Norman Knowles

Last updated
Norman Knowles
Genres Surf
Occupation(s)Musician
Instrument(s)Saxophone
Years activeLate 1950s to 2000s

Norman Knowles is a surf musician, band leader, and record producer from California. He is the composer of several classic surf songs, including as co-writer of the surf classic "Church Key", which was a hit for The Revels. He also has been involved in band management, managing another surf band, The Sentinals. Knowles has made a significant contribution to the surf genre.

Contents

Background

Knowles' compositions include "Church Key", "Intoxicate", [1] and "Six Pak". [2] He also produced "Latin’Ia" by The Sentinals. [3] He was responsible for the first recorded release by The Impacts. [4] He co-owned a record label with Tony Hilder. The label, Westco Records was located in Morro Bay. [5] [6] As well as being the saxophonist and the band leader being of The Revels, he was also a both a member and manager of another surf rock act, The Sentinals. [7] [6]

Having become tired of travelling and not making much money, Knowles got out of performing. He moved into management and booking acts. In 1989 and at the age of 50, he was working as an Amtrak ticket agent He had his own 200-acre ranch near King City in central California. [8]

Career

1950s to 1960s

Between 1959 and 1961, Knowles was leading The Revels. [9] They were originally called Gil Serna and The Rockets. When he changed their name to The Revels, the group's career took off. [10] He had success with a composition. Besides his co-composition with Dan Darnold, the classic "Church Key" (which was a hit for The Revels), [11] [12] he co-composed "[[Six Pak" which was also a California hit. [13] [14] Knowles got his inspiration for the song from Darnold's taking four seconds to drink a beer. [15] Along with The Revels, Knowles provided music for the Kent Mackenzie directed 1961 film, The Exiles which was about Native Americans living in Los Angeles. [16] Years later he recalled some of the tracks they recorded for the film which included "It's Party Time" and possibly "Revellion". He stated that the song "Commanche" that was written for the movie was cut out. [17] In 1962, The Sentinals released "Latin Soul" bw "Christmas Eve" on Era 3097. The A side was composed by Robert Hafner and the B side, a joint composition by Hafner and K.C. Reeth. Along with Tony Hilder, Knowles produced both sides. This was just one example of the Hilder, Knowles, Hafner involvement. [18] [19] [20] In 1963, Surf Mania by The Surf Teens was released. In addition to producing the album, the album contained five compositions by Knowles. [21] [22] [23]

In 1966, Knowles was out of the music business and became branch manager of an oil company. The company folded during the 1973 fuel crisis. [24]

Later years

He played on the California Live album by Merrell Fankhauser which was released in 1991. [25] Along with Sam Eddy and Tony Hilder, Knowles worked with Bob Irwin of Sundazed to aid in the 1994 release of Intoxica! The Best Of The Revels. Irwin had done the same with another surf producer John Hodge for a release by The Pyramids. [26] [27] In 1995, he was a member of the reformed version of The Centurians and they played at the 1995 Pier Fest at Huntington Beach. [28] [29] In 1997 Knowles played on the Bustin' Surfboards '97 album for The Tornados, on the track "Devils Tail". He recalled the difference in the recording session as it was back in 1962, compared to how it was in 1997. [30]

Influence

Among the musicians that have been influenced by Knowles is Bill Swanson, sax player for surf band, The Eliminators. [31]

Management

Not long before The Impacts, a Del-Fi act had their California surf hit "Latin’ia", Knowles offered to manage them. [32] In 1962, Knowles had introduced the group to Tony Hilder. [33] By 1963, Knowles was managing The Sentinals, who at that time, according to the San Lus Obispo Telegram-Tribune were fast becoming as big a draw as the Four Seasons in the Valley area. [34]

Record Producer

His label, Westco was in operation from around 1962 to 1965. The main purpose of the label was to have recordings played on air and to sell them to the larger record companies. [35] [6]

