The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound synchronized cartoons in 1928 and gradually ended in the 1960s when theatrical animated shorts started to lose popularity to the newer medium of television. Animated media from after the golden age, especially on television, were produced on cheaper budgets and with more limited techniques between the 1960s and 1980s.
Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.
Max Fleischer was a Polish-American animator, inventor, film director and producer, and studio founder and owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.
Betty Boop is an animated cartoon character designed by Grim Natwick at the request of Dave Fleischer. She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures. She was featured in 90 theatrical cartoons between 1930 and 1939. She has also been featured in comic strips and mass merchandising.
Talkartoons is a series of 42 animated cartoons produced by Fleischer Studios and distributed by Paramount Pictures from 1929 to 1932.
Famous Studios was the first animation division of the film studio Paramount Pictures from 1942 to 1967. Famous was established as a successor company to Fleischer Studios, after Paramount seized control of the aforementioned studio amid the departure of its founders, Max and Dave Fleischer, in 1942. The studio's productions included three series started by the Fleischers—Popeye the Sailor, Superman, and Screen Songs—as well as Little Audrey, Little Lulu, Casper the Friendly Ghost, Honey Halfwitch, Herman and Katnip, Baby Huey, and the Noveltoons and Modern Madcaps series.
Herman and Katnip is a series of theatrical cartoons featuring Herman the Mouse and Katnip the Cat, produced by Famous Studios in the 1940s and 1950s. Arnold Stang and Allen Swift were the regular voices of Herman, while Sid Raymond was the regular actor for Katnip, although one or both of the characters would occasionally be voiced by Jackson Beck and Jack Mercer, respectively.
Noveltoons is a series of cartoons produced by Paramount Pictures' Famous Studios from 1943 to the end of the studio during 1967. The series was known for bringing the characters from Harvey Comics to life, such as Casper the Friendly Ghost, Wendy the Good Little Witch, Herman and Katnip, Little Audrey, and Baby Huey. All shorts from Baby Huey and Little Audrey are included. It was the successor to the series Color Classics produced by Fleischer Studios. Several Noveltoons feature characters which originated in Color Classics. This series was also similar to the two series from Warner Bros., Looney Tunes and Merrie Melodies, in that it features several recurring characters with one general title.
Color Classics are a series of animated short films produced by Fleischer Studios for Paramount Pictures from 1934 to 1941 as a competitor to Walt Disney's Silly Symphonies. As the name implies, all of the shorts were made in color format, with the first entry of the series, Poor Cinderella (1934), being the first color cartoon produced by the Fleischer studio. There were 36 shorts produced in this series.
Aladdin and His Wonderful Lamp is a two-reel animated cartoon short subject in the Popeye Color Specials series, produced in Technicolor and released to theaters on April 7, 1939, by Paramount Pictures. It was produced by Max Fleischer, and directed by Dave Fleischer for Fleischer Studios, Inc., with David Tendlar serving as head animator, and music being supervised by Sammy Timberg. The voice of Popeye is performed by Jack Mercer, with additional voices by Margie Hines as Olive Oyl and Carl Meyer as the evil Wazzir.
Mr. Bug Goes to Town is an American animated Technicolor feature film produced by Fleischer Studios, previewed by Paramount Pictures on December 5, 1941, and released in California and New York City in February 1942. The film was originally intended to be an adaptation of Maurice Maeterlinck's The Life of the Bee, but Paramount was unwilling to purchase the rights from Samuel Goldwyn, and instead developed an original modern story loosely inspired by the book.
U.M. & M. TV Corporation was an American media company best known as the original purchaser of the pre-October 1950 short films and cartoons produced by Paramount Pictures, excluding Popeye and Superman. The initials stand for United Film Service, MTA TV of New Orleans, and Minot T.V.
Screen Songs are a series of animated cartoons produced at the Fleischer Studios and distributed by Paramount Pictures between 1929 and 1938. Paramount brought back the sing-along cartoons in 1945, now in color, and released them regularly through 1951. Two of Paramount's one-shot cartoons quietly revived the format later: Candy Cabaret (1954) and Hobo's Holiday (1963).
National Telefilm Associates (NTA) was an audio-visual marketing company primarily concerned with the syndication of American film libraries to television, including the Republic Pictures film library. It was successful enough on cable television between 1983 and 1985 that it renamed itself Republic Pictures and undertook film production and home video sales as well.
Let's Sing with Popeye is a 1934 Screen Songs animated short, produced by Fleischer Studios and directed by Dave Fleischer.
Ko-Ko Song Car-Tunes, Song Car-Tunes, or Sound Car-Tunes, is a series of short three-minute animated films produced by Max Fleischer and Dave Fleischer between May 1924 and September 1927, pioneering the use of the "Follow the Bouncing Ball" device used to lead audiences in theater sing-alongs. The Song Car-Tunes also pioneered the application of sound film to animation.
Popeye the Sailor is an American animated series of short films based on the Popeye comic strip character created by E. C. Segar. In 1933, Max and Dave Fleischer's Fleischer Studios, based in New York City, adapted Segar's characters into a series of theatrical cartoon shorts for Paramount Pictures. The plotlines in the animated cartoons tended to be simpler than those presented in the comic strips, and the characters slightly different. A villain, usually Bluto, makes a move on Popeye's "sweetie", Olive Oyl. The villain clobbers Popeye until he eats spinach, giving him superhuman strength. Thus empowered, Popeye makes short work of the villain.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Animated Antics is an animated cartoon series produced by the Fleischer Studios from 1940 through 1941, and distributed through Paramount Pictures.
Rudy Vallee Melodies is a 1932 short film which is presented by Max Fleischer and was originally released by Paramount Pictures. The film, which features Betty Boop with a plethora of animals as she throws a house party in her house, stars Rudy Vallee as he sings three separate songs. The film also features sing-along versions to the songs that Vallee sings.
