Author | Ann Bannon |
---|---|
Language | English |
Series | The Beebo Brinker Chronicles |
Genre | Lesbian pulp fiction |
Publisher | Fawcett Gold Medal Books |
Publication date | 1959 |
Publication place | United States |
Media type | Print (Paperback) |
Preceded by | Odd Girl Out |
Followed by | Women in the Shadows |
I Am a Woman is a lesbian pulp fiction novel written in 1959 by Ann Bannon (pseudonym of Ann Weldy). It is the second in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles . It was originally published in 1959 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2002 by Cleis Press.
Its original title with Gold Medal Books was I Am a Woman In Love With A Woman Must Society Reject Me? Bannon wanted the title to be Strangers in this World [1] (from a conversation the main character has with a stranger who tells her that everyone is a stranger until she finds someone to love), but as Bannon explained in the 2001 edition forward of Odd Girl Out , Gold Medal publishers had control over the cover art and the title. Bannon's editor titled the book. Lesbian pulp fiction books usually showed suggestive art with obscure titles that hinted at what the subject matter was inside. [2] For the 1983 and 2002 editions, the title was shorted to I Am A Woman. It is followed in the series by Women In The Shadows , also published in 1959.
Bannon was inspired to write after reading The Well of Loneliness and Spring Fire . However, it was in this book that Bannon wrote one of the first endings in a work of lesbian fiction where none of the characters commit suicide, goes insane, is killed, or is left completely alone. In an interview in 2003, she reluctantly admitted this was her favorite of the series. [3]
One year after leaving college, Laura Landon is exhausted by living with her harsh, judgmental father, who perceives that she failed out of school. Laura leaves home in the middle of the night and goes to New York City. She gets a job as a secretary in a medical office and lands an apartment with a roommate — Marcie. Marcie is young and very impulsive, but vivacious and puts Laura at ease. Laura moves into the apartment in Greenwich Village with a vague gnawing excitement in her.
Laura and Marcie develop a routine and Laura learns her new job. Marcie is constantly fighting with her ex-husband Burr, who comes around frequently to date Marcie, and in between fights, they sleep together. Finding that Laura tempers Marcie a bit, she insists that she will only date Burr if Laura is with her — which confounds Laura as she recognizes that she is attracted to Marcie and intensely dislikes Burr. Burr brings along a friend, Jack Mann, and they double date one evening. As a joke, he explains, Jack takes them to a gay bar in Greenwich Village and watches their reactions. Jack is an alcoholic, but is good-natured and has a self-deprecating sense of humor. Laura is intrigued by him, and his friends laugh at him.
Jack returns the intrigue when he hears Laura argue with Burr's statement that he can make any of the women in the bar straight if he wanted to. Jack asks her out again and shocks her when he tells Laura he knows she's in love with Marcie. Jack admits he's also gay and helps Laura deal with the realization about herself. She also confides to him that her father hates her because her mother and brother drowned and her father could not save them.
After going out a couple times, Jack introduces Laura to a mutual friend, Beebo Brinker (born as Betty Jean), a tall, swaggering, dark-haired butch. They meet later in the gay bar after Laura runs away from Marcie, unable to contain her attraction. After a few drinks, Laura is afraid to return home, so Beebo allows her to sleep on the sofa. From a desperate longing and loneliness, Laura sobers up enough to seduce Beebo and they begin a torrid affair. Laura tells Beebo about Marcie, and Beebo warns Laura that Marcie knows Laura is in love with her and is playing with her. Laura refuses to believe it.
Laura attempts to contact her father when he travels to town for a journalists' convention, only to be rebuked. Marcie finally stops speaking to Burr and Burr, frustrated, calls Laura at work and accuses her of being in love with Marcie and keeping her from seeing him. Laura begins to spy on her father and unravel under the strain of her relationship with Marcie. She depends on Jack, who is in a new relationship with a young man, but who expresses his sincere doubt that it will last. After getting drunk and humiliating Beebo in a bar, she's left alone.
