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Formation | 1968 |
Type | NGO |
Official language | English |
Status | Active |
Headquarters | Taipei, Taiwan |
Website | Oistat.org |
The International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) is a non-governmental organization (NGO) founded in 1968 in Prague, Czech Republic. According to its founding name, the organization is mainly a network for theatre designers, theatre architects and theatre technicians around the world, made up of people associated with creating or studying live performances, including educators, researchers and practitioners. The organization has members from 51 countries,[ citation needed ] in the membership categories: Centre Member, Associate Member and Individual Member.
The predecessor of the organization was the scenography section of the International Theatre Institute (ITI), founded in 1948. This institute was expected to form an international co-operation of all artistic fields and establish leading publishing and educational direction from the drama sections. The project failed, but interest in the visual elements of theatre grew.[ citation needed ] Shortly after, in 1958, the International Association of Theatre Technicians (IATT) was formed in Paris. This association also faltered due to lack of direction, programming, organizational structure, administrative and financial provisions.[ citation needed ]
The representatives sought ITI to take up the activities again, and the ITI Secretary General Jean Darcante went to Prague in 1967 to discuss with representatives of the Czechoslovak National ITI Center, the Theatre Institute and the Institute of Scenography, the possibility of establishing an organization with a general secretariat in Prague. Czechoslovak scenographers, including professional workers and theatre specialists from both institutions, prepared a draft program for the activity of the new organization with the Czechoslovak Ministry of Culture. Darcante travelled to Prague again in early 1968 to obtain a binding promise from the Czechoslovak official authorities and agree the final details with the Theatre Institute and the Institute of Scenography. On 7 and 8 June 1968, the foundation committee met to establish the new International Organization of Scenographers and Theatre Technicians (French : Organisation Internationale des Scénographes et Technicians de Théatre; OISTT). The founding membership consisted of representatives from Czechoslovakia, Canada, Israel, Hungary, the German Democratic Republic, the Federal Republic of Germany and the United States.[ citation needed ]
OISTAT is composed of members in regions around the world, known as OISTAT Centres, Associate members and Individual members. As defined in the statutes, "the directing body of OISTAT is the Congress, which is formed when the delegates of the OISTAT Centres, Associate Members and Individual Members are assembled in plenary session". Every four years, the delegates of the World Congress elect the president and the members of executive committee. They also decide on changes in the statutes and other arising issues of the organization.
OISTAT affairs are coordinated by the governing board and its executive committee. The executive committee consists of eight elected members including the president, elected at the congress. The governing board consists of the elected chairs of the six commissions.
The Headquarters, known as the Secretariat until 2011, are the only constant office of the organization in charge of daily communications, and serve as the central network for its members and commissions. The Headquarters has moved twice since its foundation; it was in Prague from 1968-1993, in the Netherlands from 1993-2005, and since 2006 it is in Taipei, Taiwan.
Six commissions lead various projects in their field of studies:
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Theatre Architecture Competition is an international ideas competition, aimed at students and emerging practitioners, which is organized every four years by the Architecture commission. The sites of the competition have been in these cities:
In 2011, the competition theme was to design a theatre for a specific performance. The theatre can be in 'found' spaces which were not previously or presently a performing space or create a temporary installation.
In 2015, the theme was to construct a 'floating theatre' on Spree River in Berlin, Germany. The competition has moved from Prague Quadrennial to Berlin's Stage|Set|Scenery. [3]
In 2017, the theme is 'Theatre as Public Space'. The aim of the competition is to challenge the conventional typology of the theatre and to focus on the design of a temporary theatre (or theatres) in The Public Activity Center, a disused sports stadium in Hsinchu City in Taiwan. The 25 selected entries of TAC 2017 were exhibited and awarded during 2017 World Stage Design on July 1–9, 2017 in Taipei, Taiwan.
World Stage Design is an international exhibition of performance design from theatre, dance, music, and opera, as well as a showcase for cross-disciplinary performances and installations in non-conventional theatre spaces since 2005. It is held every four years on different continents, to purposely show the latest designs in theatre performances. Different from the Prague Quadrennial which presents designs curated by each country, World Stage Design allows every individual designer to submit design works directly to the curatorial panel for the grand exhibition. It has been in these cities:
OISTAT Scenofest has been held in conjunction with Prague Quadrennial since 2003. It provides seminars, workshops, thematic exhibitions, performances, and presentations in the field of theatre design. Since 2013, Scenofest has formed new connections with World Stage Design.[ citation needed ]
Scenic design, also known as stage design or set design, is the creation of scenery for theatrical productions including plays and musicals. The term can also be applied to film and television productions, where it may be referred to as production design. Scenic designers create sets and scenery to support the overall artistic goals of the production. Scenic design is an aspect of scenography, which includes theatrical set design as well as light and sound.
