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José Luis Cuevas was a Mexican artist, he often worked as a painter, writer, draftsman, engraver, illustrator, and printmaker. Cuevas was one of the first to challenge the then dominant Mexican muralism movement as a prominent member of the Generación de la Ruptura. He was a mostly self-taught artist, whose styles and influences are moored to the darker side of life, often depicting distorted figures and the debasement of humanity. He had remained a controversial figure throughout his career, not only for his often shocking images, but also for his opposition to writers and artists who he feels participate in corruption or create only for money. In 1992, the José Luis Cuevas Museum was opened in the historic center of Mexico City holding most of his work and his personal art collection. His grandson Alexis de Chaunac is a contemporary artist.
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The Academy of San Carlos is located at 22 Academia Street in just northeast of the main plaza of Mexico City. It was the first major art academy and the first art museum in the Americas. It was founded in 1781 as the School of Engraving and moved to the Academia Street location about 10 years later. It emphasized classical European training until the early 20th century, when it shifted to a more modern perspective. At this time, it also integrated with the National Autonomous University of Mexico, eventually becoming the Faculty of Arts and Design, which is based in Xochimilco. Currently, only graduate courses of the modern school are given in the original academy building.
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Generación de la Ruptura is the name given by art critic Teresa del Conde to the generation of Mexican artists against the established Mexican School of Painting, more commonly called Mexican muralism post World War II. It began with the criticisms of José Luis Cuevas in the early 1950s, followed by others who thought the established art had become dogmatic, formulaic and nationalistic and the artists too deferential to the government. This new generation of artists was not bound by a particular artistic style but was more interested in personal rather than social issues and influenced by a number of international trends in art such as Abstract expressionism. Early reaction to them was strong and negative but by the end of the 1950s, they had succeeded in having their art shown in the major venues of Mexico. The Generación de la Ruptura had influence on other arts in Mexico, such as literature but it did not end the production of murals in Mexico with social and nationalist purposes.
Elena Moskaleva is a Russian visual artist specialising in optical illusions.
Everett Gee Jackson was an American impressionist painter and professor. He rose to prominence for his landscapes and portraits in 20th century Mexico City and Southern California.
Juana Mordó was born in Thessaloniki, Ottoman Empire and was an art dealer and gallery director in Madrid, Spain.
References
- ↑ Naomi Levin (2007). "METAMORPHOSES OF MAN AND NATURE: The Myth of Philemon and Baucis as Represented by Ruben and La Fontaine". Metamedia, a collaboratory at Stanford University. Archived from the original on 2008-03-12. Retrieved 2007-07-28.
These kinds of artwork play with optical illusions ... The tradition was widely appreciated in the Renaissance and is maintained today by contemporary artists, such as the Mexican painter Octavio Ocampo.
- ↑ Octavio Ocampo Visions Fine Art Gallery
- ↑ "Items from Gifts of State". Jimmy Carter Library. 1999. Retrieved 2007-07-28.
The Octavio Ocampo portrait of Jimmy Carter was a gift presented by the President of Mexico at the time José López Portillo, in February 1979
- ↑ "Octavio Campo". planetperplex.com. 2007. Archived from the original on 2010-01-01. Retrieved 2007-07-28.
This cover was quickly replaced by a normal picture of Cher, because so many people thought it was so ugly. The original cover is now a collector's item.
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