Exhausted, Laura finally tells Marcie she's in love with her. Marcie, deeply moved by Laura's sincerity and intensity, admits that it was a game for her after all, but will try to return Laura's love. Heartbroken and ashamed, Laura leaves the apartment to confront her father at his hotel. They have a violent fight and Laura hits him over the head with an ashtray and runs.
After wandering the night in the rain, Laura shows up at Jack's house fearing she killed her father. Jack and his new boyfriend take care of her. Laura shows up to apologize to Beebo and tells her she loves her. In an ending that was completely different from any previous work of lesbian fiction, they walk together to Beebo's apartment arm in arm.
Although pulp novels were not reviewed by serious literary journals, The Ladder in 1959 gave it a very favorable review, claiming, "the book is very realistic, the writing is excellent for a paperback, and the ending is so very happy that it sets the book almost in a class by itself. The author is sympathetic herself, but she pulls no punches. She definitely realizes the drawbacks as well as the advantages." [4]
In 1959, ONE, Inc. reviewed I Am A Woman, giving it mixed reviews for the descriptions of the sex scenes and Marcie's "unbelievable" personality, but being especially impressed with Jack and Terry, the happy ending, and the fact that the book was written for homosexuals, as opposed to entertainment for heterosexuals which was much more common. The review read, "It is indeed heartening to read a happy ending in this era of suicidal finishes; and this is a complete happy ending...and works out quite logically. I Am A Woman is a book that basically all homosexual readers, both men and women, will enjoy reading." [5]
A 1969 retrospective of lesbian paperback fiction called I Am A Woman a "blockbuster" that heaps praise on the character of Beebo Brinker, "who carries off a barroom seduction scene that is surely a classic". [6]
Chapter 8 of I Am A Woman was included in a compilation of excerpts from what author-editor Katherine V. Forrest considered the best examples of lesbian pulp fiction books, aptly named Lesbian Pulp Fiction in 2005.
In the 1983 Joy Parks, author of the article "Pulps of Passion," read an array of pulp fictions novels by Ann Bannon and wrote review of them for the July/August issue of Body Politic. In this review she stated that I Am A Woman, along with Bannon's other novels, "proved that while love between women was difficult, it was a possibility." She also hailed Bannon's work as "lesbian classic." [7]
Lesbian pulp fiction is a genre of lesbian literature that refers to any mid-20th century paperback novel or pulp magazine with overtly lesbian themes and content. Lesbian pulp fiction was published in the 1950s and 1960s by many of the same paperback publishing houses as other genres of fiction, including westerns, romances, and detective fiction. Because very little other literature was available for and about lesbians at this time, quite often these books were the only reference the public had for modeling what lesbians were. English professor Stephanie Foote commented on the importance of lesbian pulp novels to the lesbian identity prior to the rise of organized feminism: "Pulps have been understood as signs of a secret history of readers, and they have been valued because they have been read. The more they are read, the more they are valued, and the more they are read, the closer the relationship between the very act of circulation and reading and the construction of a lesbian community becomes…. Characters use the reading of novels as a way to understand that they are not alone." Joan Nestle refers to lesbian pulp fiction as “survival literature.” Lesbian pulp fiction provided representation for lesbian identities, brought a surge of awareness to lesbians, and created space for lesbian organizing leading up to Stonewall.
Ann Weldy, better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote six lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships.
Marijane Agnes Meaker was an American writer who, along with Tereska Torres, was credited with launching the lesbian pulp fiction genre, the only accessible novels on that theme in the 1950s.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics. A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian.
Spring Fire, is a 1952 paperback novel written by Marijane Meaker, under the pseudonym "Vin Packer". It is the first lesbian paperback novel, and the beginning of the lesbian pulp fiction genre; it also addresses issues of conformity in 1950s American society. The novel tells the story of Susan "Mitch" Mitchell, an awkward, lonely freshman at a Midwestern college who falls in love with Leda, her popular but troubled sorority sister. Published by Gold Medal Books, Spring Fire sold 1.5 million copies through at least three printings.
