| North American Phonograph Company | |
|---|---|
 | |
| Founded | 1888 |
| Founder | Jesse Lippincott |
| Status | Dissolved in 1896 |
| Location | New York City, New York, United States |
The North American Phonograph Company was an early attempt to commercialize the maturing technologies of sound recording in the late 1880s and early 1890s. Though the company was largely unsuccessful in its goals due to legal, technical and financial problems, it set the stage for the modern recording industry in the mid 1890s.
Thomas Edison successfully demonstrated sound recording and reproduction in late 1877 with the tinfoil Phonograph. The invention caught the public's attention but its practical utility was limited due to low-fidelity and its single-use nature. Edison sold the rights to the Phonograph to the Edison Speaking Phonograph Company in 1878 and shifted his focus to the development of electric light. [1]
Between 1880 and 1885, Alexander Graham Bell and his associates at the Volta Laboratory experimented with a variety of processes for improved sound recording. They eventually settled on a recording process based on cutting wax cylinders. On January 6, 1886, the associates formed the Volta Graphophone company and were awarded a patent on their wax cylinder process. Later in the year, Edison resumed research on the Phonograph. On March 28, 1887, the Volta associates established the American Graphophone Company for the manufacturing and sale of Graphophones, and Edison organized the Edison Phonograph Company in the following year to protect his new research in sound. [2]
In 1888, a Pennsylvania businessman named Jesse Lippincott sought to market the budding technologies for business dictation. He licensed the Graphophone patents in March, and the phonograph in June. In July, Lippincott chartered the North American Phonograph Company in Jersey City, NJ. Edison founded the Edison Phonograph Works for phonograph manufacture, and American Graphophone opened a factory in Bridgeport Connecticut for Graphophone manufacture. Based on the model of the Bell Telephone Company, North American would buy Phonographs and Graphophones and lease them to regional sub-companies, who would in turn rent the machines to local businesses for dictation. [3]
Before Lippincott could establish these sub-companies, the Edison Speaking Phonograph Company, who held Edison's tinfoil Phonograph patents, threatened legal action against North American, claiming rights to Edison's improvements to the Phonograph until 1912. Lippincott settled with the company, spending hundreds of thousands of dollars that were intended for capital investment. [3]
Between 1889 to 1891, thirty four regional sub-companies were formed, and licensed exclusive territorial rights from North American. To fund manufacture, Lippincott also needed to sell stock in the parent company, but investors were wary due to the news of the Edison Speaking Phonograph Company's protests. [4]
Throughout 1889, manufacture of Phonograph and Graphophones was limited by North American's lack of capital. Local companies found that the few machines they leased were unreliable and hard to use. Some companies found that it was more profitable to publicly exhibit entertainment recordings (music, stories, jokes) than to rent the machines. [4]
In February 1890, the Automatic Phonograph Exhibition Company formed, with a patent on a device that let companies exhibit Phonographs with a coin-slot attachment, like a jukebox. Through 1890, companies began realizing that entertainment was better business than dictation, and the automatic machine was the most effective way to accomplish this. North American, realizing that this was the future, signed an agreement with Automatic in April allowing the local companies to do business with them. [5]
As the automatic exhibition model gained ground, American Graphophone's dictation-optimized format (colloquially 'Bell-Tainter cylinders' today) fell suddenly behind. Lippincott's initial agreement with American Graphophone committed North American to buy 5,000 graphophones each year, and pay a royalty of $20 on each. Realizing they wouldn't be able to sell these unpopular machines, North American's board of directors offered to pay American Graphophone $100,000 each year (the equivalent of royalties on 5,000 machines) to disclaim them of their previously committed order. [3]
By the end of 1890, North American was deeply in debt to the Edison Phonograph Works, and was missing the income generated by Automatic's coin-slot business. In December, North American instructed the local companies that they were expected to offer Phonographs and Graphophones for sale to the public. The Automatic Phonograph Exhibition Company filed an injunction on the same date, arguing that unrestricted sale would damage their business, and citing their April agreement allowing them to operate in this way. The temporary injunction was allowed in Dec. 1890, and made permanent Jan. 1891. [5]
In May 1891, North American was forced into assignment (an alternative to bankruptcy) for its inability to pay Edison Phonograph Works. In July, the Automatic company agreed to allow North American to sell 1,000 machines to pay off debts, with the agreement that they were not to be sold for automatic exhibition. Lippincott had taken leave from the company in late 1890 due to illness, and in late 1891, Samuel Insull became president and Edison joined the board of directors to help repair the company's finances. [5]
In 1892, North American was still struggling to pay its debts when a series of financial measures were taken. In June, the company issued bonds to ease the liquidity crisis. In July, Edison was named president of North American. Automatic agreed to allow the unrestricted sale of Phonographs, and North American offered a deal with the local companies to centralize sales, paying a 10% royalty to the locals for their territorial rights. [3] Most of the local companies accepted this offer.
