Ojiji | |
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Birth name | Rupert Harvey |
Born | Clarendon Parish, Jamaica | February 9, 1955
Genres | Reggae, jazz, funk, dance hall, traditional music |
Occupation(s) | Musician |
Instrument(s) | Vocals |
Rupert "Ojiji" Harvey (born Clarendon Parish, Jamaica, 9 February 1955) is a Reggae, Jazz, Funk, Dance Hall, and Roots music musician who is known for his solo records as well as his work in the Canadian band Messenjah, which had a platinum record with the hit "Cool Operator".
Born in Jamaica, Harvey moved to Canada with his family when he was eleven. In his teens, he helped form the R&B/funk band Crack of Dawn, [1] which became the first Black Canadian band to be signed to a major label, Columbia Records, and is popular with collectors of funk vinyl. In the late 1970s, he embarked upon a solo career which resulted in two records, which are also sought after by D.J.s. Following his solo work, Rupert founded (with Errol Blackwood) and lead the Reggae band, Messenjah, which was signed by Warner Bros. Records and went on to win many awards, including the Juno Award in 1998.
Harvey has several film and television credits (Messenjah appeared in the movie Cocktail ), [2] and is the head of the Tai Mantis Kung Fu Association in Toronto, Ontario, Canada. He is so well-renowned for his work in the martial arts that he was elected International President of the official Praying Mantis Kung Fu school from China, plus four related Qigong medicine schools. In the 400-year history of the Praying Mantis Kung Fu school, this was the first time a non-Chinese has been elected to the position.[ citation needed ]
He also briefly played in a group called "The Redeem Team", backing Frankie Paul and Tiger.
James Chambers OM, known professionally as Jimmy Cliff, is a Jamaican ska, rocksteady, reggae and soul musician, multi-instrumentalist, singer, and actor. He is the only living reggae musician to hold the Order of Merit, the highest honour that can be granted by the Jamaican government for achievements in the arts and sciences.
Northern Praying Mantis is a style of Chinese martial arts, sometimes called Shandong Praying Mantis after its province of origin. It was created by Wang Lang (王朗) and was named after the praying mantis, an insect, the aggressiveness of which inspired the style. One Mantis legend places the creation of the style during the Song dynasty when Wang Lang was supposedly one of 18 masters gathered by the Abbot Fu Ju (福居), a legendary persona of the historical Abbot Fu Yu, to improve Shaolin martial arts. However, most legends place Wang Lang in the late Ming dynasty.
Delroy George Wilson CD was a Jamaican ska, rocksteady and reggae singer. Wilson is often regarded as Jamaica's first child star, having first found success as a teenager. His youngest son, Karl "Konan" Wilson, has found success as part of British duo Krept and Konan.
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Leroy Sibbles is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.
Derrick Clifton Harriott OD is a Jamaican singer and record producer. He was a member of the Jiving Juniors with Herman Sang before embarking on a solo career. He has produced recordings by Big Youth, Chariot Riders, The Chosen Few, Dennis Brown, The Ethiopians, Keith & Tex, The Kingstonians, Rudy Mills, Scotty, Sly & Revolutionaries, and Winston McAnuff.
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Messenjah is a Canadian-based reggae group that flourished to become one of the most successful and popular reggae groups in the history of Canadian music.
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Jay Douglas is a Canadian musician, based in Toronto. He is a long-time member of the Toronto music scene.
Erroll Starr Francis is a Canadian rhythm and blues singer. He is most noted for winning the Juno Award for R&B/Soul Recording of the Year in 1989 for his single "Angel".
Crack of Dawn is a Canadian band from Toronto, Ontario, which formed in the mid-1970s, performing R&B, funk, and soul music. The band is noted as the first Black Canadian band to sign with a major record label.
Wayne McGhie and the Sounds of Joy was a Canadian funk band from Toronto, Ontario, in the 1970s. Although they released only one self-titled album in 1970, and had no significant commercial success at the time, renewed interest in their music was sparked in the 2000s when the album was reissued on Light in the Attic Records.