| Orestes | |
|---|---|
| Written by | Lewis Theobald |
| Date premiered | 3 April 1731 [1] |
| Place premiered | Lincoln's Inn Fields Theatre |
| Original language | English |
| Genre | Tragedy |
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
The original Lincoln's Inn Fields cast included James Quin as Thoas, Lacy Ryan as Orestes, Thomas Walker as Pylades, Thomas Chapman as Barzanes and William Milward as Araxes, Charles Hulett as Magician, William Pinkethman and John Hippisley as sailors, Elizabeth Younger as Hermione, Anne Berriman as Circe, and Elizabeth Mills as Laodice. The epilogue was written by Henry Fielding. It was dedicated to the prime minister Sir Robert Walpole. [2]
The Platonick Lady is a 1706 comedy play by the British writer Susanna Centlivre. Staged at the Queen's Theatre in the Haymarket in November 1706, it was published the following year and is sometimes dated as 1707. In the play's prologue the author defended the right of woman to write plays. The plot revolves around the question of platonic friendship.
The What D'Ye Call It is a 1715 farce by the British writer John Gay. It was written as a parody of tragic plays, with particular reference to Thomas Otway's Venice Preserv'd.
Money the Mistress is a 1726 comedy play by the Irish writer Thomas Southerne. It was his final play.
Caelia, or, The Perjur'd Lover is a 1732 comedy play by the British writer Charles Johnson. The play's epilogue was written by Henry Fielding.
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Antiochus is a 1721 tragedy by the British writer John Mottley. The play is set in Ancient Greece, revolving round the relationship between Stratonice of Syria and Seleucus I Nicator and his son Antiochus I Soter, the leaders of the Seleucid Empire.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
Fatal Curiosity is a 1737 tragedy by the British writer George Lillo. It is also known by the alternative title Guilt Its Own Punishment.
Marina is a 1738 tragedy by the British writer George Lillo. It is a reworking of Shakespeare's Pericles, Prince of Tyre, produced at a time when Covent Garden was experimenting with a summer season.
The Christian Hero is a 1735 tragedy by the British writer George Lillo. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Two years earlier William Havard had written Scanderbeg, another work based on his life.
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
The Universal Gallant, or The Different Husbands is a 1735 comedy play by the British writer Henry Fielding.
Themistocles, the Lover of His Country is a 1729 tragedy by the Irish writer Samuel Madden. It is based on the life of the Ancient Greek general Themistocles.
The Married Philosopher is a 1732 comedy play by the writer John Kelly. It was inspired by the 1727 play Le Philosophe Marié by the French writer Philippe Néricault Destouches.
The Triumphs of Love and Honour is a 1731 tragedy by the British writer Thomas Cooke.
The Ladies Visiting Day is a 1701 comedy play by the English writer William Burnaby.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
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