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Bernard Johan Herman Haitink was a Dutch conductor and violinist. He was the principal conductor of several international orchestras, beginning with the Royal Concertgebouw Orchestra in 1961. He moved to London, as principal conductor of the London Philharmonic Orchestra from 1967 to 1979, music director at Glyndebourne Opera from 1978 to 1988 and of the Royal Opera House from 1987 to 2002, when he became principal conductor of the Staatskapelle Dresden. Finally, he was principal conductor of the Chicago Symphony Orchestra from 2006 to 2010. The focus of his prolific recording was classical symphonies and orchestral works, but he also conducted operas. He conducted 90 concerts at The Proms in London, the last on 3 September 2019 with the Vienna Philharmonic. His awards include Grammy Awards and the 2015 Gramophone Award for his lifetime achievements.
Max Rudolf was a German conductor and music institute teacher.
The Royal Theatre of La Monnaie is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions to receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.
Jessye Mae Norman was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but did not limit herself to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Berlioz's Cassandre and Didon, and Bartók's Judith. The New York Times music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls."
La fanciulla del West is an opera in three acts by Giacomo Puccini to an Italian libretto by Guelfo Civinini and Carlo Zangarini, based on the 1905 play The Girl of the Golden West by the American author David Belasco. Fanciulla followed Madama Butterfly, which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that characterize Puccini's other works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. Fanciulla displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian.
The Little Prince, subtitled A Magical Opera, is an opera in two acts by Rachel Portman to an English libretto by Nicholas Wright, based on the 1943 book of the same name by Antoine de Saint-Exupéry. It was first performed in at the Houston Grand Opera on 31 May 2003.
The Nederlander Organization, founded in 1912 by David T. Nederlander in Detroit, and currently based in New York City, is one of the largest operators of live theaters and music venues in the United States. Its first acquisition was a lease on the Detroit Opera House in 1912. The building was demolished in 1928. It later operated the Shubert Lafayette Theatre until its demolition in 1964 and the Riviera Theatre, both in Detroit. Since then, the organization has grown to include nine Broadway theaters, making it the second-largest owner of Broadway theaters after the Shubert Organization, and a number of theaters across the United States, including five large theaters in Chicago, plus three West End theatres in London.
Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates.
Kristine Kay Jepson was an American mezzo-soprano.
Detroit Opera is the principal opera company in Michigan, US. The company is based in Detroit, where it performs in the Detroit Opera House. Prior to February 28, 2022, the company was named Michigan Opera Theatre.
Lauren Flanigan is an American operatic soprano who has had an active international career since the 1980s. She enjoyed a particularly fruitful partnership with the New York City Opera, appearing with the company almost every year since 1990. She has sung more than 100 different opera roles on stage during her career, often appearing in contemporary works or more rarely staged operas. Opera News stated that, "Flanigan has enjoyed one of the most distinctive careers of any artist of her generation, one marked by a high volume of contemporary works. Modern composers love her because of her innate musicality, dramatic power and lightning-fast skills and instincts."
Gallantry is a one-act opera by composer Douglas Moore. The work is a parody of soap opera, complete with sung commercial interruptions. The work uses an English-language libretto by Arnold Sundgaard.
John Harger Stewart is an American tenor, conductor, and voice teacher who had an active international singing career in concerts and operas from 1964 to 1990. He began his career singing regularly with the Santa Fe Opera from the mid-1960s through the early 1970s; after which he appeared only periodically in Santa Fe up through the mid-1980s. He was particularly active with the New York City Opera during the 1970s and 1980s, and with the Frankfurt Opera from the mid-1970s through 1990. He also appeared as a guest artist with several other important American opera companies, including the Metropolitan Opera and the Washington National Opera, and at other European opera houses like the De Nederlandse Opera in Amsterdam, the Deutsche Oper Berlin, the Grand Théâtre de Genève in Switzerland, and the Wexford Festival Opera in Ireland. Now retired from singing, he is currently the Director of Vocal Activities at Washington University in St. Louis where he also teaches singing and conducts student opera productions and choirs. He also serves as the opera conductor at the Johanna Meier Opera Theater Institute at Black Hills State University.