Through 1893, North American, under Edison, continued to sell Phonographs, and offered the option to buy the machines on the installment plan. Edison planned to carry on with the business in this way for another year (from June 1893), then planned to consolidate his interests in manufacture and sales. [6]
In November 1893, the Edison United Phonograph Company, who held exclusive rights to market the Phonograph in England, were granted an injunction against North American for allowing the local companies to sell the machines in England, in violation of their exclusive rights. [6]
Edison stepped down as president of North American in January 1894. In April, North American's founder Jesse Lippincott died. This allowed American Graphophone, who had licensed their manufacturing rights to Lippincott personally, to sell Graphophones directly to the public. The Edison Phonograph Works demanded payment on North American's outstanding debts in June. In August, North American, unable to pay their debts to Edison or their bondholders, was forced into receivership. In October, American Graphophone issued a statement to the industry saying Edison's Phonographs, which had incorporated American's patents while both parties were licensed by North American, infringed on their rights and could not be legally sold. [6]
Throughout 1895, Edison tried to buy North American's assets in order to recover his Phonograph patents and resume manufacture and sale. Other creditors of North American blocked the purchase, worried that Edison would not have to pay their debts if the sale proceeded. In the same year, American Graphophone acquired the Columbia Phonograph Company, one of the strongest regional sub-companies of North American. They debuted the spring-motor powered 'Type N' Graphophone, which gracefully resolved one of the most fundamental problems of previous Graphophones. [6]
In 1896, the court in charge of the North American receivership let Edison buy North American's assets, with the condition that he also accept North American's liabilities. Edison formed the National Phonograph Company in January 1896, and transferred North American's patents and supplies to this company. Edison and National Phonograph fought American Graphophone and Columbia Phonograph in court over patents throughout 1896. When the judge in charge of this case died in December 1896, the warring parties agreed to cross-license each-others patents, and let the phonograph business begin in earnest in 1897. [6]
Beginning in 1897, Edison and Columbia sustained a thriving competition in spring-powered home phonographs and wax cylinder records. Edison continued with cylinder records, debuting the mass-producible Gold-Moulded cylinder in 1902, while Columbia transitioned to the disc format from 1901 to 1908 and entered into more direct competition with the Victor Talking Machine Company, which had inherited the disc business from Berliner's Gramophone. [7]
The North American Phonograph Company finally dissolved in June 1898 after Edison settled with the Edison United company. Some local phonograph companies filed suits against Edison over the years, even threatening a class-action suit in 1900 before their original contracts were to expire. Minor battles continued until April 1909, when National Phonograph acquired the New York Phonograph Company. The Columbia Phonograph Company, General (the portion of the business incorporated as a part of North American) voluntarily dissolved in June 1913. [8]
A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of sound. The sound vibration waveforms are recorded as corresponding physical deviations of a helical or spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a record. To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm that produced sound waves coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.
Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" in their heyday, a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can be reproduced when they are played on a mechanical cylinder phonograph. The first cylinders were wrapped with tin foil but the improved version made of wax was created a decade later, after which they were commercialized. In the 1910s, the competing disc record system triumphed in the marketplace to become the dominant commercial audio medium.
Leeds Talk-O-Phone was a record label, producing cylinders from 1894 to 1903 and single-sided lateral-cut disc phonograph records in the United States of America from about 1902 to 1909.
Dictaphone was an American company founded by Alexander Graham Bell that produced dictation machines. It is now a division of Nuance Communications, based in Burlington, Massachusetts.
Columbia Graphophone Co. Ltd. was one of the earliest gramophone companies in the United Kingdom.
The Gramophone Company Limited was a British phonograph manufacturer and record label, founded in April 1898 by Emil Berliner. It was one of the earliest record labels.
Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important and successful company in the early recording industry.
Charles Sumner Tainter was an American scientific instrument maker, engineer and inventor, best known for his collaborations with Alexander Graham Bell, Chichester Bell, Alexander's father-in-law Gardiner Hubbard, and for his significant improvements to Thomas Edison's phonograph, resulting in the Graphophone, one version of which was the first Dictaphone.
