The Octonaire is a genre of early French poem, then chanson, with the text divided into eight-verse sections, or octonaries, after the model of Psalm 118.
An octonary is an eight-line section in a poem, song or psalm. The most notable example is found in Psalm 119
Psalm 118 is the 118th psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "O give thanks unto the LORD; for he is good: because his mercy endureth for ever." The Book of Psalms is the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Greek Septuagint version of the bible, and in its Latin translation in the Vulgate, this psalm is Psalm 117 in a slightly different numbering system. In Latin, it is known as "Confitemini Domino quoniam bonus quoniam in saeculum misericordia eius". Its themes are thanksgiving to God and reliance on God rather than on human strength.
Three poets wrote Octonaires de la vanité et inconstance du monde. The best known was Antoine de la Roche Chandieu. Claude Le Jeune and Paschal de L'Estocart both wrote collections of moral chansons, Octonaires de la vanité et inconstance du monde, with 19 texts common to both collections. [1]
Antoine de la Roche Chandieu was a French Reformed theologian, poet, diplomat and nobleman. His trend toward the Reformed Protestantism was strengthened during his study of law at Toulouse, and after a theological course at Geneva, he became the pastor of the Reformed congregation of Paris, 1556-62.
Claude Le Jeune was a Franco-Flemish composer of the late Renaissance. He was the primary representative of the musical movement known as musique mesurée, and a significant composer of the "Parisian" chanson, the predominant secular form in France in the latter half of the 16th century. His fame was widespread in Europe, and he ranks as one of the most influential composers of the time.
Claude-Henri de Fusée, abbé de Voisenon was a French playwright and writer.
Paschal de l'Estocart was a French Renaissance composer.
Théophile Marion Dumersan was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale.
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Pierre Seghers was a French poet and editor. During the Second World War he took part in the French Resistance movement.
The abbé Simon-Joseph Pellegrin (1663 – 5 September 1745) was a French poet and playwright, a librettist who collaborated with Jean-Philippe Rameau and other composers.
The Ensemble Clément Janequin is a French early music ensemble founded in 1978 and specializing in the chansons of the Renaissance and early Baroque.
Jean-François Dutertre was a French singer-songwriter and player of the hurdy-gurdy, épinette des Vosges, and traditional French music. He also played the bodhran and the bouzouki.
Paul Vilar was a French author and writer of novels, tales and essays.
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Jean Douchet is a French film director, historian, film critic and teacher who began his career in the early 1950s at Gazette du Cinéma and Cahiers du cinema with members of the future French New Wave.
Jehan Chardavoine was a French Renaissance composer. He was one of the first known editors of popular chansons, and the author, according to musicologist Julien Tiersot, of "the only volume of monodic songs from the 16th century that has survived to our days."
Jean-Pierre Miquel was a French actor and theatre director, as well as an administrator of the Comédie française.
Louis Philipon de La Madelaine was an 18th–19th-century French writer, chansonnier, philologist and goguettier.
Pierre Adolphe Capelle was a 19th-century French chansonnier, goguettier and writer.
Claude-Marie-Louis-Emmanuel Carbon de Flins Des Oliviers was an 18th-century French man of letters and playwright.
Raymond Lévesque is a retired Canadian singer-songwriter and poet from Quebec. One of the pioneers of the chansonnier tradition in Quebec, he is best known for writing "Quand les hommes vivront d'amour", one of the most famous pop standards in French-language popular music.
Antoine Sicot is a contemporary French soloist singer specialising in the baroque repertoire for bass voice.
Bruno Boterf is a contemporary French tenor, specialising in Baroque and early music.