Norman Loves Rose

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Norman Loves Rose
Norman Loves Rose film poster.jpg
Directed by Henri Safran
Written byHenri Safran
Produced byHenri Safran
Starring Carol Kane
Tony Owen
Myra De Groot
David Downer
Barry Otto
Warren Mitchell
Virginia Hey
Louise Pajo
Cinematography Vince Monton
Music by Mike Perjanik
Production
company
Norman Films
Distributed by Greater Union
Release date
  • 17 September 1982 (1982-09-17)
Running time
98 minutes
CountryAustralia
LanguageEnglish
BudgetA$1.3 million [1]

Norman Loves Rose is a 1982 Australian comedy film about a teenage boy who begins a relationship with an adult woman. [2] It was written and directed by Henri Safran as the follow-up to 1976's Storm Boy . [3] [4]

Contents

Plot summary

Norman is a 13-year-old Jewish boy living in the eastern suburbs of Sydney. His brother Michael is married to a woman named Rose, who he has failed to impregnate due to a low sperm count. Meanwhile, Michael's colleague Charles has recently left his ex-wife, Maureen, to date a younger model. Norman develops an infatuation with Rose which she encourages, taking him on dates, sharing a bed with him and developing a relationship. Rose eventually does become pregnant and the film heavily implies that Norman is the father. She tells him that they must keep their "little secret." As she gains weight during pregnancy, Norman loses interest in her anyway and begins pursuing Maureen instead. [5]

Cast

Reception

Sandra Hall in The Bulletin said, "the comedy relies on a certain amount of obtuseness, literal mindedness, double-takes and talking at cross-purposes. The characters are there to be laughed at, not with, and to that end much over-acting is done. Nobody turns out to be particularly likeable." [6] Susie Eisehuth wrote in The Sydney Morning Herald that the film was "a pleasant little comedy" although the subject matter of a wife needing a child to be fulfilled felt "ideologically on the nose". [7] Anna-Maria Del'Osso, also in the Herald, called the film "an overblown guffaw at sex Jewish Family Style, scripted with the wit of the schoolyard and the tedium of several TV afternoons' worth of situation comedy." [8]

Bill Cosford of the Miami Herald called the film "another in the wave of boy-meets-older-girl stories now choking the market", comparing it to Private Lessons . He added:

What is remarkable about these films is how they remind us of the lingering inequity in contemporary gender relations. A lot of people seem to be entertained by little-boy/big-girl, and everyone at least seems to find the idea humorous. Switch the roles, however - little-girl/big-boy - and folks start talking jail time. It's interesting. Norman Loves Rose does nothing to settle such philosophical issues, nor does it do much of anything else, including entertain. [9]

References

  1. Brian McFarlane, "Norman Loves Rose", Australian Film 1978-1992, Oxford Uni Press, 1993 p106
  2. David Stratton, The Avocado Plantation: Boom and Bust in the Australian Film Industry, Pan MacMillan, 1990 p330
  3. Weiniger, Peter (18 September 1982). "Out for a laugh". The Sydney Morning Herald. Retrieved 25 May 2025.
  4. Margaret Smith, "Henri Safran talks about Norman Loves Rose", Cinema Papers, October 1982 p409 -412
  5. ""Norman Loves Rose" - Review - Photos - Ozmovies".
  6. Sandra Hall (21 September 1982). "Norman loves Rose; nobody else does". The Bulletin. Vol. 102, no. 53. p. 79.
  7. Eisenhuth, Susie (19 September 1982). "Some comic relief - but just!". The Sydney Morning Herald. Retrieved 25 May 2025.
  8. Dell'Osso, Anna-Maria (18 September 1982). "Through a soap-opera keyhole, tenuously". The Sydney Morning Herald. Retrieved 25 May 2025.
  9. Cosford, Bill (22 November 1982). "'Norman' should stick to his studies". Miami Herald. Retrieved 25 May 2025.