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Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.
Jimmie Noone was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his Boléro on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s.
Albany Leon "Barney" Bigard was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone.
Thomas "Papa Mutt" Carey was an American jazz trumpeter.
Henry James "Red" Allen Jr. was an American jazz trumpeter and vocalist whose playing has been claimed by Joachim-Ernst Berendt and others as the first to fully incorporate the innovations of Louis Armstrong.
Ollie "Dink" Johnson was an American Dixieland jazz pianist, clarinetist, and drummer.
Sunshine Records was a small California-based record label of the early 1920s, producing 6 double-sided phonograph records of early jazz and blues.
Arto Records was a record company and label that operated from 1920 to 1923.
American Music Records is a jazz record company and label that was established by Bill Russell in 1944.
Crescent Records was an American independent record label that produced jazz recordings from 1944 to 1946. It was founded by Nesuhi Ertegun to record a band that was assembled to perform on CBS Radio's 1944 variety series The Orson Welles Almanac. Only one group, Kid Ory's Creole Jazz Band, was released on the Crescent label, which was distributed by Hollywood's Jazz Man Record Shop. Although only eight discs were released, Crescent Records was involved in the international revival of traditional jazz in the 1940s.
Lucius Carl Watters was a trumpeter and bandleader of the Yerba Buena Jazz Band. Jazz critic Leonard Feather said, “The Yerba Buena band was perhaps the most vital factor in the reawakening of public interest in traditional jazz on the west coast.”
Lu Watters & the Yerba Buena Jazz Band is the name of an American traditional jazz revival band founded by Lu Watters in 1940. Yerba Buena was the original name of San Francisco, California. Notable members included singer and banjoist Clancy Hayes, clarinetist Bob Helm, trumpeter Bob Scobey, trombonist Turk Murphy, tubist/bassist Dick Lammi, and Watters himself.
Edward Bertram Garland was a New Orleans jazz string bass player. He was commonly known as Ed Garland, and sometimes Montudie Garland.
The Red Hot Peppers were a recording jazz band led by Jelly Roll Morton from 1926–1930. They were a seven- or eight-piece band formed in Chicago which recorded for Victor and featured some of the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott, double bass player John Lindsay, and drummers Andrew Hilaire and Baby Dodds.
Henry "Kid" Rena was an American jazz trumpeter, who was an early star of the New Orleans jazz scene.
Arthur Budd Scott was an American jazz guitarist, banjoist and singer. He was one of the earliest musicians associated with the New Orleans jazz scene. As a violinist he performed with James Reese Europe's Clef Club Orchestra at a historic 1912 concert at Carnegie Hall, and the following year worked with Europe's ensemble on the first jazz recordings on the Victor label.
Minor Hall, better known as Ram Hall, was an American jazz drummer active on the New Orleans jazz scene. He was the younger brother of Tubby Hall.
Albert Wesley "Buster" Wilson was an American jazz pianist.
"Ory's Creole Trombone" is a jazz composition by Kid Ory. Ory first recorded it in Los Angeles in 1921. The band included Ory on trombone, Mutt Carey on cornet, Dink Johnson on clarinet, Fred Washington on piano, Ed Garland on bass and Ben Borders on drums. The recording of "Ory's Creole Trombone" was released by John and Reb Spikes' short-lived Sunshine Records label. It was the first issued recording session by an African American jazz band from New Orleans. Other numbers recorded the same day included "When You're Alone Blues", "Krooked Blues", "Society Blues", "That Sweet Something Dear", "Maybe Some Day" and "Froggie Moore".
Swaggie Records was a jazz record company and label founded in 1949 by Graeme Bell in Australia. The label's early years were defined by recordings by Australian jazz musicians. In the 1960s, it made licensing deals with American companies for vintage jazz reissues on 7-inch LPs. Similar programs followed in the 1970s though the 1990s (CDs).
References
- 1 2 Rye, Howard (2002). Kernfeld, Barry (ed.). The New Grove Dictionary of Jazz. Vol. 3 (2nd ed.). New York: Grove's Dictionaries Inc. p. 162. ISBN 1-56159-284-6.
- ↑ Levin, Floyd (30 April 2002). Classic Jazz: A Personal View of the Music and the Musicians. ISBN 9780520234635.