Ingeborg Hermine Morath was an Austrian photographer. In 1953, she joined the Magnum Photos Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955. Morath was the third wife of playwright Arthur Miller; their daughter is screenwriter/director Rebecca Miller.
Helmut Newton was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of "creating" an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus, is printed in one or more colors other than black-and-white and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination.
Sebastião Ribeiro Salgado Júnior is a Brazilian social documentary photographer and photojournalist.
Gordon Roger Alexander Buchanan Parks was an American photographer, musician, writer and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African-Americans—and in glamour photography.
George Rodger was a British photojournalist noted for his work in Africa and for photographing the mass deaths at Bergen-Belsen concentration camp at the end of the Second World War.
Nobuyoshi Araki is a Japanese photographer and contemporary artist professionally known by the mononym Arākī (アラーキー). Known primarily for photography that blends eroticism and bondage in a fine art context, he has published over 500 books.
David Goldblatt HonFRPS was a South African photographer noted for his portrayal of South Africa during the period of apartheid. After apartheid had ended he concentrated more on the country's landscapes. What differentiates Goldblatt's body of work from those of other anti-apartheid artists is that he photographed issues that went beyond the violent events of apartheid and reflected the conditions that led up to them. His forms of protest have a subtlety that traditional documentary photographs may lack: "[M]y dispassion was an attitude in which I tried to avoid easy judgments. . . . This resulted in a photography that appeared to be disengaged and apolitical, but which was in fact the opposite." He has numerous publications to his name.
Raghunath Rai Chowdhry, known as Raghu Rai, is an Indian photographer and photojournalist. He was a protégé of Henri Cartier-Bresson, who appointed Rai, then a young photojournalist, to Magnum Photos in 1977.
Sir Donald McCullin is a British photojournalist, particularly recognised for his war photography and images of urban strife. His career, which began in 1959, has specialised in examining the underside of society, and his photographs have depicted the unemployed, downtrodden and impoverished.
Albert "Alby" Falzon is an Australian filmmaker, photographer and publisher in the surfing sub-culture.
Jürgen Schadeberg was a German-born South African photographer and artist. He photographed key moments in South African history, including iconic photographs such as Nelson Mandela at Robben Island prison. He also lived, worked and taught in London and Spain, and photographed in many African countries.
Greg Marinovich is a South African photojournalist, filmmaker, photo editor, and member of the Bang-Bang Club.
Krass Clement Kay Christensen is a Danish photographer who has specialized in documentary work. He graduated as a film director in Copenhagen but soon turned to still photography, publishing his first book Skygger af øjeblikke in 1978. He has since become an active documentary photographer, focusing on people from both Denmark and abroad. His earlier work is black and white but since 2000 he has also worked in colour.
Alfred Horsley Hinton was an English landscape photographer, best known for his work in the pictorialist movement in the 1890s and early 1900s. As an original member of the Linked Ring and editor of The Amateur Photographer, he was one of the movement's staunchest advocates. Hinton wrote nearly a dozen books on photographic technique, and his photographs were exhibited at expositions throughout Europe and North America.
Andrew Esiebo is a Nigerian photographer. He has covered personal projects and assignments on primarily Nigeria and West Africa but has gained international recognition.
George Hallett was a South African photographer known for images of South African exiles. His body of work captures much of the country's turbulent history through Apartheid and into the young democracy.
Neo Ntsoma is a South African photographer known for her photojournalism, portraiture, music and popular culture photography. Born in Vryburg and brought up in the rural areas of Mafikeng in the North West Province, her fascination about films was triggered at an early age. Growing up in the apartheid era and seeing the negative portrayal images of black South Africans and the lack of participation of black women in a media industry dominated by white males, this reinvigorated her to want to make change, however it was not an easy dream to fulfill due to race restrictions at the time. Ntsoma attended St Mary's High School where she would be introduced to music, dance and drama, this is where she knew her career path was different from her peers. Despite several setbacks throughout her life she kept on pursuing her dream of being a photographer and succeeded. Ntsoma is known for her photographs that stand out for the odd angles from which they are taken and the way she plays with what is in focus in the photos and what is not. Besides being an award-winning photographer she has become an enthusiastic mentor for young photojournalists.
Photography in Sudan refers to both historical as well as to contemporary photographs taken in the cultural history of today's Republic of the Sudan. This includes the former territory of present-day South Sudan, as well as what was once Anglo-Egyptian Sudan, and some of the oldest photographs from the 1860s, taken during the Turkish-Egyptian rule (Turkiyya). As in other countries, the growing importance of photography for mass media like newspapers, as well as for amateur photographers has led to a wider photographic documentation and use of photographs in Sudan during the 20th century and beyond. In the 21st century, photography in Sudan has undergone important changes, mainly due to digital photography and distribution through social media and the Internet.
