. She was known "for her technical virtuosity, lightness afoot, effortless-seeming jumps, and joyful charm onstage, especially in comedic roles."
Maryon Lane was a South African ballet dancer who became well known in Britain as a ballerina of the Sadler's Wells Theatre Ballet and as a soloist with the Royal Ballet.
Leslie George Edwards was a British ballet dancer and ballet master. He was one of the final links with Ninette de Valois's original pre-war Vic-Wells Ballet. Apart from two years of military service during the Second World War, his entire 60-year career was effectively spent with what became the Royal Ballet organisation, until his final retirement from the stage in 1993.
Derek Rencher was a British ballet dancer. A commanding figure among Royal Ballet character dancers for more than four decades, he was probably the most prolific performer in the company's history.
Desmond Doyle was a South African ballet dancer who performed in England in the 1950s and 1960s before becoming ballet master of The Royal Ballet.
Brian Shaw was a British ballet dancer and teacher. As a leading dancer with the Royal Ballet during the 1950s and 1960s, he was widely regarded as "one of the finest classical male dancers of his generation".
References
- Noctambules – 1 March 1956; The Royal Opera House Collections Online, Retrieved 2008-11-03
| Music |
|
|---|---|
| Film scores |
|
| Collaborations | |
| Related | |
