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"One More Time" is a popular song, one of the last written by the songwriting team of DeSylva, Brown, and Henderson. It was published in 1931. It was the last song recorded by Bing Crosby as a big band singer, before becoming a soloist. Crosby recorded the song for Victor Records with Gus Arnheim and his orchestra on March 2, 1931. [1] The recording was very popular and reached the charts of the day. [2]
"Because" is a song with music and lyrics by Guy d'Hardelot and English lyrics by Edward Teschemacher, originally published in 1902.
"If I Give My Heart to You" is a popular song written by Jimmy Brewster, Jimmie Crane, and Al Jacobs. The most popular versions of the song were recorded by Doris Day and by Denise Lor; both charted in 1954.
"Red Sails in the Sunset" is a popular song. Published in 1935, its music was written by Hugh Williams with lyrics by prolific songwriter Jimmy Kennedy. The song was inspired by the "red sails" of Kitty of Coleraine, a yacht Kennedy often saw off the northern coast of Northern Ireland and by his adopted town Portstewart, a seaside resort in County Londonderry.
"All I Do Is Dream of You" is a popular song. The music was written by Nacio Herb Brown, the lyrics by Arthur Freed. The song was published in 1934. It was originally written for the Joan Crawford film Sadie McKee (1934) when it was played during the opening credits and later sung by Gene Raymond three times. It was also sung in the film by Earl Oxford in a show. The song is also featured in the films Singin' in the Rain, A Night at the Opera, The Affairs of Dobie Gillis, and Crimes and Misdemeanors.
"Prisoner of Love" is a 1931 popular song, with music by Russ Columbo and Clarence Gaskill and lyrics by Leo Robin.
"Dancing in the Dark" is a popular American song, with music by Arthur Schwartz and lyrics by Howard Dietz, that was introduced by John Barker with Tilly Losch dancing in the 1931 revue The Band Wagon. The song was first recorded by Bing Crosby on August 19, 1931 with Studio Orchestra directed by Victor Young, staying on the pop charts for six weeks, peaking at #3, and helping to make it a lasting standard.
"Lady of Spain" is a popular song composed in 1931 by Tolchard Evans with lyrics by "Erell Reaves", a pseudonym of Stanley J. Damerell and Robert Hargreaves (1894–1934)I, and by Henry Tilsley. The sheet music was published in London by the Peter Maurice Music Company and in New York by the Sam Fox Publishing Company.
"Breezin' Along with the Breeze" is a popular song written by Haven Gillespie, Seymour Simons, and Richard Whiting; it was published in 1926. Popular versions in 1926 and 1927 were by Johnny Marvin, Abe Lyman, the Revelers and Hoosier Hot Shots.
"South of the Border Down Mexico Way" is a popular song describing a trip to Mexico, written by Jimmy Kennedy and Michael Carr and published in 1939 for the film of the same name starring country star Gene Autry.
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. Popular versions that year were recorded by: Ethel Waters, Guy Lombardo, and Charles Agnew.
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
"Now It Can Be Told" is a popular song written by Irving Berlin for the 1938 film Alexander's Ragtime Band, where it was introduced by Alice Faye and Don Ameche. It was nominated for an Academy Award in 1938 but lost out to "Thanks for the Memory".
"Reaching for the Moon" is a popular song written by Irving Berlin for the 1930 musical film of the same name.
"Oh, How I Miss You Tonight" is a popular song, published in 1925, written by Benny Davis, Joe Burke, and Mark Fisher. Popular recordings of the song in 1925 were by Ben Selvin, Benson Orchestra of Chicago, Lewis James and Irving Kaufman.
"As Long as I Live" is a song composed by Harold Arlen, with lyrics by Ted Koehler, it was written for their last show at the Cotton Club Parade, in 1934. It was introduced by Avon Long and Lena Horne.
"Blue Hawaii" is a popular song written by Leo Robin and Ralph Rainger for the 1937 Paramount Pictures film Waikiki Wedding, starring Bing Crosby and Shirley Ross. Crosby recorded a version with backing by Lani McIntyre and His Hawaiians, which was released in 1937 as the B-side of "Sweet Leilani." This reached the No. 5 spot in the charts of the day during a 13-week-stay
"Out of Nowhere" is a popular song composed by Johnny Green with lyrics by Edward Heyman and published by Famous Music. It was popularized by Bing Crosby, and was the first recording under his Brunswick Records contract. He recorded it on March 30, 1931 and it became his first number one hit as a solo artist. Crosby also sang it in the film Confessions of a Co-Ed (1931) and in his short film I Surrender Dear (1931). He recorded it again in 1954 for his album Bing: A Musical Autobiography.
"Small Fry" is an American popular song written in 1938 by Hoagy Carmichael and Frank Loesser. It was first sung and introduced by Bing Crosby, in the film Sing You Sinners (1938). In the film, Crosby sings it in a musical sequence with a young Donald O'Connor and Fred MacMurray.
"The Moon of Manakoora" is a popular song written by Frank Loesser (lyrics) and Alfred Newman (music) for the 1937 Paramount film The Hurricane starring Dorothy Lamour. Lamour sang the song in the film and also made a commercial recording of it. The song "The Moon of Manakoora" is considered a standard and was Loesser's first success as a lyric writer.
"Love Is the Sweetest Thing" is a popular song written in 1932 by British band leader and singer Ray Noble. Using guest vocalist Al Bowlly, Noble's recording was a big hit on both sides of the Atlantic, bringing Noble his first American success. It was published by Francis, Day & Hunter Ltd. Like most compositions published in the period, its main refrain is preceded with what were then called "sectional verses" or "introductory verses" which are usually omitted from early recordings and modern performances.
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