Oratorio di San Lorenzo all'alpe Seccio

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Oratory of Saint Lawrence all'alpe Seccio
(Oratorio di San Lorenzo all'alpe Seccio)
Boccioleto Seccio Oratorio San Lorenzo.JPG
Façade of the church.
Religion
Affiliation Roman Catholic
Province Vercelli
Ecclesiastical or organizational status National monument
Location
Location Boccioleto, Italy
Geographic coordinates 45°51′21″N8°06′19″E / 45.855833°N 8.105278°E / 45.855833; 8.105278 Coordinates: 45°51′21″N8°06′19″E / 45.855833°N 8.105278°E / 45.855833; 8.105278
Architecture
TypeChurch
Style Romanesque
The frescos in the chancel Boccioleto Oratorio Alpe Seccio Affresco 01.JPG
The frescos in the chancel

Oratory of Saint Lawrence all'alpe Seccio (Italian : Oratorio di San Lorenzo all'alpe Seccio is a Roman Catholic church in the village of Boccioleto, in the Province of Vercelli and the region of Piedmont, Italy.

The oratory situated 1380 metres above sea level is reachable only by a trail that winds through forests of beech trees until you reach the alpine pastures, overlooking Cavaione Valley, a side valley of the Sermenza Valley. The interior contains a cycle of frescoes painted by an unknown artist during the mid-fifteenth century.


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An oratorio is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as well as to Biblical topics. Oratorios became extremely popular in early 17th-century Italy partly because of the success of opera and the Catholic Church's prohibition of spectacles during Lent. Oratorios became the main choice of music during that period for opera audiences.

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