"On & On" is a 1984 Chicago house song performed by Jesse Saunders and written with record producer Vince Lawrence. Saunders recorded it using a Roland TR-808 in 1983, based on a mash up of rhythm tracks containing interpolations of "Space Invaders" by Player One, "Bad Girls" by Donna Summer, and a song by the Giorgio Moroder band Munich Machine. [1] [2] [3] The song was released as a single on Jes Say Records in early 1984. It's frequently cited as the first House song released on vinyl. [4] [5] [6] [7] [8]
Saunders composed the track with Lawrence in order to replace a record which had been stolen from Saunders's collection, the "On & On" bootleg disco megamix by Mach (1980). That megamix, a pastiche of loops from several disco records, particularly the bassline from Player One's "Space Invaders" (1979) and Lipps Inc's "Funkytown" (1980), had been Saunders's "signature" tune as a DJ; it was one that other DJs in the city didn't have or didn't play. Saunders & Lawrence added hypnotic lyrics and electronic instruments, utilizing a Roland TR-808 drum machine as electronic percussion as well as a Korg Poly-61 synthesizer and Roland TB-303 bass synthesizer. [9] [10]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120-130 beats per minute as a re-emergence of 1970s disco. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
The Roland TB-303 Bass Line is a bass synthesizer released by Roland Corporation in 1981. Designed to simulate bass guitars, it was a commercial failure and was discontinued in 1984. However, cheap second-hand units were adopted by electronic musicians, and its "squelching" or "chirping" sound became a foundation of electronic dance music genres such as acid house, Chicago house and techno. It has inspired numerous clones.
Roland Corporation is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners.
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines and funk. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
The Roland TR-909 Rhythm Composer, commonly known as the 909, is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808. It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to synchronize with other devices. Though a commercial failure, it influenced the development of electronic dance music genres such as techno, house and acid house.
The Roland MC-303 is the first of a series of musical instruments known as a groovebox. It combines a simple sound module with a sequencer to record and store notation, along with controls aimed at encouraging the musician to improvise the music while it is playing. Despite the number in its name and the attention it received at its launch, the MC-303 has more in common with other MC prefixed synthesizers, which contain built-in sequencers, than it does with the famous Roland TB-303. As the first Groovebox, the MC-303 was the first in a line of inexpensive products specifically targeted towards house DJs and amateur home musicians rather than professional producers. It was superseded by the Roland MC-505. It is the predecessor to the Roland JX-305, Roland D2, Roland MC-307, Roland EG-101, Roland MC-09, Roland MC-909, Roland MC-808, and most recently the Roland MC-707 in 2019, along with its more portable sibling, the Roland MC-101.
Adonis is a pioneering American acid house musician. Adonis is best known for his early Chicago house tracks "No Way Back" and "We're Rockin Down the House".
Indian pop music, also known as Indi-pop, refers to pop music produced in India that is independent from filmi soundtracks for Indian cinema. Indian pop is closely linked to Bollywood, Tollywood, Pollywood, Kollywood and the Asian Underground scene of the United Kingdom. The variety of South Asian music from different countries are generally known as Desi music.
Dynamix II is an American DJ act and record label specializing in electro, Florida breaks, and Miami bass. Their 1986 single "Just Give The DJ A Break", reached gold status. Over 600,000+ units of the record were sold and the song reached No. 50 in the United Kingdom in 1987. The record, was considered to be a "formative and influential" in the Miami-bass genre. The track was one of first Miami Bass records to use a Roland TR 808 bass drum.
"Your Love" is a 1986 Chicago house song that was recorded by American house artist Jamie Principle, who wrote its lyrics about a meeting with a woman Lisa. The lyrics were later given to Frankie Knuckles, a DJ who worked in Chicago clubs Principle frequented. Despite having not produced any original music, Knuckles agreed to work on the song after hearing Principle's original version. Knuckles added more music to the song and played it at his club, generating an enthusiastic reception. His version of the song was played from tapes and is different from later releases; according to Jacob Arnold of Wax Poetics, the edit Knuckles played at his club was musically a snare with vocals. For the first publicly available release, DJ Mark "Hot Rod" Trollan later revised the song by adding a synthesizer intro and a bassline; this version was first released in 1986 by Persona Records.
Jesse Saunders is an American house music artist, DJ, record producer, film producer, and entrepreneur. His 1984 single, "On & On", co-written with Vince Lawrence, was the first house record to be pressed and sold to the public. Since his emergence as a DJ, Saunders has run several independent labels and worked extensively in music and film production, as well as artist promotion and management. He is also a long-time member of the National Academy of Recording Arts and Sciences.
"Can You Feel It" is a 1986 song by Mr. Fingers and one of the first deep house records. Its seminal impact on deep house has been compared to that of Derrick May's "Strings of Life" on Detroit techno.
"Breakin'... There's No Stopping Us" is a song by American music duo Ollie & Jerry. The song was released on June 21, 1984, as the first single from the soundtrack to the 1984 film Breakin'. The song reached number nine on the US Billboard Hot 100 and number five on the UK Singles Chart. It topped the US dance charts for one week. It is the theme song to the film Breakin'. The drums were created using the Roland TR-808 drum machine.
Vince Lawrence is an American dance music record producer, businessman and is one of the leading innovators of the genre of music called house music. Industry insiders recognize Lawrence as co-author of "On and On", the first recording officially designated "house music". He worked with Jesse Saunders in the initial creation of Jes Say Records, designing its logo by hand. He served as head of marketing and was the lyric writer for "Funk U Up", "Undercover" by Dr. Derelict, "Real Love", and many other songs released in the label's heyday. He also co-authored "Love Can't Turn Around", which featured Daryl Pandy and reached No. 10 in the UK Singles Chart in 1986, starting the house music revolution in the UK. He organized Trax Records, a Chicago house label. He is the founder of Slang MusicGroup, which has received numerous gold and platinum awards for their contributions.
"Love Can't Turn Around" is a 1986 Chicago house song by Farley Keith Williams a.k.a. Farley "Jackmaster" Funk and Jesse Saunders featuring vocalist Darryl Pandy.
Charanjit Singh was an Indian musician from Mumbai, who performed as a session musician, often as a guitarist or synthesizer player, in numerous Bollywood soundtrack orchestras from the 1960s to 1980s, working with filmi composers such as Shankar-Jaikishan, R.D. Burman, S.D. Burman, and Laxmikant–Pyarelal.
Derrick Harris was a Chicago music producer and one of the pioneers of house music and acid house. He is known for the song "I've Lost Control", which was released as a 12" single on the Trax Records label, issue number TX 113. The song used a Roland TR-808 and a Roland TB-303 bass synthesizer to create the signature modulated waveform sound which would directly inspire acid house. The track is arguably the first to use this particular sound, and rose to cult underground popularity thanks to DJ Ron Hardy's Music Box club in Chicago.
"Move Your Body" is a 1986 house music song by American musician Marshall Jefferson. The track was released by Trax Records label, following several earlier tracks under aliases such as Virgo. After several popular tunes given to Chicago-based DJ Ron Trent, Jefferson released his first track "Go Wild Rhythm Tracks" on Trax Records and later became an A&R in 1986. Despite negative reception from his co-workers and Trax owner Larry Sherman, Jefferson's track "Move Your Body" became popular with patrons of Chicago dance music clubs in 1985 from cassette tapes, leading to the tracks eventual release in June 1986.
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