The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio. A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully.
An allemande is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel. It is often the first movement of a Baroque suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or prelude. Along with the waltz and ländler, the allemande was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries.
This article contains information about the literary events and publications of 1613.
This article contains information about the literary events and publications of 1604.
John Jenkins (1592–1678), was an English composer who was born in Maidstone, Kent and who died at Kimberley, Norfolk.
The Two Noble Kinsmen is a Jacobean tragicomedy, first published in 1634 and attributed jointly to John Fletcher and William Shakespeare. Its plot derives from "The Knight's Tale" in Geoffrey Chaucer's The Canterbury Tales (1387–1400), which had already been dramatised at least twice before, and itself was a shortened version of Boccaccio's epic poem Teseida. This play is believed to have been originally performed in 1613–1614, making it William Shakespeare's final play before he retired to Stratford-upon-Avon, where he died in 1616.
William Lawes was an English composer and musician.
Robert Johnson was an English composer and lutenist of the late Tudor and early Jacobean eras. He is sometimes called "Robert Johnson II" to distinguish him from an earlier Scottish composer. Johnson worked with William Shakespeare providing music for some of his later plays.
Shakespearean dance refers to dancing in the time and plays of William Shakespeare and his contemporaries.
The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery, illusionistic painting, trapdoors, and fireworks. Although they were popular with contemporary audiences, spectaculars have earned a reputation from theatre historians as vulgar in contrast to the witty Restoration drama.
William Herbert, 3rd Earl of Pembroke, of Wilton House in Wiltshire, was an English nobleman, politician and courtier. He served as Chancellor of the University of Oxford and together with King James I founded Pembroke College, Oxford. In 1608 he was appointed Warden of the Forest of Dean, Constable of St Briavels Castle, Gloucestershire, and in 1609 Governor of Portsmouth, all of which offices he retained until his death. He served as Lord Chamberlain from 1615 to 1625. In 1623 the First Folio of Shakespeare's plays was dedicated to him and his brother and successor Philip Herbert, 1st Earl of Montgomery.
The Triumph of Peace was a Caroline era masque, "invented and written" by James Shirley, performed on 3 February 1634 and published the same year. The production was designed by Inigo Jones.
Priscilla Bunbury's Virginal Book is a musical commonplace book compiled in the late 1630s by two young women from an affluent Cheshire family. It is important more for its fingering indications than for the quality of the music it contains.
The Law Against Lovers was a dramatic adaptation of Shakespeare, arranged by Sir William Davenant and staged by the Duke's Company in 1662. It was the first of the many Shakespearean adaptations staged during the Restoration era.
Daniel Bacheler, also variously spelt Bachiler, Batchiler or Batchelar, was an English lutenist and composer. Of all the English lutenist-composers, he is now credited as probably being the most successful in his own lifetime.
The Dublin Virginal Manuscript is an important anthology of keyboard music kept in the library of Trinity College Dublin, where it has been since the 17th century under the present shelf-list TCD Ms D.3.29.
Drexel 4257, also known by an inscription on its first page, "John Gamble, his booke, amen 1659" is a music manuscript commonplace book. It is the largest collection of English songs from the first half to the middle of the 17th century, and is an important source for studying vocal music in its transition from Renaissance music to Baroque music in England. Many songs also provide commentary on contemporary political events leading up to the Restoration.
Drexel 4041 is a 17th-century British music manuscript commonplace book. As described by musicologist John P. Cutts, Drexel 4041 "is a treasure-house of early seventeenth-century song and dramatic lyric worthy of the attention of any student of seventeenth-century literature and drama." It is also a major source for the work of English composer William Lawes. Belonging to the New York Public Library, it forms part of the Drexel Collection, housed in the Music Division of the New York Public Library for the Performing Arts. Following traditional library practice, its name is derived from its call number.
Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol is the second book of keyboard music printed in England, containing twenty pieces scored for virginal and bass viol.
The revels were a traditional period of merrymaking and entertainment held at the Inns of Court, the professional associations, training centres and residences of barristers in London, England. The revels were held annually from the early 15th to the early 18th centuries and were an extension of a general nationwide period of entertainment running from All Saints' Eve to Candlemas, though in some years they lasted as late as Lent. The inns elected a "prince" to lead the festivities and put on a sequence of elaborate entertainments and wild parties. The events included singing, dancing, feasting, the holding of mock trials and the performance of plays and masques. The revels played an important part in encouraging early English theatre and provided William Shakespeare with one of his most distinguished audiences in his early career. Several plays were written specifically for the revels and legal scenes in many plays from this era may have been written with this audience in mind. The revels declined in the 17th century and they last appear to have been held in 1733. The inns revived the revels in the mid 20th-century and they now comprise a seasonal offering of entertainment in the form of sketches, songs and jokes.