Telefoni Bianchi films, also called deco films, were made by the Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Alina is a 1950 Italian melodrama film directed by Giorgio Pastina. The film stars Gina Lollobrigida as Alina and Amedeo Nazzari as Giovanni.
Assia Noris was a Russian-Italian film actress. She appeared in over 35 films between 1932 and 1965
Lauro Gazzolo was an Italian actor and voice actor.
Dora Nelson is a 1939 Italian comedy film directed by Mario Soldati and starring Assia Noris, Carlo Ninchi and Luigi Cimara. It is a remake of the 1935 French film of the same title, which was based on a play by Louis Verneuil. The film was shot at Cinecittà in Rome, with several real employees of the studio appearing as themselves. It belongs to the movies of the calligrafismo style.
A Pistol Shot is a 1942 Italian historical drama film directed by Renato Castellani and starring Assia Noris, Fosco Giachetti, and Antonio Centa. The film was shot at the Palatino Studios in Rome with sets designed by the art director Gino Brosio. It belongs to the movies of the calligrafismo style. The film is an adaptation of Alexandr Pushkin's short story The Shot (Pushkin), published in 1831.
The Wolf of the Sila is a 1949 Italian drama film directed by Duilio Coletti and starring Silvana Mangano, Amedeo Nazzari and Vittorio Gassman. Much of the film was shot on location around La Sila in Calabria.
Red Tavern is a 1940 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, André Mattoni, and Lauro Gazzolo. It was made at Cinecittà in Rome. A young woman eventually marries a count after a series of misunderstandings.
Unjustified Absence is a 1939 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, Amedeo Nazzari and Lilia Silvi. A girl leaves school to marry a doctor, but becomes annoyed by his constant absences and decides to secretly resume her studies.
The Castiglioni Brothers is a 1937 Italian "white-telephones" comedy film directed by Corrado D'Errico and starring Camillo Pilotto, Ugo Ceseri and Amedeo Nazzari. It was based on a play of the same title by Alberto Colantuoni. The film's sets were designed by the art director Guido Fiorini.
Caravaggio, il pittore maledetto is a 1941 Italian historical drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Clara Calamai and Lamberto Picasso. Nazzari portrays the painter Caravaggio as a wayward genius. It was one of his favourite screen roles.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
The Ten Commandments is a 1945 Italian drama film directed by Giorgio Walter Chili. It features an ensemble of Italian actors in episodes based on the Ten Commandments.
The House of Shame is a 1938 Italian "white-telephones" comedy film directed by Max Neufeld and starring Amedeo Nazzari, Assia Noris and Alida Valli.
Then We'll Get a Divorce is a 1940 Italian "white-telephones" comedy film directed by Nunzio Malasomma and starring Amedeo Nazzari, Vivi Gioi and Lia Orlandini.
Big Shoes is a 1940 Italian "white-telephones" comedy film directed by Dino Falconi and starring Amedeo Nazzari, Lilia Silvi and Elena Altieri. It is based on a play by Sándor Hunyady which had previously been turned into a 1939 Hungarian film Istvan Bors.
Beyond Love is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Amedeo Nazzari and Osvaldo Valenti. It is based on the 1829 novella Vanina Vanini by Stendhal.
The Taming of the Shrew is a 1942 Italian comedy film directed by Ferdinando Maria Poggioli and starring Amedeo Nazzari, Lilia Silvi and Lauro Gazzolo. It is based on William Shakespeare's play The Taming of the Shrew, with the setting updated to modern-day Rome.
Heartbeat is a 1939 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, John Lodge and Rubi D'Alma. It remade in France as Beating Heart in 1940, and then again in Hollywood as a 1946 film of the same title starring Ginger Rogers and Basil Rathbone.
