Obadiah Shuttleworth (died 1734), English composer, violinist and organist, was the son of Thomas Shuttleworth of Spitalfields in London. Thomas was a professional music copyist and harpsichord player. [1]
The exact date of Shuttleworth's birth is uncertain.
Shuttleworth was an excellent violinist and in the early 18th century he took part in the influential public concerts arranged by the London coal merchant Thomas Britton (known as 'the musical small coal man') at his business premises in Clerkenwell to which musical professionals and amateurs from all ranks of London society were drawn. Shuttleworth also led concerts that were later established about 1728 at the Swan Tavern, Cornhill. The 18th-century musical historian, Sir John Hawkins, wrote of him that he 'played the violin to such a degree of perfection, as gave him a rank among the first masters of his time'. [2]
In January 1724, according to the newspaper the British Journal (11 January 1724), Shuttleworth was made organist at the church of St Michael, Cornhill, having previously been the organist at St Mary's, Whitechapel. On 4 May 1729 the London newspaper The London Evening Post announced his appointment as organist of the Temple Church. [3] According to Hawkins, Shuttleworth was 'celebrated for his fine finger on the organ, and drew numbers to hear him, especially at the Temple Church where he would frequently play near an hour after evening service'. He retained both organist appointments until his death on 2 May 1734. A widow and two daughters survived him. [4]
While several works by Shuttleworth (concertos, sonatas, solos, and cantatas) are known from various sources, the only extant works by him are two concerti grossi, for two solo violins and string orchestra, arranged from the opus 5 solo sonatas by Arcangelo Corelli (1653–1713), that were published in London in 1726. If, as some leading scholars now believe, Francesco Geminiani's 1726 concerto arrangements from the same set of Corelli sonatas were probably the first to be published in England that required two violin soloists, [5] then Obadiah Shuttleworth has the distinction of being the first Englishman to publish such concertos, in a form that would come to dominate English string concertos of the early 18th century.
Cultural offices | ||
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Preceded by Philip Hart | Organist of St Michael, Cornhill 1723-1734 | Succeeded by Joseph Kelway |
Tomaso Giovanni Albinoni was an Italian Baroque composer. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is also remembered today for a work called "Adagio in G minor", attributed to him but said to be written by Remo Giazotto, a modern musicologist and composer, who was a cataloger of the works of Albinoni.
Arcangelo Corelli (, also, , Italian: [arˈkandʒelo koˈrɛlli]; was an Italian violinist and composer of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony.
The concerto grosso is a form of baroque music in which the musical material is passed between a small group of soloists and full orchestra. This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra.
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era.
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This is a list of notable events in music that took place in the year 1734.
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Joseph Kelway was an English organist and harpsichord player, among the most highly regarded in his day.