Orest Semchishen

Last updated

Orest Semchishen
Born1932 (1932)
Known forphotographer

Orest Semchishen (born 1932) is a Canadian photographer whose prints of Alberta document and evoke specific places and people in subjects such as rural communities, ethnic groups and prairie farms and collectively give a sense of Canada. [1] The stark images reveal an economic disparity that scarcely resembles official photographs of the country. [2] He lives in Edmonton.

Contents

Career

Semchishen was born in Mundare, Alberta, the grandson of Ukrainian immigrants. [2] In the early 1970s, after he had retired from a career as a radiologist he decided to take extension classes at the University of Alberta and become a photographer. Concerned about the abandonment of rural Byzantine rite churches, he systematically recorded them using a view camera [3] along with disappearing Albertan localities as they were 40 years ago (these black-and-white works date from 1973 to 1986). [2] His major influence is said to be the American photographer Walker Evans but he developed his own style, [1] distinguished by its "restrained lucidity". [3]

Exhibitions

Semchishen has had a number of solo exhibitions from 1976 on, among them one of the Chinese community in 1985, Dragon to Phoenix and one of Trappers in the Whyte Museum of the Canadian Rockies (1989). [4] In 1992, his work was exhibited in Presence of the Prairie at the Edmonton Art Gallery. His many group exhibitions include two at the National Film Board (1975 and 1983) and one at the National Gallery of Canada (1981). [4] In 2006, Through Alberta Eyes – The Photographs of Orest Semchishen was shown at the art gallery at Mount Saint Vincent University, Halifax, NS. [2]

Selected public collections

His work has been collected by public institutions in Canada including Library and Archives Canada which holds the extensive body of his work (c. 1970-1994); [5] the National Gallery of Canada; [6] the Alberta Foundation for the Arts; [7] Art Gallery of Alberta, [8] The Bohdan Medwidsky Ukrainian Folklore Archives, University of Alberta; [9] the Glenbow Museum; [10] Winnipeg Art Gallery; [11] the Provincial Archives of Alberta; [12] and the Remai Modern in Saskatoon, [13] among others.

Further reading

Related Research Articles

<span class="mw-page-title-main">Mendel Art Gallery</span> Art museum and conservatory in Saskatchewan, Canada

The Mendel Art Gallery was a major creative cultural centre in City Park, Saskatoon, Saskatchewan. Operating from 1964 to 2015, it housed a permanent collection of more than 7,500 works of art. The gallery was managed by the city-owned Saskatoon Gallery and Conservatory Corporation, which also managed the Mendel's sister institution, the Saskatoon Civic Conservatory. In 1999, it was the 16th largest public art gallery in Canada by budget size and had the sixth highest overall attendance in the country. By 2010, it had more than 180,000 visitors.

<span class="mw-page-title-main">Alex Janvier</span> Canadian First Nations artist (1935–2024)

Alex Simeon Janvier LL.D was a First Nations painter in Canada. A member of the Indian Group of Seven, he helped pioneer contemporary Aboriginal art in Canada.

Hugh Aylmer Dempsey, was a Canadian historian, an author and the Chief Curator Emeritus of the Glenbow Museum in Calgary, Alberta. Dempsey authored more than 20 books, focusing primarily on the history of people of the Blackfoot Confederacy. He received an honorary doctorate from the University of Calgary and was made an honorary chief of the Kainai Blackfoot in 1967. For his contributions to the study of the Plains Indians, Dempsey was awarded membership in the Order of Canada in 1975.

Geoffrey James LL. D. is a Canadian documentary photographer, who lives in Montreal and has been influenced lifelong by Eugene Atget. Like Atget, he has been fascinated with the built environment. Early in his long career, James made panoramic landscapes. These black-and-white photographs illuminated his subjects, nature's spaces and the changes wrought by society on both its more idealized creations such as formal gardens and its darker side - the asbestos mining landscape. His aims were two-fold, both "Utopia" and "Dystopia". (Utopia/Dystopia was the title of his book/catalogue and retrospective at the National Gallery of Canada in Ottawa in 2008.

<span class="mw-page-title-main">Reta Cowley</span> Canadian painter

Reta Cowley was a Canadian painter. She is known for her watercolors of the prairie country around Saskatoon, Saskatchewan, which capture the unique qualities of space and light.

<span class="mw-page-title-main">Remai Modern</span> Art museum in Saskatchewan, Canada

Remai Modern is a public art museum in Saskatoon, Saskatchewan, Canada. The art museum is situated along the west bank of the South Saskatchewan River, at the River Landing development in Saskatoon's Central Business District. The museum's 11,582 square metres (124,670 sq ft) building was designed by Bruce Kuwabara of KPMB Architects in association with Architecture49.

David William Buchan was a Canadian artist who was part of the alternative art scene. He was also a graphic designer.

Ruth Cuthand is a Canadian artist of Plains Cree and Scots ancestry. She is considered an influential feminist artist of the Canadian prairies, and is lauded for her interpretation of racism and colonialism. Her work challenges mainstream perspectives on colonialism and the relationships between settlers and Indigenous people in a practice marked by political invective, humour, and a deliberate crudeness of style.

