"All My Trials" is a folk song which became popular during the social protest movements of the late 1950s and 1960s. Alternative titles it has been recorded under include "Bahamian Lullaby" and "All My Sorrows." The origins of the song are unclear, as it appears to not have been documented in any musicological or historical records until after the first commercial recording was released on Bob Gibson's 1956 debut album Offbeat Folksongs.
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
Newport Folk Festival is an annual American folk-oriented music festival in Newport, Rhode Island, which began in 1959 as a counterpart to the Newport Jazz Festival. It was one of the first modern music festivals in America, and remains a focal point in the expanding genre of folk music. The festival was held annually from 1959 to 1969, except in 1961 and 1962. In 1985, its founder revived it in Newport, where it has been held at Fort Adams State Park ever since.
"Long Black Veil" is a 1959 country ballad, written by Danny Dill and Marijohn Wilkin and originally recorded by Lefty Frizzell.
"John Riley" is a traditional English folk song. It is also known as "Johnny Riley", "The Broken Token" and "A Fair Young Maid All in Her Garden", among other titles.
Rare, Live & Classic is a 1993 box set compilation by Joan Baez. Released on Vanguard, where Baez had recorded her most influential work during the first twelve years of her career, the set also included material from her subsequent record labels, A&M, Columbia and Gold Castle Records, as well as a number of previously unreleased studio and live recordings. Bob Dylan, Bob Gibson, Mimi Fariña, Judy Collins, Odetta and Kris Kristofferson are among those who make guest appearances on the various tracks; also included were two tracks from a never-released album recorded in 1981 with the Grateful Dead.
"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others, is an American folk ballad, whose origins lie possibly in Britain. These songs of different titles are closely related, and two strands in particular became popular in commercial Country music and Folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.
"Four Strong Winds" is a song written by Ian Tyson and recorded by Canadian folk duo Ian and Sylvia. Tyson has noted that he composed the song in about 20 minutes in his then manager Albert Grossman's New York apartment in 1961. A significant composition of the early 1960s folk revival, the song is a melancholy reflection on a failing romantic relationship. The singer expresses a desire for a possible reunion in a new place in the future but acknowledges the likelihood that the relationship is over.
No Direction Home: Bob Dylan is a 2005 documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966. This period encapsulates Dylan's rise to fame as a folk singer and songwriter where he became the center of a cultural and musical upheaval, and continues through the electric controversy surrounding his move to a rock style of music.
Samuel Robert Gibson was an American folk singer and a key figure in the folk music revival in the late 1950s and early 1960s. His principal instruments were banjo and 12-string guitar.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
"Michael, Row the Boat Ashore" is an African-American spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Billie Holiday, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Gerdes Folk City, sometimes spelled Gerde's Folk City, was a music venue in the West Village, part of Greenwich Village, Manhattan, in New York City. Initially opened by owner Mike Porco as a restaurant called Gerdes, it eventually began to present occasional incidental music. It was first located at 11 West 4th Street, before moving in 1970 to 130 West 3rd Street. The club closed in 1987.
"Hickory Wind" is a song written by country rock artist Gram Parsons and former International Submarine Band member Bob Buchanan. The song was written on a train ride the pair took from Florida to Los Angeles in early 1968, and first appeared on The Byrds' Sweetheart of the Rodeo album. Despite Buchanan's input, "Hickory Wind" is generally considered to be Parsons' signature song. Parsons' decision to play "Hickory Wind" instead of the planned Merle Haggard cover "Life in Prison" during The Byrds' performance at the Grand Ole Opry on March 15, 1968 "pissed off the country music establishment" and stunned Opry regulars to such an extent that the song is now considered essential to Parsons' legend.
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
"I Know You Rider" is a traditional blues song that has been adapted by numerous artists. Modern versions can be traced back to Blind Lemon Jefferson's "Deceitful Brownskin Blues", which was released as a single in 1927. It appears in a 1934 book, American Ballads and Folk Songs, by the noted father-and-son musicologists and folklorists, John Lomax and Alan Lomax. The book notes that "An eighteen-year old black girl, in prison for murder, sang the song and the first stanza of these blues." The Lomaxes then added a number of verses from other sources and named it "Woman Blue". The music and melody are similar to Lucille Bogan's "B.D. Woman Blues", although the lyrics are completely different.
"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".
"Lay Down Your Weary Tune" is a song written by Bob Dylan in 1963. Dylan originally recorded it for his album The Times They Are a-Changin', but his version of the song was not officially released until 1985 on the Biograph box set. In the album liner notes, Dylan claims that in the song he was trying to capture the feeling of a Scottish ballad he had just heard on a 78 rpm record. The specific ballad Dylan was referring to has not been identified, but speculation includes "The Water Is Wide", "O Waly, Waly" and "I Wish, I Wish".