In the late 1990s, the Bacchus Archives record label got in touch with him about the Surf Teens' album he produced in 1963. The album was released on the budget Sutton label and was distributed by the rack jobbers at their usual outlets. Due to the budget type release of the original, there was no info on the record or the cover about the band. There was a rumor that Knowles had some unreleased recordings of the group which turned out to be true. The record was re-released on vinyl as a limited edition of 500 pressings. [36]

Partial production list

Group / ActReleaseCatalogueYearNotes #
The Revels "Revellion" / "Conga Twist" Impact 22-IM, 22-IMXSide A co-composed with Mark Hilder
Producer both sides [37]
The Sentinals Latin'ia / "Tor-Chula"WCEB 231962Producer both sides
The Sentinals"Latin'ia" / "Tor-Chula" Era 3082June 1962Producer for both tracks
The Sentinals"Latin Soul" / "Christmas Eve"Era 3097December 1962Both tracks co-produced with Tony Hilder
The Revels With Sam Eddy"It's Party Time" / "Soft Top"Westco WC-3 / WC-4Producer both sides
Kenny Hinkles' Friends
Kerry Hinkle
"The Bee" / "Over You"Westco WC-51963Producer both sides [38]
Jeff Hamman And The Surf-Teens"Moment Of Truth" / "Moonshine"Westco WC-91963Producer both sides [39]
The Sentinals"I've Been Blue" / "Hit The Road"Westco WC 121964Side b co-composed with J. Waller, The Sentinals
Producer both sides [38]
The RevelsOn A RampageImpact 1LP-IM1964 [40]
Group / ActReleaseCatalogueYearNotes #
The Surf TeensSurf Mania Sutton SSU 3391963Later released on Bacchus Archives BA 1127 [41] [42]
Album producer
The RevelsOn a RampageImpact 1LP-IMX1964Executive producer [43]

Related Research Articles

The Sentinals were a surf rock band from San Luis Obispo, California (1961–1965). The band is notable for a Latino influence in some works, such as "Latin'ia" (1962). Notable band members included Tommy Nuñes, drummer John Barbata and Lee Michaels on keyboards.

<span class="mw-page-title-main">Modern Records</span>

Modern Records was an American record company and label formed in 1945 in Los Angeles by the Bihari brothers. Modern's artists included Etta James, Joe Houston, Little Richard, Ike & Tina Turner and John Lee Hooker. The label released some of the most influential blues and R&B records of the 1940s and 1950s.

<span class="mw-page-title-main">Sundazed Records</span> American independent record label

Sundazed Music is an American independent record label based in Coxsackie, New York. It specializes in obscure and rare recordings from the 1950s to the 1970s. In 2000, Sundazed had a staff of 15 and two mixing studios, including a vintage audio equipment collection.

The Centurians were a surf rock band started by Dennis Rose from Newport Beach, California. They were active in the late 1950s and early 1960s. Their music has been used in at least two films. They reformed as The Centurions in 1995 and released new material.

Merrell Wayne Fankhauser is an American singer, songwriter and guitarist, who was most active in the 1960s and 1970s with bands including the Impacts, Merrell & the Exiles, HMS Bounty, Fankhauser-Cassidy Band, and Mu. In addition, 12 songs recorded by Merrell & the Exiles were later released under the group name Fapardokly, even though that group never actually existed.

<i>The Exiles</i> (1961 film) 1961 film by Kent Mackenzie

The Exiles (1961) is a film by Kent MacKenzie chronicling a day in the life of a group of 20-something Native Americans who left reservation life in the 1950s to live in the district of Bunker Hill, Los Angeles, California. Bunker Hill was then a blighted residential locality of decayed Victorian mansions, sometimes featured in the writings of Raymond Chandler, John Fante, and Charles Bukowski. The structure of the film is that of a narrative feature, the script pieced together from interviews with the documentary subjects. The film features Yvonne Williams, Homer Nish, and Tommy Reynolds.

The Revels were an American rock band from California, associated with the 1960s surf music craze. They had hits with "Six Pak", and "Church Key" which was their most famous single.

Anthony J. Hilder was an American author, film maker, talk show host, broadcaster, news correspondent and former actor. In the late 1950s to the mid-1960s he was also a record producer, producing music mainly in the surf genre. He headed a couple of record labels as well as working for various others. He was also a publisher.

