On the Reeperbahn at Half Past Midnight (song)

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"On the Reeperbahn at Half Past Midnight" (German:"Auf der Reeperbahn nachts um halb eins") is a 1912 German song by Ralph Arthur Roberts, originally written for a musical revue. The song refers to the Reeperbahn, the red light district of the port city of Hamburg. The song's popularity received a major boost when it was used in the 1944 film Große Freiheit Nr. 7 , sung by the star Hans Albers.

Contents

Overview

Three films have taken their title from the song, including On the Reeperbahn at Half Past Midnight (1954), a film starring Albers which attempted to repeat the success of his earlier hit. [1] The tune was used for Billy Wilder's Witness for the Prosecution (1957), sung by Marlene Dietrich with new English lyrics as "I May Never Go Home Anymore".

The song is popular with fans of the Hamburg football club St. Pauli. The song has been parodied numerous times including Mike Krüger's On the Autobahn at Half Past Midnight (Auf der Autobahn nachts um halb eins).

See also

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On the Reeperbahn at Half Past Midnight may refer to:

On the Reeperbahn at Half Past Midnight is a 1929 German silent adventure film directed by Fred Stranz and starring Eddie Polo, Lydia Potechina, and Harry Nestor. The film takes its name from the 1912 song of the same name, which refers to the Reeperbahn in Hamburg. The film's sets were designed by the art director Otto Moldenhauer. It was made by the German subsidiary of the Hollywood studio Universal Pictures.

<i>On the Reeperbahn at Half Past Midnight</i> (1969 film) 1969 film

On the Reeperbahn at Half Past Midnight is a 1969 West German drama film directed by Rolf Olsen and Al Adamson and starring Curd Jürgens, Heinz Reincke, and Jutta D'Arcy. It takes its title from a popular 1912 song of the same name about Hamburg, the setting of the film. It is also known by the alternative title Shock Treatment.

<i>On the Reeperbahn at Half Past Midnight</i> (1954 film) 1954 film

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References

  1. Hake p. 228

Bibliography