![]() | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Norman Dewey Keenan (November 23, 1916 in Union, South Carolina – February 12, 1980 in New York City) was an American jazz double-bassist.
Keenan began playing piano before learning bass at age 15. He worked with Tiny Bradshaw (mid-1930s), Lucky Millinder (1939–40), Henry Wells (1940), Earl Bostic, and Cootie Williams, and jammed at Minton's Playhouse around the same time. Following World War II he worked with Williams again and with Eddie Cleanhead Vinson in 1947-49. From 1949 to 1957 he was the bassist in the house trio at the Village Vanguard. After backing Harry Belafonte from 1957 to 1962 and working on the TV show Hootenanny , he began playing jazz again in the 1960s, with Count Basie (1965-74) and Roy Eldridge (1966).
With Count Basie
With Harry Belafonte
With others
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Thaddeus Joseph Jones was an American jazz trumpeter, composer and bandleader who has been called "one of the all-time greatest jazz trumpet soloists".
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Frederick William Green was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years.
Joseph Dwight Newman was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods.
Marshal Walton Royal Jr. was an American jazz alto saxophonist and clarinetist best known for his work with Count Basie, with whose band he played for nearly twenty years.
Charles Baker Fowlkes was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years.
Discography for jazz double-bassist and cellist Ray Brown.
Grover Mitchell, born Grover Curry Mitchell was an American jazz trombonist who led the Count Basie Orchestra.
Albert Aarons was an American jazz trumpeter.
Jerry Dodgion was an American jazz saxophonist and flautist.
William Mitchell Byers was an American jazz trombonist and arranger.
Henry Coker was an American jazz trombonist.
Eric "Big Daddy" Dixon was an American jazz tenor saxophonist, flautist, composer, and arranger.
Robert C. Plater was an American jazz alto saxophonist.
Benny Powell was an American jazz trombonist. He played both standard (tenor) trombone and bass trombone.
George Thomas Cohn, known professionally as Sonny Cohn, was an American jazz trumpeter whose career spanned over six decades. After working for fifteen years with Red Saunders (1945–1960), Cohn went on to spend another twenty four years in Count Basie's trumpet section (1960–1984).
William Henry Hughes was an American jazz trombonist and bandleader. He spent most of his career with the Count Basie Orchestra and was the director of that ensemble until September 2010.
This is a discography of South African musician Miriam Makeba (1932–2008).