Oleg Malov is a Russian pianist. A professor at the Saint Petersburg Conservatory, [1] he has centered on Russian contemporary music throughout his career. He is best known for his extensive work on Galina Ustvolskaya's music. [2] Oleg Malov performed at the 'Rest is Noise: the music of Alexander Knaifel' in Ireland on 1 May 2009. [3]
Oleg Malov's son, Sergey, is a notable violinist and violist.
Dmitri Dmitriyevich Shostakovich was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer.
Galina Ivanovna Ustvolskaya was a Russian composer of classical music.
The Symphony No. 2 by Russian composer Galina Ustvolskaya was composed in 1979 and published in 1982. It received its premiere on 8 October 1980 in Leningrad with the Leningrad Philharmonic Orchestra conducted by Vladimir Altschuler.
Symphony No. 3 by Russian composer Galina Ustvolskaya was composed in 1983, and published in 1990.
Alexander Aronovich Knaifel was a Soviet composer from Tashkent, Uzbekistan, known for his operas The Ghost of Canterville and Alice in Wonderland as well as for his music for cinema.
Viktor Yevseyevich Suslin was a Russian composer. An associate of Sofia Gubaidulina's, together with her and Vyacheslav Artyomov he formed the improvisatory ensemble 'Astraea' in 1975. He emigrated to Germany in 1981.
Maxim Viktorovich Fedotov is a Russian violinist and conductor, People's Artist of Russia, son of the conductor Viktor Fedotov.
Maximilian Osseyevich Steinberg was a Russian composer of classical music.
Markus Hinterhäuser is an Austrian pianist and the current artistic director of the Salzburg Festival. He studied music at the Vienna Conservatory under Elisabeth Leonskaja and the Mozarteum University of Salzburg under Oleg Maisenberg. As a chamber musician, he has performed with several notable performers, including the Arditti Quartet and singer Brigitte Fassbaender. As a piano soloist he is particularly known for his performances of the works of the Second Viennese School and 20th century works by composers like John Cage, Luigi Nono, Morton Feldman and Galina Ustvolskaya. Since 2016 he has served as the artistic director of the Salzburg Festival, a post he is scheduled to occupy through 2031.
Sergey Olegovich Malov is a Russian/Hungarian violinist and violist.
Malov is a Slavic male surname, its feminine counterpart is Malova. It may refer to
The six piano sonatas by Galina Ustvolskaya were composed over the course of 43 years – each showing a gradual progression of the composer's style.
Vladimir Abramovich Altschuler, also Altshuler, is a Russian chief-conductor and artistic director of Saint Petersburg Academic Symphony Orchestra and Honoured Artist of Russia.
David M. Arden is an American concert pianist whose performing and recording career has focused predominantly on contemporary and American classical repertoire, including premiere performances and first recordings of piano works by a number of notable contemporary composers, such as Henryk Górecki, Luciano Berio, Earle Brown, Carson Kievman and David Lang. The Russian composer Galina Ustvolskaya named Arden's recording of her 12 Preludes for Piano as her preferred recording of that work.
Oleg Nikolayevich Karavaichuk was a Soviet and Russian composer, author of music for many films and theater performances.
The Symphony No. 1 by Russian composer Galina Ustvolskaya was written in 1955.
Russian composer Galina Ustvolskaya's Symphony No. 4 was composed between 1985 and 1987.
Symphony No. 5 by Russian composer Galina Ustvolskaya was composed between 1989 and 1990.
Oleg Borisovich Akkuratov is a Russian pianist, jazz improviser and singer who has amaurosis – complete blindness. He is a virtuoso performer of jazz and classical works and a laureate of the Prize of the President of the Russian Federation for young cultural workers (2019).
Galina Alekseyevna Pisarenko was a Soviet-born Russian soprano and teacher. She showed musical promise as a child, and her aunt enrolled her in the Gnessin Institute of Music, where she graduated with a diploma in piano. She later chose to study voice instead at the Moscow Conservatory with Nina Dorliak, who became her lifelong mentor. For a time, Pisarenko studied concurrently at the Moscow State Institute of International Relations; then economics, English, and Norwegian at Moscow State University and the Maurice Thorez Moscow State Pedagogical Institute of Foreign Languages.