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The Oratory of the Compagnia di San Bernardino is a place of worship in the Piazza San Francesco in Siena. Elevated to minor basilica status in 1925 by Pope Pius XI, it adjoins rooms housing the diocesan museum. [1] It is notable for its frescoes from various 16th- and 17th-century Sienese painters like Sodoma and Domenico Beccafumi. The oratory is almost adjacent to the Basilica of San Francesco, Siena.
The confraternity was first recorded in 1273 when it was dedicated to the Virgin Mary and Francis of Assisi. It was rededicated as the Compagnia della Madonna della Veste Nera di San Francesco in the 14th century and then as the Compagnia di San Bernardino in 1450 after Bernardino of Siena's canonisation, around which time it began building an oratory.
The upper oratory was decorated in 1496 with engraved wood panelling and ceilings. The wall frescoes were completed a team of painters, and include:
There is a marble bas-relief of the Madonna with Angels, by Agostino di Giovanni.
The lower oratory contains 16th century terracotta statues depicting St Bernardino and St Catherine of Siena , as well as Andrea del Brescianino’s Madonna and Child With Saints Ansanus and Bartholomew. The lower oratory has frescoes depicting Life of San Bernardino.
The Diocesan Museum is next door to the oratory.
Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.
Domenico di Pace Beccafumi was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.
Taddeo di Bartolo, also known as Taddeo Bartoli, was an Italian painter of the Sienese School during the early Renaissance. He is among the artists profiled in Vasari's biographies of artists or Vite. Vasari claims he is the uncle of Domenico di Bartolo.
Ventura di Archangelo Salimbeni was an Italian Counter-Maniera painter and printmaker highly influenced by the vaghezza and sensual reform of Federico Barocci.
Michelangelo Anselmi was an Italian Renaissance-Mannerist painter active mostly in Parma.
Astolfo Petrazzi (1583–1665) was an Italian painter of the Baroque period, active mainly in his hometown of Siena, but also Spoleto and Rome. He was a pupil of mainly Francesco Vanni, but also worked under Ventura Salimbeni and Pietro Sorri. He died in Siena.
The Basilica of San Domenico, also known as Basilica Cateriniana, is a basilica church in Siena, Tuscany, Italy, one of the most important in the city.
San Bernardino is a church in Verona, northern Italy. The church, in Gothic style, was built from 1451 to 1466.
The Basilica of Our Lady of Humility or Madonna dell'Umiltà is a Renaissance-style, Roman Catholic Marian basilica in Pistoia, region of Tuscany, Italy.
The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. The Palazzo Bichi-Buonsignori, although built in the 15th century, has a 19th-century neo-medieval façade based on the city's Palazzo Pubblico.
San Sebastiano in Vallepiatta is an ancient church found next to piazzeta della Selva in Siena, Italy. It is located in the Contrada della Selva.
Sebastiano Folli (1568–1621) was an Italian painter of the late Renaissance period. He was a scholar of Alessandro Casolano, and a native of Siena. He distinguished himself by several frescoes in the churches at Siena, particularly the cupola of Santa Marta, and some subjects from the Life of St. Sebastian, in the church of that saint, painted in competition with Rutilio Manetti, to whose pictures they are in no way inferior. He visited Rome, and was employed in some considerable works for the Cardinal de' Medici, afterwards Leo XI. He died in 1621.
Anton Domenico Bamberini (1666–1741) was an Italian painter, mainly of religious Baroque frescoes in churches completed in a heavily ornamented and stuccoed trompe-l'œil frames and settings.
Porta Romana is one of the portals in the medieval Walls of Siena. It is located on Via Cassia in Siena, region of Tuscany, Italy. The gate exits near the Basilica of San Clemente and leads south out of town to Via Enea Silvio Piccolomini.
San Giovannino della Staffa, also known as San Giovannino in Pantaneto is a Renaissance style, Roman Catholic church located on Piazetta Virgilio Grassi, in the Contrada del Leocorno, in the city of Siena, region of Tuscany, Italy.
San Niccolò al Carmine, also called Santa Maria del Carmine is a Renaissance style, Roman Catholic church and monastery located in Pian dei Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of Siena, region of Tuscany, Italy. The church now serves as the Oratory for the Contrada of Pantera. Across the street from the belltower is the Palazzo Celsi Pollini. North along Pian dei Mantellini, toward the Arco delle Due Porte, and on the same side of the street are a number of palaces built around what was once the Monastery of the Derelict Women: in order they are the Neoclassical Palazzo Incontri, the Palazzo Ravissa and the Palazzo Segardi.
San Francesco is a Roman Catholic church and monastery located in Sarzana, region of Liguria, Italy.
San Michele e San Francesco is a renaissance-style, Roman Catholic parish church located in the Piazza SS Francesco e Michele in the town of Carmignano, province of Prato, region of Tuscany, Italy. It is best known for housing the Jacopo Pontormo altarpiece of the Visitation.
The Master of Staffolo was an anonymous late-Gothic style painter active in the region of Marche and Umbria.
San Pietro a Varlungo is Roman Catholic church located on via di Varlungo in Florence, Italy. It was located outside of the former late-medieval walls of Florence.
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