Odd Girl Out is a lesbian pulp fiction novel written in 1957 by Ann Bannon, the first in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1957 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2001 by Cleis Press. Each edition was adorned with a different cover. Not until 1983 did author Bannon learn that her first novel was the second best-selling paperback of 1957.
Women in the Shadows is a lesbian pulp fiction novel written in 1959 by Ann Bannon. It is the third in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1959 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2002 by Cleis Press. Each edition was adorned with a different cover.
Journey to a Woman is a lesbian pulp fiction novel written in 1960 by Ann Bannon. It is the fifth in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1960 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2003 by Cleis Press. Each edition was adorned with a different cover.
Beebo Brinker is a lesbian pulp fiction novel written in 1962 by Ann Bannon. It is the last in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1962 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2001 by Cleis Press. Each edition was adorned with a different cover. Although this is the last in the series, it is set first — a prequel to the others. In the order of the series, it follows Journey to a Woman. However, in the order of the events and characters in the series, Beebo Brinker takes place several years before Odd Girl Out does.
Desert of the Heart is a 1964 novel written by Jane Rule. The story was adapted into the 1985 film Desert Hearts, directed by Donna Deitch. The book was originally published in hardback by Macmillan Canada. It was one of the very few novels addressing lesbianism that was published in hardback form; most books during this period with female homosexuality as a topic were considered lesbian pulp fiction until 1969.
Barbara Grier was an American writer and publisher. She is credited for having built the lesbian book industry. After editing The Ladder magazine, published by the lesbian civil rights group Daughters of Bilitis, she co-founded a lesbian book-publishing company Naiad Press, which achieved publicity and became the world's largest publisher of lesbian books. She built a major collection of lesbian literature, catalogued with detailed indexing of topics.
Forbidden Love: The Unashamed Stories of Lesbian Lives is a 1992 Canadian hybrid drama-documentary film about Canadian lesbians navigating their sexuality while homosexuality was still criminalized. Interviews with lesbian elders are juxtaposed with a fictional story, shot in fifties melodrama style, of a small-town girl's first night with another woman. It also inserts covers of lesbian pulp fiction. The film presents the stories of lesbians whose desire for community led them on a search for the few public beer parlours or bars that would tolerate openly queer women in the 1950s and 60s in Canada. It was written and directed by Lynne Fernie and Aerlyn Weissman and featured author Ann Bannon. It premiered at the 1992 Toronto Festival of Festivals and was released in the United States on 4 August 1993. It was produced by Studio D, the women's studio of the National Film Board of Canada.
Karin Kallmaker is an American author of lesbian fiction whose works also include those originally written under the name Laura Adams. Her writings span lesbian romance, lesbian erotica, and lesbian science-fiction/fantasy. Dubbed the Queen of Lesbian Romance, she publishes exclusively in the lesbian market as a matter of personal choice.
Kate Moira Ryan is an American playwright.
Brinker is a surname of Dutch and German origin. Notable people with the surname include:
Elaine Williams was an American lesbian pulp fiction author and editor of the late 1950s and early 1960s. She wrote under a pseudonym, largely either as Sloan Britton or Sloane Britain.
Yvonne Christine MacManus was an American novelist specializing in lesbian fiction and science fiction. Although she used her real name when writing in other genres, MacManus published lesbian fiction under the pseudonym Paula Christian.
Julie Ellis was an early lesbian pulp fiction author of the 1960s, writing pro-lesbian romance and erotica under varied pseudonyms for Midwood-Tower Publications. She changed her writing pseudonyms and legal name usage numerous times and later in life she wrote historical and romance fiction under the name Julie Ellis.
Sally M. Singer is an American writer who penned lesbian pulp fiction from the late 1950s through the mid-1970s. She is most well known for works she wrote under the pseudonyms March Hastings and Laura Duchamp, mostly for Midwood-Tower Publications. These works include Three Women, The Third Theme, and Duet.
The Girls in 3-B is a classic work of lesbian pulp fiction by Valerie Taylor which was published in 1959 by Fawcett. Its happy ending for a lesbian character was unusual for the time period. It was one of the first three novels of any pulp fiction genre to be reprinted in 2003 by Feminist Press.