Scenic design, also known as stage design or set design, is the creation of scenery for theatrical productions including plays and musicals. The term can also be applied to film and television productions, where it may be referred to as production design. Scenic designers create sets and scenery to support the overall artistic goals of the production. Scenic design is an aspect of scenography, which includes theatrical set design as well as light and sound.
Scenography is a practice of crafting stage environments or atmospheres. In the contemporary English usage, scenography can be defined as the combination of technological and material stagecrafts to represent, enact, and produce a sense of place in performance. While inclusive of the techniques of scenic design and set design, scenography is a holistic approach to the study and practice of all aspects of design in performance.
The Hsinchu Science Park is an industrial park established by the government of Taiwan on 15 December 1980. It straddles Hsinchu City and Hsinchu County in Taiwan.
In theatre and performing arts, the stage is a designated space for the performance of productions. The stage serves as a space for actors or performers and a focal point for the audience. As an architectural feature, the stage may consist of a platform or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature.
A theatre consultant is a consultant who specializes in the design of facilities for the performing arts, equipment for those facilities and the operation of theatre.
Richard Durst is an academic administrator who served as the eighth and last president of Baldwin-Wallace College located in Berea, Ohio. He became president in 2006 and remained until 2012. Durst was replaced by Robert C. Helmer in July 2012 as the school converted to Baldwin Wallace University
Held in Prague once every four years since 1967, the Prague Quadrennial of Performance Design and Space or Prague Quadrennial is the world's largest event in the field of scenography, consisting of a competitive presentation of contemporary work in a variety of performance design disciplines and genres including costume, stage, lighting, sound design, and theatre architecture for dance, opera, drama, site-specific, multi-media performances, and performance art.
Krystyna Zachwatowicz-Wajda is a Polish scenographer, costume designer and actress. She is a daughter of architect and restorer Jan Zachwatowicz and Maria Chodźko h. Kościesza, and wife of film director Andrzej Wajda. Member of the Polish Film Academy. She is a co-founder of Centre of Japanese Art and Technology "Manggha" in Kraków.
Josef Svoboda was a Czech artist and scenic designer. He was a production designer and director, known for Amadey (1984), Laterna Magika: Puzzles (1996) and Laterna Magika: Trap (1999).
The Department of Dramatic Theatre is one of three departments at the Academy of Performing Arts in Prague. The academy was opened in 1945 immediately after the Second World War as a part of the newly created academy for the arts. The department's teachers have included prominent personalities in modern Czech theatre, such as Otomar Krejča, set designer František Tröster, Ivan Vyskočil, director Jiří Frejka, and Miroslav Haller. DAMU is a member of the European League of Institutes of the Arts (ELIA) and the European network on cultural management and policy (ENCATC).
Tatjana Radisic is a Serbian costume designer for theater and film. Her work has been seen on stages throughout the country and internationally on screen.
SalāLemi Ponifasio is a prolific international theatre director, choreographer, and artist. He is known for his radical approach to theatre, dance, art and activism, and for his collaboration with communities.
Pekka Salminen is a Finnish Professor of Architecture and founder and a senior partner of PES-Architects, formed in 1968, in Helsinki, Finland. He is also the founder of Unije Workshop International UWI, and the Centre for Architecture and Urban Planning, formed in Unije, Croatia, in 1987.
Iain Mackintosh is a British practitioner of theatre combining four interwoven careers as theatre producer, theatre space designer, curator of theatre painting and architecture exhibitions, and author and lecturer on both modern and eighteenth century theatre. He has campaigned for the retention and restoration of historic theatres as working homes for live performance.
Rumi Matsui is a Japanese set designer and scenographer based in Tokyo. She is the president of Centreline Associates.
Tal Itzhaki is an Israeli theatre designer and director of the Academy of Performing Arts, Tel Aviv, a translator of plays and prose into Hebrew, and a peace activist.
Richard Kenneth Thomas is an early practitioner/advocate for theatre sound and composition for live theatre. He began his career at his recording studio, Zounds Productions, which he founded and co-owned with Brad Garton in the late 1970s and early 1980s. Zounds Productions produced among many other bands, legendary punk band Dow Jones and the Industrials.
Leokadia Serafinowicz was an artist and promoter of Polish puppet theater and Theater for Young Audiences (TYA). She was a puppeteer, director, scenographer, and a writer of scenarios as well as theater and film adaptations. She served as director and art director at the Teatr Lalki i Aktora "Marcinek" in Poznań from 1960 to 1976, making it one of the most prestigious puppet theaters of its time. She was a co-founder and the first president of ASSITEJ Poland (1981–1982), and an honorary member of UNIMA.
Chou Tung-Yen is an award- winning theatre director, filmmaker and scenographer from Taiwan, and founder of Very Mainstream Studio and Very Theatre in Taipei.
Dorita Hannah is a New Zealand architect, independent academic, visual artist and designer. She has had an architectural practice, taught at various institutions in New Zealand and internationally, and has published articles and book chapters including Event-Space: Theatre Architecture and the Historical Avant-Garde (2018).
