Nunik Sauret (born May 12, 1951) is a Mexican printmaker.
Born in Mexico City, Sauret studied at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" in her native city. Sauret was trained in the techniques of Japanese printmaking and graphics under prominent teachers: Kobayashi Keisei, Tatsuma Watanabe, and Kuniko Satake. [1] In 1976 she became a member of the Taller de Grabado del Molino de Santo Domingo, an engraving workshop that was founded in the oldest flour mill in North America. [2] She has created drawings and paintings, but is known mostly for her work as a printmaker; techniques which she has used include etching, drypoint, aquatint, mezzotint, and engraving. She has also taught, her pupils including Eva Laura Moraga. [3] Sauret is a feminist artist who has shown work with the Polvo de Gallina Negra group. [4] In the early 1970s, she founded Colectivo Bio-Arte Bio-Arte along with other feminist artists, which was established to portray the biological transformation of women visually. [5] She has shown her work widely both in Mexico and elsewhere, in solo and group shows. Sauret has been featured in more than 100 individual exhibitions including the Galería de Chapultepec (1969), Galería de Letras in Cali, Colombia (1976), Galería Ponce in México (1977), Galería de Arte Mexicano en México (1981), Matisse Gallery in Monterrey (1985), Museum of Contemporary Art in Morelia (1988), Museo de la Estampa in INBA México, (1990). [6]
Raúl Marcelino Alfaro Torres is a Cuban artist specializing in engraving, photography, sculpture, drawing, painting and graphic design.
Herminio Feliciano Peña Aguilera was a Mexican painter and engraver. His work was recognized with membership in the Salón de la Plástica Mexicana and was a founding member of the Sociedad Mexicana de Grabadores.
Angelina Beloff was a Russian-born artist who did most of her work in Mexico. However, she is better known as Diego Rivera’s first wife, and her work has been overshadowed by his and that of his later wives. She studied art in Saint Petersburg and then went to begin her art career in Paris in 1909. This same year she met Rivera and married him. In 1921, Rivera returned to Mexico, leaving Beloff behind and divorcing her. She never remarried. In 1932, through her contacts with various Mexican artists, she was sponsored to live and work in the country. She worked as an art teacher, a marionette show creator and had a number of exhibits of her work in the 1950s. Most of her work was done in Mexico, using Mexican imagery, but her artistic style remained European. In 1978, writer Elena Poniatowska wrote a novel based on her life.
Shino Watabe is a Japanese artist who has lived and worked in Mexico permanently since 1990. She has had numerous individual and collective exhibitions in Mexico, more recently working with a group of Mexican and Japanese female artists called Flor de Maguey. In 2008, she partially lost her sight due to illness, but she remains a working artist, continuing to create and exhibit her work.
Adolfo Mexiac was a Mexican graphic artist, known principally for his politically and socially themed work, especially with the Taller de Gráfica Popular and with fellow graphic artist Leopoldo Méndez. He also painted several murals, the most important of which deals with the history of human law at the University of Colima. In 2011, a “national homage” was held for the artist at the Museo de la Estampa in Mexico City.
Azteca de Gyves is a Mexican artist from Juchitán de Zaragoza in the state of Oaxaca. She is of Zapotec heritage and one of only two prominent female artists in her city. She has been a member of the Salón de la Plástica Mexicana since 1998 and has exhibited her work individually and collectively in Mexico, Brazil, the United States, Japan and other countries.
José Julio Gaona is a Mexican painter noted for his depictions of women and girls in strong lines and bright colors, usually doing ordinary activities. Member of the Salón de la Plástica Mexicana and other professional organizations in Mexico, he has had over 135 exhibitions of his work in both Mexico and abroad.
IGNACIO ORTIZ CEDEÑO
Mauricio García Vega is a Mexican painter whose work has been recognized by various awards and membership in the Salón de la Plástica Mexicana. His work is mostly focused on urban landscapes, often with dark themes and a chaotic feel. He works both alone and with his brother Antonio García Vega. He lives and works in the Mexico City suburb of Ciudad Nezahualcóyotl.
