Author | Ann Bannon |
---|---|
Cover artist | Barrye Phillips |
Language | English |
Series | The Beebo Brinker Chronicles |
Genre | Lesbian pulp fiction |
Publisher | Gold Medal Books |
Publication date | 1957 |
Publication place | United States |
Media type | Print (Paperback) |
ISBN | 1-57344-128-7 (2001 edition) |
OCLC | 1418753 (2001 edition) |
813/.54 22 | |
LC Class | PS3552.A495 O33 2001 |
Followed by | I Am a Woman |
Odd Girl Out is a lesbian pulp fiction novel written in 1957 by Ann Bannon (pseudonym of Ann Weldy), the first in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles . It was originally published in 1957 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2001 by Cleis Press. Each edition was adorned with a different cover. Not until 1983 did author Bannon learn that her first novel was the second best-selling paperback of 1957.
Bannon's original story submitted to Gold Medal Books was about events in a sorority, in which a subplot involved an affair two women were having. Her editor handed it back to her and told her to focus on the two women. When she returned to the editor, the book was published without changing a word of her second version, and it became Odd Girl Out. As Bannon explained in the 2001 edition foreword, Gold Medal publishers had control over the cover art and the title. Lesbian pulp fiction books usually showed suggestive art with obscure titles that hinted at what the subject matter was inside.
Bannon was inspired to write her books after reading Spring Fire by Vin Packer and The Well of Loneliness by Radclyffe Hall. In fact, it was Marijane Meaker (Vin Packer's real name) that Bannon wrote to and who introduced her to her publisher at Gold Medal Books. [1] Bannon was 22 years old when she began writing Odd Girl Out.
Laura Landon is a sheltered freshman at a fictional university in a midwestern town. Intensely shy and introverted, she is drawn to the president of the student union, Beth Cullison. Beth is outgoing and friendly, experienced socially (with men, particularly) but feels a void in her life. She doesn't understand how the other girls are so fulfilled by the men in their lives, despite having tried. Every time she allows herself to be intimate with one, she breaks it off out of disappointment.
Beth shares a room in the sorority house with Emmy, and convinces Laura to pledge the sorority. Feeling a pull to Beth, Laura delights in her presence and experiences jealousy and confusion in her attachment to the older woman. They go on dates together to movies and plays, and Beth considers Laura something of an enigma, unsure of how to reach out to her to get to know her well. Laura finds herself especially jealous of Beth's most recent beau, Charlie, who to Beth's surprise, has awoken some new feelings in her. Laura is often so at odds with her unemotional upbringing conflicting with the intensity of the emotions she experiences for Beth that she practices self-injury.
Beth begins to realize what effect she has on Laura and teases her good-naturedly to watch what happens to her, but Beth is taken back by Laura's intense attraction and love for her and they begin an affair. This is compounded by her escalating relationship with Charlie, who is frustrated with Beth's vacillating between affection for him and her guilt for hurting Laura.
Beth loses faith with her sorority and the university when, during a sorority costume party, Emmy gets drunk and her boyfriend, Bud, hoists her scantily clad over his shoulder and the top of her costume falls off. The sorority kicks her out after she is caught in the middle of coitus with Bud, after she was told not to see him. Bud is angered by this and feels partly to blame. He reassures Emmy and promises to marry her. Whether or not he will fulfill his promise remains ambiguous. Emmy writes to Beth about her frustration when she doesn't hear from Bud, and her feelings of estrangement from her community.
Disillusioned and not sure what to do, Beth agrees to leave school to be with Laura. They plan to run away to Greenwich Village. Charlie corners Laura and she tells him about their relationship, triumphant that she can have what Charlie cannot. Charlie confronts Beth when she is on her way to meet Laura at the train station. He calls her relationship with Laura childish, to which Beth admits that she only loves Laura, not him. Charlie drops her off at the station and says she must make her own decision, but he will wait nearby for half an hour, just in case. Beth finally reveals the truth to Laura when she meets her at the station. Laura stays on the train resolute her love for Beth and even thanks her for teaching her who she is. Beth says her goodbyes to Laura and rushes off to catch Charlie.
Novels published as pulp were never seriously reviewed in literary magazines; however, The Ladder recommended Odd Girl Out in 1957, noting that "the context is not so sensational as most pocket books on this theme. The problems of heterosexual love as well as homosexual love are equally well presented — with understanding and sympathy." [2]
In a 1969 retrospective of lesbian paperback fiction, Odd Girl Out was described as having "all the requirements: youth, sex, love, sex, hope, sex, and no real lack of sympathy. [3]
Author Katherine V. Forrest described purchasing and reading Odd Girl Out: "Overwhelming need led me to walk a gauntlet of fear up to the cash register. Fear so intense that I remember nothing more, only that I stumbled out of the store in possession of what I knew I must have, a book as necessary to me as air... I found it when I was eighteen years old. It opened the door to my soul and told me who I was." Forrest also credits Bannon, quite frankly, with saving her life. [4]
Lesbian pulp fiction is a genre of lesbian literature that refers to any mid-20th century paperback novel or pulp magazine with overtly lesbian themes and content. Lesbian pulp fiction was published in the 1950s and 1960s by many of the same paperback publishing houses as other genres of fiction, including westerns, romances, and detective fiction. Because very little other literature was available for and about lesbians at this time, quite often these books were the only reference the public had for modeling what lesbians were. English professor Stephanie Foote commented on the importance of lesbian pulp novels to the lesbian identity prior to the rise of organized feminism: "Pulps have been understood as signs of a secret history of readers, and they have been valued because they have been read. The more they are read, the more they are valued, and the more they are read, the closer the relationship between the very act of circulation and reading and the construction of a lesbian community becomes…. Characters use the reading of novels as a way to understand that they are not alone." Joan Nestle refers to lesbian pulp fiction as “survival literature.” Lesbian pulp fiction provided representation for lesbian identities, brought a surge of awareness to lesbians, and created space for lesbian organizing leading up to Stonewall.