The Graphophone was the name and trademark of an improved version of the phonograph. It was invented at the Volta Laboratory established by Alexander Graham Bell in Washington, D.C., United States.
Russell Dinsmore Hunting was an American comic entertainer, pioneer sound recordist, and an influential figure in the early years of the recorded music industry. He was described as "the most popular pre-1900 recording artist".
A dictation machine is a sound recording device most commonly used to record speech for playback or to be typed into print. It includes digital voice recorders and tape recorder.
The Volta Laboratory and the Volta Bureau were created in Georgetown, Washington, D.C., by Alexander Graham Bell.
The Indestructible Record Company was an American record label that produced plastic cylinder records between 1907 and 1922.
The Columbia Grafonola is a brand of early 20th century American phonograph made by the Columbia Graphophone Company. Introduced in 1907, Grafonolas are internal horn alternatives to the same company's external horn Disc Graphophones.
Edward Denison Easton was the founder and president of the Columbia Phonograph Company. Under Easton's leadership, Columbia developed from one of many regional subsidiaries of the North American Phonograph Company, which, along with Edison Records and Victor Talking Machine Co., was one of the nation's three largest record companies of the early 20th century.
The United States Phonograph Company was a manufacturer of cylinder phonograph records and supplies in the 1890s. It was formed in the Spring of 1893 by Victor Emerson, manager of the New Jersey Phonograph Company. Simon S. Ott and George E. Tewkesbury, heads of the Kansas Phonograph Company and inventors of an automatic phonograph joined later. It was based in Newark, New Jersey. After the collapse of the North American Phonograph Company in August 1894, the United States Phonograph Company became one of the industry's largest suppliers of records, competing mostly with the Columbia Phonograph Company who had joined with the American Graphophone Company to manufacture graphophones, blank wax cylinders, and original and duplicate records. The USPC manufactured duplicates as well, which allowed their recording program to reach the scale of competing with Columbia's. Their central location and proximity to New York allowed them to record the most popular artists of the 1890s, including George J. Gaskin, Dan W. Quinn, Len Spencer, Russell Hunting and Issler's Orchestra. Emerson left the company to lead Columbia's recording department around the summer of 1896. In 1897 the USPC worked with Edison's National Phonograph Company to retrofit phonographs with spring motors invented by Frank Capps. The convenience and cost savings of spring-motor phonographs like these helped shift the phonograph from a public entertainment to a consumer good. In October 1899 the company was prohibited by court order from manufacturing duplicate records, and they began supplying original records for the National Phonograph Company[7][6][6][5][5]. The later U.S. Phonograph Company of Cleveland Ohio is unrelated.
Edison Bell was an English company that was the first distributor and an early manufacturer of gramophones and gramophone records. The company survived through several incarnations, becoming a top producer of budget records in England through the early 1930s until, after it was absorbed by Decca in 1932, production of various Edison Bell labels ceased.
The Chicago Talking Machine Company was a manufacturer and dealer of phonographs, phonograph accessories, and phonograph records from 1893 until 1906, and a major wholesaler of Victor Talking Machine Company products between 1906 and at least 1928.
Walcutt and Leeds was a manufacturer and dealer of cylinder records and supplies in the 1890s. It was formed in February 1896 by Cleveland Walcutt and Edward F. Leeds at 53 E. 11th St. in New York City. Walcutt and Leeds had previously been partners in the firm Walcutt, Miller & Co., which had purchased the record manufacturing plant of the North American Phonograph Company at 120 E. 14th St. in New York City, including a large stock of records, blanks, and recording phonographs.
Frank P. Banta was an American pianist and recording artist active in the 1890s and 1900s.
Fabrizio, Timothy C.; Paul, George F (2005). The Talking Machine, an Illustrated Compendium, 1877-1929. Atglen, PA: Schiffer Pub. ISBN 0764322400.
Gellatt, Roland (1977). The Fabulous Phonograph, 1877-1977. New York, NY: MacMillan.
Gracyk, Tim. Cylinder Lists: Columbia Brown Wax, Columbia XP, Columbia 20th Century, and Indestructible.
Koenigsberg, Allen (1969). Edison Cylinder Records, 1889-1912. New York, NY: Stellar Productions.
Newville, Leslie J. (1959). "Development of the Phonograph at Alexander Graham Bell's Volta Laboratory". United States National Museum Bulletin. 218.
Welch, Walter L.; Burt, Leah Brodbeck Stenzel (1995). From tinfoil to stereo : the acoustic years of the recording industry, 1877 - 1929. Gainesville: Univ. Press of Florida. ISBN 0813013178.
