Normal Musical Institute

Last updated

The Normal Musical Institute (also the New York Normal Institute) was a school for the training of music teachers, the first such in the United States. It was organized by George F. Root, William Bradbury and Lowell Mason in New York in 1853. [1] The institute was a four-week-long training session, taking place during the summer and costing ten dollars, in addition to room and board. Subjects included harmony, singing and composition. [2]

Related Research Articles

<span class="mw-page-title-main">M. Witmark & Sons</span>

M. Witmark & Sons was a leading publisher of sheet music for the United States "Tin Pan Alley" music industry.

<span class="mw-page-title-main">Hart Pease Danks</span> American songwriter

Hart Pease Danks was an American musician who specialized in composing, singing and leading choral groups. He is best known for his 1873 composition, Silver Threads Among the Gold.

<span class="mw-page-title-main">George E. Blake</span>

George E. Blake was an American music engraver and publisher. He was born in Yorkshire, England and, according to his obituary in the Philadelphia Evening Telegraph, emigrated to the United States when he was sixteen. Other sources disagree on the exact year he arrived in America. What is clear though is that by 1793, he began teaching the flute and the clarinet in Philadelphia, operating out of a room above the shop of music publisher John Aitken on South Third Street. During this period, the city was being ravaged by an outbreak of yellow fever. Unlike many others, Blake chose to stay instead of fleeing the city. He remained in Philadelphia for the rest of his long life.

This is a timeline of music in the United States prior to 1819.

This is a timeline of music in the United States from 1970 to the present.

George Schetky was an American composer. Schetky was a violoncellist, music teacher, conductor, and one of the first American composers. He was also a music publisher with Benjamin Carr as his partner.

This is a timeline of music in the United States from 1820 to 1849.

This timeline of music in the United States covers the period from 1850 to 1879. It encompasses the California Gold Rush, the Civil War and Reconstruction, and touches on topics related to the intersections of music and law, commerce and industry, religion, race, ethnicity, politics, gender, education, historiography and academics. Subjects include folk, popular, theatrical and classical music, as well as Anglo-American, African American, Native American, Irish American, Arab American, Catholic, Swedish American, Shaker and Chinese American music.

This is a timeline of music in the United States from 1880 to 1919.

This is a timeline of music in the United States from 1920 to 1949.

Isaac Baker Woodbury was a 19th-century composer and publisher of church music, most famous for publishing The Dulcimer: or the New York Collection of Sacred Music, one of the best-known collections of Christian hymns of the era. His best-known hymn tunes include Siloam and Esmonton. He also published the American Monthly Musical Review and the New York Musical Pioneer.

<i>Slave Songs of the United States</i> Collection of African-American spirituals

Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. The group transcribed songs sung by the Gullah Geechee people of Saint Helena Island, South Carolina. These people were newly freed slaves who were living in a refugee camp when these songs were collected. It is a "milestone not just in African American music but in modern folk history". It is also the first published collection of African-American music of any kind.

Armand Edward Blackmar, was born in Vermont in 1826, to parents Reuben Harmon and Amanda (Cushman) Blackmar. Armand, with his brother, Henry, was the founder of Blackmar Brothers, a music publishing company. Begun in 1860, this publishing company was originally based out of New Orleans, Louisiana, and later Augusta, Georgia. This would become the most successful publisher of music of the Confederacy during American Civil War, issuing about half the songs released during that era. A.E. was best known for the patriotic songs he wrote.

Lucy McKim Garrison was an American song collector and co-editor of Slave Songs of the United States, together with William Francis Allen and Charles Pickard Ware.

Root & Cady was a Chicago-based music publishing firm, founded in 1858. It became the most successful music publisher of the American Civil War and published many of the most popular songs during that war. The firm's founders were Ebenezer Towner Root (1822–1896) and Chauncey Marvin Cady.

<i>Metronome</i> (magazine) US jazz magazine

Metronome was a music magazine published from January 1885 to December 1961.

<span class="mw-page-title-main">David Sanjek</span> American professor of popular music

David Sanjek was a Professor of Popular Music and Director of the University of Salford Music Research Centre in Salford, Greater Manchester, England. Alongside his father, Russell Sanjek, they produced the first comprehensive written history of the American music industry; American Popular Music and Its Business: The First Four Hundred Years.

Benjamin Franklin Baker was an American educator and composer.

William Brown was an 18th-century American composer, flutist, and music publisher, active in Philadelphia and New York. He is known for his work Three Rondos for the Pianoforte or Harpsichord (1787), one of the earliest pieces of printed secular music for keyboards, and the first keyboard music to be published in the United States.

Roger Sanjek is an American anthropologist. He is a former professor of anthropology at Queens College, City University of New York.

References

Bibliography
Notes
  1. Chase, pg. 143
  2. Sanjek, pg. 207