Open Borders: the Science and Ethics of Immigration is a nonfiction graphic novel by Bryan Caplan and Zach Weinersmith. It was published in 2019 by First Second.
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| Author | Bryan Caplan |
|---|---|
| Illustrator | Zach Weinersmith |
| Publisher | First Second |
Publication date | October 29, 2019 |
| Media type | Graphic novel |
| Pages | 256 |
| ISBN | 9781250316974 |
The book presents economic and ethical arguments for open borders between countries in a graphic novel format. It suggests that the economic benefits of open borders outweigh the potential downsides. It also rebuts common arguments against immigration such as the economic impact on low-skill native workers and the cultural changes it causes. [1]
Publishers Weekly praised Caplan's expertise and Weinersmith's art and storytelling skill, saying that the combination made for a compelling argument. [2] While National Review said that the book was "fun to read" and well-presented, they also pointed out that Caplan did not address some obvious counterarguments against open borders and oversimplified the issue. [3] The book was also reviewed by Booklist [4] and The Economist . [5]
David Director Friedman is an American economist, physicist, legal scholar, and anarcho-capitalist theorist. Although his academic training was in chemistry and physics and not law or economics, he is known for his textbook writings on microeconomics and the libertarian theory of anarcho-capitalism, which is the subject of his most popular book, The Machinery of Freedom. Described by Walter Block as a "free-market anarchist" theorist, Friedman has also authored several other books and articles, including Price Theory: An Intermediate Text (1986), Law's Order: What Economics Has to Do with Law and Why It Matters (2000), Hidden Order: The Economics of Everyday Life (1996), and Future Imperfect (2008).
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Hey, Kiddo: How I Lost My Mother, Found My Father, and Dealt with Family Addiction is a graphic memoir by Jarrett J. Krosoczka, published October 9, 2018 by Graphix. The book tells the story of Krosoczka's childhood living with his grandparents while his mother lived with a substance use disorder.
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