The Ladder was the first nationally distributed lesbian publication in the United States. Published from 1956 to 1972, The Ladder was the primary monthly publication and method of communication for the Daughters of Bilitis (DOB), the first lesbian organization in the US. It was supported by ONE, Inc. and the Mattachine Society, with whom the DOB retained friendly relations. The name of the magazine was derived from the artwork on its first cover, simple line drawings showing figures moving towards a ladder that disappeared into the clouds.
Ann Weldy, better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote six lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships.
Naiad Press (1973–2003) was an American publishing company, one of the first dedicated to lesbian literature. At its closing it was the oldest and largest lesbian/feminist publisher in the world.
Valerie Taylor was an American author of books published in the lesbian pulp fiction genre, as well as poetry and novels after the "golden age" of lesbian pulp fiction. She also published as Nacella Young, Francine Davenport, and Velma Tate. Her publishers included Naiad Press, Banned Books, Universal, Gold Medal Books, Womanpress, Ace and Midwood-Tower.
Marijane Agnes Meaker was an American writer who, along with Tereska Torres, was credited with launching the lesbian pulp fiction genre, the only accessible novels on that theme in the 1950s.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics. A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian.
Spring Fire, is a 1952 paperback novel written by Marijane Meaker, under the pseudonym "Vin Packer". It is the first lesbian paperback novel, and the beginning of the lesbian pulp fiction genre; it also addresses issues of conformity in 1950s American society. The novel tells the story of Susan "Mitch" Mitchell, an awkward, lonely freshman at a Midwestern college who falls in love with Leda, her popular but troubled sorority sister. Published by Gold Medal Books, Spring Fire sold 1.5 million copies through at least three printings.
I Am a Woman is a lesbian pulp fiction novel written in 1959 by Ann Bannon. It is the second in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1959 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2002 by Cleis Press.
Women in the Shadows is a lesbian pulp fiction novel written in 1959 by Ann Bannon. It is the third in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1959 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2002 by Cleis Press. Each edition was adorned with a different cover.
Journey to a Woman is a lesbian pulp fiction novel written in 1960 by Ann Bannon. It is the fifth in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1960 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2003 by Cleis Press. Each edition was adorned with a different cover.
Beebo Brinker is a lesbian pulp fiction novel written in 1962 by Ann Bannon. It is the last in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1962 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2001 by Cleis Press. Each edition was adorned with a different cover. Although this is the last in the series, it is set first — a prequel to the others. In the order of the series, it follows Journey to a Woman. However, in the order of the events and characters in the series, Beebo Brinker takes place several years before Odd Girl Out does.
Barbara Grier was an American writer and publisher. She is credited for having built the lesbian book industry. After editing The Ladder magazine, published by the lesbian civil rights group Daughters of Bilitis, she co-founded a lesbian book-publishing company Naiad Press, which achieved publicity and became the world's largest publisher of lesbian books. She built a major collection of lesbian literature, catalogued with detailed indexing of topics.
Forbidden Love: The Unashamed Stories of Lesbian Lives is a 1992 Canadian hybrid drama-documentary film about Canadian lesbians navigating their sexuality while homosexuality was still criminalized. Interviews with lesbian elders are juxtaposed with a fictional story, shot in fifties melodrama style, of a small-town girl's first night with another woman. It also inserts covers of lesbian pulp fiction. The film presents the stories of lesbians whose desire for community led them on a search for the few public beer parlours or bars that would tolerate openly queer women in the 1950s and 60s in Canada. It was written and directed by Lynne Fernie and Aerlyn Weissman and featured author Ann Bannon. It premiered at the 1992 Toronto Festival of Festivals and was released in the United States on 4 August 1993. It was produced by Studio D, the women's studio of the National Film Board of Canada.
Karin Kallmaker is an American author of lesbian fiction whose works also include those originally written under the name Laura Adams. Her writings span lesbian romance, lesbian erotica, and lesbian science-fiction/fantasy. Dubbed the Queen of Lesbian Romance, she publishes exclusively in the lesbian market as a matter of personal choice.
Elaine Williams was an American lesbian pulp fiction author and editor of the late 1950s and early 1960s. She wrote under a pseudonym, largely either as Sloan Britton or Sloane Britain.
Yvonne Christine MacManus was an American novelist specializing in lesbian fiction and science fiction. Although she used her real name when writing in other genres, MacManus published lesbian fiction under the pseudonym Paula Christian.
Julie Ellis was an early lesbian pulp fiction author of the 1960s, writing pro-lesbian romance and erotica under varied pseudonyms for Midwood-Tower Publications. She changed her writing pseudonyms and legal name usage numerous times and later in life she wrote historical and romance fiction under the name Julie Ellis.
Sally M. Singer is an American writer who penned lesbian pulp fiction from the late 1950s through the mid-1970s. She is most well known for works she wrote under the pseudonyms March Hastings and Laura Duchamp, mostly for Midwood-Tower Publications. These works include Three Women, The Third Theme, and Duet.
The Girls in 3-B is a classic work of lesbian pulp fiction by Valerie Taylor which was published in 1959 by Fawcett. Its happy ending for a lesbian character was unusual for the time period. It was one of the first three novels of any pulp fiction genre to be reprinted in 2003 by Feminist Press.