Amanda Juliet Holden was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the New Penguin Opera Guide.
John Thomas Holiday Jr. is an American operatic countertenor. His repertoire focuses on the Baroque and contemporary composers, including staged opera and opera in concert, works for voice and orchestra, and experimental mixed-media. He has participated in several world premieres. He has performed with several opera companies in the United States, toured with the Los Angeles Philharmonic, and sung in Shanghai and several European cities. He also sings gospel, pop, and jazz; he was a contestant on season 19 of NBC's The Voice, a vocal competition television series.
Elaine Bonazzi was an American operatic mezzo-soprano who had an active international career from the 1950s through the 1990s. A singer with an unusually broad repertoire that encompassed both classical and contemporary works, she notably created roles in the world premieres of operas by composers Dominick Argento, David Carlson, Carlisle Floyd, Gian Carlo Menotti, Thomas Pasatieri, and Ned Rorem. In the United States she was particularly active with the New York City Opera, the Santa Fe Opera, and the Washington National Opera.
Delores Ziegler is an American mezzo-soprano who has had an active international performance career since the late 1970s. A former resident artist at the Cologne Opera, she has performed leading roles with many of the world's best opera houses, including La Scala, the Lyric Opera of Chicago, the Metropolitan Opera, the San Francisco Opera, and the Vienna State Opera. She is currently a professor of voice at the University of Maryland. While she has performed a broad repertoire, she is widely admired for her performances in operas by Wolfgang Amadeus Mozart and Richard Strauss; particularly Cherubino in The Marriage of Figaro, Dorabella in Così fan tutte, Idamante in Idomeneo, and Octavian in Der Rosenkavalier.
John Lankston was an American tenor and actor who had a career in opera and musical theatre from the 1950s through the 2000s. After making his Broadway debut in Redhead (1959), he went on to create the roles of Adolph and the Ziegfeld Tenor in Jule Styne's Funny Girl (1963) in which he was a featured soloist with Barbra Streisand. For his work, he and the rest of the main cast were awarded the Grammy Award for Best Musical Theater Album at the 7th Annual Grammy Awards. He was a regular performer with the New York City Opera from 1966 to 2001. His greatest success with the NYCO was his creation of the quintuple role of Voltaire/Pangloss/Businessman/Governor/Gambler in the 1982 revival of Leonard Bernstein's Candide which was directed by Hal Prince and filmed for national broadcast on PBS's Live from Lincoln Center. The company later recorded the production on disc, and Langston and the rest of the artists involved were awarded the Grammy Award for Best Opera Recording in 1987.
Sheri Greenawald is an American soprano and music educator who had an active performance career in concerts and operas during the second half of the 20th century and early 21st century. She has portrayed principal roles in the world premieres of several operas, including works by composers Leonard Bernstein, Daniel Catán, Carlisle Floyd, Thomas Pasatieri, and Stephen Paulus. She has performed leading roles with opera companies in the US and abroad, including the Metropolitan Opera, Lyric Opera of Chicago, Houston Grand Opera, Bavarian State Opera, La Fenice, and Paris Opera. She was particularly active as a performer with the Santa Fe Opera and San Francisco Opera. A former member of the voice faculty at the Boston Conservatory, she served as director of the San Francisco Opera Center from 2002 through 2020.
References
- Gelfand, Janelle, CCM opera chief ends 'adventurous journey' , The Cincinnati Enquirer, September 22, 2002.
- Holland, Bernard, Intimacy, if Not Fire, in Tuscany, New York Times, October 13, 1999
- Holland, Bernard, Struggling To Make Do Off the Dole, New York Times, October 10, 1999
- Wilson, Annasue McCleave, Puccini's Stage: All of Lucca, New York Times, March 15, 1998