<span class="mw-page-title-main">The Original Surfaris</span> American band

The (Original) Surfaris were a surf music band from California. They were active from the early to mid 1960s and had singles released on various labels which included the Del-Fi, Northridge and Reprise labels.

Impact Records was a California based record label run by CT Records creator, Tony Hilder in the 1960s. This label released some surf records by The Crestwoods, Dave Myers and The Surftones, The Ramblers and The New Breed and The Revels. The Revels were known for the hits "Comanche" and "Intoxica".

<span class="mw-page-title-main">Church Key</span>

"Church Key" is a classic instrumental single that was released by California surf group The Revels on Tony Hilder's Impact Records label in 1960. It was a hit for the group and later a hit for Dave Myers and his Surf-Tones.

The Charades is a doo-wop, r&b group which was mostly active in California in the early to mid-1960s and has released a number of singles on various labels. One of the songs it recorded, which was associated with the surf genre, was "Surf 'n Stomp" on the Northridge label. The band also recorded for Tony Hilder's Impact label, and even had a release on a label owned by Fred Astaire. They had a minor hit with "Please Be My Love Tonight". The group, though it has been through some changes, still continues today, and has a history that spans six decades.

Robert Hafner was an American record producer and songwriter who, along with Tony Hilder, was responsible for many of the surf records that came out in California in the 1960s including "Vesuvius" and "Intoxica" by The Revels. He also contributed to the music for the film The Exiles. Music historian and author Robert Dalley said that he had a definite place in surf history.

<span class="mw-page-title-main">Bacchus Archives</span>

Bacchus Archives is a record label that has often released previous unreleased recordings. Some of the recordings it has released, includes recordings by artists such as The Controllers, Evan "Funk" Davies, The Dils, Peter Miller and Bob Thompson. It is also sublabel of Dionysus Records.

Sutton Records was a budget record label that was sold in outlets other than record shops. The outlets for Sutton were supermarkets, gas stations etc., would be serviced by rack jobbers. In addition to cover versions, the label issued recordings by The Ink Spots, Jesse Crawford and Jimmy Witherspoon.

Dave Myers and The Surftones were a Southern California surf group who are most likely remembered for the few singles they recorded in the 1960s which include their cover of The Revels hit "Church Key" and their time at the Rendezvous Ballroom in Balboa, California.

Surfin' Guitars: Instrumental Surf Bands of the Sixties is a book by Robert J. Dalley which covers the instrumental side of the surf genre in the 1960s and looks at groups and artists from that era. It has been published three times with the first version published in 1988 and the third in 2015. It has been quoted and referred to multiple times in books relating to surf music.

Surf's Up! At Banzai Pipeline was a 1963 various artist record album compilation that featured recordings by The Surfaris, Dave Myers and The Surftones, The Soul Kings, Coast Continentals and Jim Waller & The Deltas. It has been re-released a couple of times since.

<span class="mw-page-title-main">Charles Wright (musician)</span> American singer, instrumentalist and song writer

Charles Williams Wright is an American singer, instrumentalist and songwriter. He has been a member of various doo wop groups in the late 1950s and early 1960s as well as a solo artist in his own right. He is also the former leader and writer of hits for the group, Watts 103rd Street Rhythm Band.

The Pyramids Play the Original Penetration! was a charting album for The Pyramids in 1964. It contained their surf music track "Penetration” as well as a minor hit "Here Comes Marsha".