Antonio García Vega is a Mexican artist and member of the Salón de la Plástica Mexicana. He began exhibiting his work while still in school in the early 1970s and continues to do so, often working with his brother Mauricio García Vega. He works in mixed media to paint various forms of expression. His early work was mostly fantastic, with elements of eroticism but his later work has been darker as a means of expressing his own feelings and moods. His work has mostly been exhibited in Mexico, often in conjunction with other artists including a 2010 exhibition with his brother at various venues.
Eliana Menassé is a Mexican painter and member of the Salón de la Plástica Mexicana, an honor society for Mexican artists
Olga Dondé was a Mexican artist involved in various fields but best known her still life pieces. She was a self-taught painter, who worked for two years until she decided to enter works in a show in 1968. From then she had about 100 showings of her work, including more than forty individual exhibitions in Mexico, the United States, South Americana and Europe. She also founded artistic organizations, an art gallery and a publishing house. Dondé’s work was recognized by admission in the Salón de la Plástica Mexicana, among other honors and her work continues to be shown and honored after her death.
Mario Reyes Castillo (1926–2017) was a Mexican printmaker, painter and sculptor best known for his work with the Taller Libre de Grabado Mario Reyes, which he founded in 1965. This workshop has collaborated with and done work for a number of notable Mexican artists. Much of his artwork was dominated with depictions of the female form, with the artist stating he could see it in many places and objects. His work has been recognized with tributes and retrospectives in places such as the Museo Nacional de Estampa and the Palacio de Bellas Artes. He was also a member of the Salón de la Plástica Mexicana.
Herlinda Sánchez Laurel was a Mexican artist and art professor at the Universidad Nacional Autónoma de México. Her career has been recognized by membership in the Salón de la Plástica Mexicana, and awards from the state of Baja California, the Palacio de Bellas Artes and the International Coordination of Women in Art among others.
Angelica Carrasco is a Mexican graphic artist who is a pioneer of large scale printmaking in the country. Her work often is related to violence and classified as “abstract neo-expressionism.” Much of her career has been dedicated to teaching and the promotion of the arts, especially the graphic arts and has been recognized with membership in the Salón de la Plástica Mexicana and the Sistema Nacional de Creadores de Arte.
Carla Rippey is a visual artist and the ex-director of The National School of Painting, Sculpture and Engraving "La Esmeralda." Although she was born in the US, Rippey is a considered a Mexican feminist artist.
Patricia Torres, known as Patricia Torres is a Mexican artist. She uses different forms of visual expression, such as painting, drawing, printmaking, multimedia pieces and video. The themes in her work are related to the female body, its acceptance and the interventions that are made to normalize it, to ensure that it is accepted and valued in society.
María del Carmen Gayón Córdova is a Mexican artist. Her work is primarily focussed on engraving, however she also explores other techniques, such as relief, book illustration and wire sculptures. Together with Nunik Sauret, she was one of the few people dedicated to the production of bookplates in the eighties in Mexico, a stamp particular owners to mark their books as property which is part of a Mexican tradition linked to bibliophiles and collectors. This link between printmaking, art and books reveals another aspect of her work linked to both historical research and publication design.
Bio-Arte is a feminist art collective, made up of the artists Nunik Sauret, Laita, Roselle Faure, Rose Van Lengen and Guadalupe García. It was founded in September 1983, with its first exhibition taking place at the Museo Nacional de Arte during the colloquium "Bordando sobre la escritura y la cocina".
Suzi Ferrer (born Susan Nudelman, also known as Sasha Ferrer, was a visual artist based in San Juan, Puerto Rico from the mid-1960s to 1975. She is known for her transgressive, irreverent, avant-garde, art brut and feminist work.