Scenography is the practice of crafting stage environments or atmospheres. In the contemporary English usage, scenography can be defined as the combination of technological and material stagecrafts to represent, enact, and produce a sense of place in performance.
The Hsinchu Science Park is an industrial park established by the government of Taiwan on 15 December 1980. It straddles Hsinchu City and Hsinchu County in Taiwan.
In theatre and performing arts, the stage is a designated space for the performance of productions. The stage serves as a space for actors or performers and a focal point for the audience. As an architectural feature, the stage may consist of a platform or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature.
A theatre consultant is a consultant who specializes in the design of facilities for the performing arts, equipment for those facilities and the operation of theatre.
Richard Durst is an academic administrator who served as the eighth and last president of Baldwin-Wallace College located in Berea, Ohio. He became president in 2006 and remained until 2012. Durst was replaced by Robert C. Helmer in July 2012 as the school converted to Baldwin Wallace University
Giuseppe Galli Bibiena , Italian designer, became the most distinguished artist of the Galli da Bibiena family.
Held in Prague once every four years since 1967, the Prague Quadrennial of Performance Design and Space or Prague Quadrennial is the world's largest event in the field of scenography, consisting of a competitive presentation of contemporary work in a variety of performance design disciplines and genres including costume, stage, lighting, sound design, and theatre architecture for dance, opera, drama, site-specific, multi-media performances, and performance art.
Krystyna Zachwatowicz-Wajda is a Polish scenographer, costume designer and actress. She is a daughter of architect and restorer Jan Zachwatowicz and Maria Chodźko h. Kościesza, and wife of film director Andrzej Wajda. Member of the Polish Film Academy.
Josef Svoboda was a Czech artist and scenic designer. He was a production designer and director, known for Amadey (1984), Laterna Magika: Puzzles (1996) and Laterna Magika: Trap (1999).
The Department of Dramatic Theatre is one of three departments at the Academy of Performing Arts in Prague. The academy was opened in 1945 immediately after the Second World War as a part of the newly created academy for the arts. The department's teachers have included prominent personalities in modern Czech theatre, such as Otomar Krejča, set designer František Tröster, Ivan Vyskočil, director Jiří Frejka, and Miroslav Haller. DAMU is a member of the European League of Institutes of the Arts (ELIA) and the European network on cultural management and policy (ENCATC).
Tatjana Radisic is a Serbian costume designer for theater and film. Her work has been seen on stages throughout the country and internationally on screen.
Pekka Salminen is a Finnish Professor of Architecture and founder and a senior partner of PES-Architects, formed in 1968, in Helsinki, Finland. He is also the founder of Unije Workshop International UWI, and the Centre for Architecture and Urban Planning, formed in Unije, Croatia, in 1987.
Iain Mackintosh is a British practitioner of theatre combining four interwoven careers as theatre producer, theatre space designer, curator of theatre painting and architecture exhibitions, and author and lecturer on both modern and eighteenth century theatre. He has campaigned for the retention and restoration of historic theatres as working homes for live performance.
Rumi Matsui is a Japanese set designer and scenographer based in Tokyo. She is the president of Centreline Associates.
Tal Itzhaki is an Israeli theatre designer and director of the Academy of Performing Arts, Tel Aviv, a translator of plays and prose into Hebrew.
Richard Kenneth Thomas is an early practitioner/advocate for theatre sound and composition for live theatre. He began his career at his recording studio, Zounds Productions, which he founded and co-owned with Brad Garton in the late 1970s and early 1980s. Zounds Productions produced among many other bands, legendary punk band Dow Jones and the Industrials.
Leokadia Serafinowicz was an artist and promoter of Polish puppet theater and Theater for Young Audiences (TYA). She was a puppeteer, director, scenographer, and a writer of scenarios as well as theater and film adaptations. She served as director and art director at the Teatr Lalki i Aktora "Marcinek" in Poznań from 1960 to 1976, making it one of the most prestigious puppet theaters of its time. She was a co-founder and the first president of ASSITEJ Poland (1981–1982), and an honorary member of UNIMA.
Chou Tung-Yen is a Taiwanese theatre director, filmmaker and scenographer and founder of Very Mainstream Studio and Very Theatre in Taipei.
Dorita Hannah is a New Zealand architect, independent academic, visual artist and designer. She has had an architectural practice, taught at various institutions in New Zealand and internationally, and has published articles and book chapters including Event-Space: Theatre Architecture and the Historical Avant-Garde (2018).