References

  1. History-of-rock.com - Surf Instrumental Groups, Revels
  2. Catalog of Copyright Entries: Third series Volume 14, Part 5, Number 1, Music, January–June 1960 - Page 401
  3. The Bluegrass Special, June 2011 - Surf In Verse
  4. Surfin' Guitars: Instrumental Surf Bands Of The Sixties, Robert J. Dalley - Page 149
  5. Who Put the Bomp , No 15, Spring 1976 - Page 42 SURF THEORY FOR THE SEVENTIES
  6. 1 2 3 The Illustrated Discography of Surf Music, 1961-1965, Compiled by John Blair - Page 71
  7. Surfin' Guitars: Instrumental Surf Bands Of The Sixties, Robert J. Dalley - Page 149
  8. The Los Angeles Times , Friday, January 6, 1989 - Reunion Discussed : Former Surf Musicians See a New Wave of Popularity - By GERALD FARIS
  9. Surfin' Guitars: Instrumental Surf Bands of the Sixties, Robert J. Dalley - Page 259
  10. The Golden Age of Rock Instrumentals, By Steven Otfinoski - Page 142
  11. Catalog of Copyright Entries: Third series, - Page 1330 Church Key:
  12. Inside the Music of Brian Wilson: The Songs, Sounds, and Influences of the Beach Boys' Founding Genius, By Philip Lambert - Page 61
  13. Catalog of Copyright Entries: Third series - Page 401
  14. Real Life Rock: The Complete Top Ten Columns, 1986-2014, By Greil Marcus - Page 403 9 = The Exiles, directed by Kent McKenzie (Milestone) and Revels, Intoxica! (Sundazed)
  15. The Golden Age of Rock Instrumentals, By Steven Otfinoski - Page 142
  16. Drumbeat, November 2016 - Page 70 THE EXILES
  17. The Center for Studies in American Culture - September 28, 2010 The Center for Studies in American Culture September 28, 2010 (XXI:5), Kent MacKenzie, THE EXILES (1961, 72 min) Page 3 to 4
  18. 45Cat - The Sentinals - Discography, The Sentinals, Latin Soul, Era 3097
  19. Discogs -- The Revels – On A Rampage
  20. Discogs -- The Revels – Revellion / Conga Twist
  21. Standard Catalog of American Records, 1950-1975, Tim Neely - Page 1079 SURF TEENS, THE
  22. AllMusic - Surf Teens, Surf Mania, Credits
  23. AllMusic -- Surf Teens, Surf Mania, Overview
  24. Surfin' Guitars: Instrumental Surf Bands Of The Sixties, Robert J. Dalley - Page 263
  25. Reverb Central - Merrell Fankhauser - California Live
  26. Billboard, August 10, 1995 - Page 87 REVERSE TAKEOFF: SURF'N'ROD MUSIC REVIVALS INTENSIFIES
  27. Goldmine Standard Catalog of American Records: 1950-1975, Tim Neely - Page 1004
  28. Surf Bands of the Sixties (Second Edition), by Robert J. Dalley - ISBN   1560750421, 9781560750420 - Page 53
  29. The Centurions Surf Band, Myspace - Photos
  30. The San Bernardino County Sun , Friday, May 23, 1997 - The Tornadoes busy 'Bustin' Surfboards' again By JASON FOSTER
  31. The Eliminators - About Us, Bill Swanson - Sax
  32. San Luis Obispo Tribune , March 01, 2012 - Surf music: SLO County's radical history Patrick S. Pemberton
  33. Surfin' Guitars: Instrumental Surf Bands of the Sixties , Robert J. Dalley - Page 259
  34. San Lus Obispo Telegram-Tribune Saturday March 16, 1963 - S.L.O. Musicians Gain Momentum In Struggle For National Notice, By Tom Valentine
  35. Who Put the Bomp, No 15, Spring 1976 - Page 42 SURF THEORY FOR THE SEVENTIES
  36. Independent Label Distribution, September, 2014 - COMING OUT ON SEPTEMBER 9, 2014, THE SURF TEENS, Surf Mania, LP
  37. Discogs - Norman Knowles, Discography, Production
  38. 1 2 45Cat - Search 45cat, "Norman Knowles"
  39. Discogs - The Surf Teens, Discography, Singles & EPs
  40. Discogs - The Revels – On A Rampage
  41. Discogs - The Surf Teens – Surf Mania Sutton – SSU 339
  42. Discogs - The Surf Teens – Surf Mania, Bacchus Archives – BA 1127
  43. Discogs - The Surf Teens – Surf Mania