Norman Hallam (born 9 October 1945) is an English clarinetist and the composer of the Dance Suite for wind quintet.
Born in Coventry, Hallam studied the clarinet from the age of 11, [1] studying with Michael Saxton, then principal clarinet with the BBC Midland Orchestra. He continued his studies at the Birmingham School of Music with Saxton and composition with Allan Hawthorne-Baker (1909-1977). He attended the Royal Academy of Music in London from 1964 until 1968. After two years as a freelancer he joined the Bournemouth Symphony Orchestra in 1970 as 2nd Clarinet under Kevin Banks, [2] staying there until 1999 when he retired for health reasons. Hallam was also a member of the Canzona Wind Quintet from the mid-1970s until the mid-1980s. [3]
His best known composition is the Dance Suite (1980) for wind ensemble (flute, oboe, clarinet, horn and bassoon), which was written for Canzona. [4] It has four movements: Waltz, Bossa Nova, Quickstep and Charleston. [5] Other pieces include a Fantasy for four horns and a Fantasy for unaccompanied clarinet (1992), which has been performed by Michael Whight. [6] His jazz-influenced Clarinet Concerto, premiered in October 1998, was composed for Kevin Banks, who performed it twice (at Cheltenham and Poole). Banks has described the difficulties of the piece as "fiendish". [7]
Hallam contacted polio in 1949 at the age of four, and has used a wheelchair all his life. [3] [1] He married his second wife Sally (a viola player) in the early-1980s, and they have a son and daughter. [8]
Mark-Anthony Turnage is an English composer of contemporary classical music.
Daniel Dorff is an American classical musician and classical composer.
John C. Worley (1919-1999) was a saxophonist, conductor, professor, and a composer of classical, as well as more contemporary music for saxophone. He was born in Waltham, Massachusetts in 1919 and died on February 16, 1999. He served as conductor and director for many performing ensembles during his long teaching career, as well as a featured performer of saxophone and clarinet.
Walter Sinclair Hartley was an American composer of contemporary classical music.
Larry Combs is an American clarinetist and educator.
Derek Bermel is an American composer, clarinetist and conductor whose music blends various facets of world music, funk and jazz with largely classical performing forces and musical vocabulary. He is the recipient of various awards including a Guggenheim Fellowship and the American Academy in Rome's Rome Prize awarded to artists for a year-long residency in Rome.
Eric Ewazen is an American composer and teacher.
Carl Edward Vine, is an Australian composer of contemporary classical music.
Dan Welcher is an American composer, conductor, and music educator.
Sean Osborn is a former clarinetist of the Metropolitan Opera Orchestra and a regular substitute in the clarinet section of the Seattle Symphony Orchestra. He has been a student of Stanley Hasty, Frank Kowalsky, and Eric Mandat.
David C. Sampson is an American contemporary classical composer.
Walter Hekster was a Dutch composer, clarinetist and conductor of classical music, specialising in contemporary classical music.
Christopher Ball was a British composer, arranger, conductor, clarinetist and recorder player.
Arkady Luxemburg is a Moldovan-American composer.
Gary Alan Kulesha is a Canadian composer, pianist, conductor, and educator. Since 1995, he has been Composer Advisor to the Toronto Symphony Orchestra. He has been Composer-in-Residence with the Kitchener-Waterloo Symphony (1988–1992) and the Canadian Opera Company (1993–1995). He was awarded the National Arts Centre Orchestra Composer Award in 2002.
Roger John Goeb was an American composer.
The woodwind section, which consists of woodwind instruments, is one of the main sections of an orchestra or concert band. Woodwind sections contain instruments given Hornbostel-Sachs classifications of 421 and 422, but exclude 423
Graham Whettam was an English post-romantic composer.
Michael Kibbe is an American contemporary classical music composer born in San Diego, California. He has composed over 240 concert works and created numerous arrangements. His writing covers many musical styles, encompassing tonal, modal and non-diatonic languages. His style often incorporates modern structures but is still accessible to the popular classical listener. Some of his works come right of the Romantic Era yet his style in some writings has been compared to Prokofiev. There are influences of American composer Gershwin in the Serenade Number 2 for two clarinets that seem at once blues, jazz and classical. His music can often reflect themes that bring to mind different cultures.