<span class="mw-page-title-main">Lyndal Osborne</span> Canadian artist

Lyndal Osborne is a Canadian artist based in Edmonton, Alberta. Her works include BioArt, Sculpture, Video art, and multimedia. She applies many different artistic methods and often uses recycled or found objects as her materials. Osborne's' installation work speaks of the forces of transformation within nature and provides a commentary on issues relating to the environment. In her more recent works, Osborne has also examined the issues of genetically modified organisms as subject matter.

<span class="mw-page-title-main">Natalka Husar</span> American-born Canadian painter (born 1951)

Natalka Husar is an American-born Canadian painter. She is known for work that draws on aspects of Ukrainian culture and history, the émigré experience, and her feminist concerns.

Nancy Tousley is a senior art critic, journalist, art writer and independent curator whose practice has included writing for a major daily newspaper, art magazines, and exhibition catalogues.

Stanley Ernest Brunst was a Canadian painter, best known for his early abstractions.

Linda Craddock is a Canadian visual artist living in Calgary, Alberta. Her work has been featured in exhibitions since 1973.

<span class="mw-page-title-main">Terrance Houle</span> Canadian artist of Native American descent

Terrance James Houle is an Internationally recognized Canadian interdisciplinary artist and member of the Kainai Nation and ancestry from the Sandy Bay Reservation, Manitoba. His Mother is Maxine WeaselFat from the Kainai Nation and Father Donald Vernon Houle from Sandy Bay Reservation in Manitoba, they are both 3rd generation Residential School attendees & reside on the Blood reservation in Southern Alberta, Canada. His work ranges from subversive to humorous absurdity to solemn and poetic artistic expressions. His work often relates to the physical body as it investigates issues of history, colonization, Aboriginal identity and representation in popular culture, as well as conceptual ideas based on memory, home, and reserve communities. Currently, He has co-directed a Short Animation Otanimm/Onnimm with his daughter Neko which is currently touring Film festivals, In Los Angeles, NYC, Toronto, New Zealand, Vancouver, Oxford & many more. Recently their short film won the prestigious Golden Sheaf Indigenous Award at Yorkton Film Festival and is Neko's First Award in Film at 17 years old.

Joice M. Hall is a Canadian artist from Alberta, now based in British Columbia. She is known primarily as a landscape painter of large panoramas.

Thelma Vivian Pepper was a Canadian artist. She was known for her work as a portrait photographer, which she took up later in life at the age of 60. Her first solo exhibition was in 1986. Themes in her photographs focus on "spirit, community, and little-known stories." Thelma's photographs can be found in archives, galleries and institutions across Saskatchewan.

Elisabeth Belliveau is a Canadian interdisciplinary artist and author of four graphic novels. Currently based in Treaty Six Territory, Amiskwaciwâskahikan, Edmonton, Alberta, she is an Assistant Professor of Fine Arts at Grant MacEwan University Faculty of Fine Arts and Communications. She previously taught at the Grande Prairie Regional College in Alberta, and at Concordia University in Montreal.

Louise Noguchi is a Canadian multidisciplinary visual artist who uses video, photography, sculpture, and installation to examine notion of identity, perception and reality.

Clara Hume was a Canadian painter. Her work is largely focused on landscapes and still lifes. Her paintings have been exhibited in Saskatchewan and Manitoba as part of group and solo exhibitions. She was particularly noted for her detailed acrylic paintings of prairie wildflowers and grasses, and prairie landscapes.

David Garneau is a Métis artist whose practice includes painting, curating, and critical writing.

References

  1. 1 2 Fenton, Terry. "Orest Semchishen". www.thecanadianencyclopedia.ca. Canadian Encyclopedia. Retrieved 14 September 2022.
  2. 1 2 3 4 "Through Alberta Eyes – The Photographs of Orest Semchishen". www.msvuart.ca. MSVU AG. 16 August 2019. Retrieved 13 September 2022.
  3. 1 2 Langford, Martha (2010). "A Short History of Photography, 1900–2000". The Visual Arts in Canada: the Twentieth Century. Foss, Brian, Paikowsky, Sandra, Whitelaw, Anne (eds.). Don Mills, Ont.: Oxford University Press. p. 287-288. ISBN   978-0-19-542125-5. OCLC   432401392.
  4. 1 2 ""Biography". Presence of the Prairie". Edmonton A.G., 1992. Retrieved 16 September 2022.
  5. "Orest Semchishen fonds". recherche-collection-search.bac-lac.gc.ca. Government of Canada. Retrieved 14 September 2022.
  6. "Orest Semchishen". www.gallery.ca. National Gallery of Canada. Retrieved 13 September 2022.
  7. "Collection". alberta.emuseum.com. Alberta Foundation for the Arts. Retrieved 13 September 2022.
  8. "Collection". /www.youraga.ca. Art Gallery of Alberta. Retrieved 13 September 2022.
  9. "Collection". archives.ukrfolk.ca. u. Retrieved 13 September 2022.
  10. "Collection". /ww2.glenbow.org. Glenbow Museum, Calgary. Retrieved 13 September 2022.
  11. "Collection". /www.wag.ca. Winnipeg Art Gallery. Retrieved 13 September 2022.
  12. "Fonds paa-8470 - Orest Semchishen fonds". albertaonrecord.ca. Provincial Archives of Alberta. Retrieved 29 November 2023.
  13. "Collection". collections.remaimodern.org. Remai Modern, Saskatoon. Retrieved 13 September 2022.