Miles_Gurtu is the fourth studio album by Robert Miles, the second he independently recorded and produced. The record was released on February 10, 2004. Robert Miles and Indian jazz percussionist Trilok Gurtu met while recording Miles's last solo album, Organik, where Gurtu played percussion on three of the tracks. The result of the current collaboration is a mix of both musicians' very disparate styles. Miles_Gurtu expanded Robert Miles's "new style" started in Organik (2001), this time in a much more jazzy way.
Greatest Hits 1986–2004 is a compilation album by pop singer Amy Grant, released in 2004. It was the first compilation of Amy Grant's music to be released since The Collection in 1986. It includes two previously unreleased songs: "The Water" and "Come Be With Me" and pressings of the CD on A&M Records contain a bonus CD of remixes and radio edits as mentioned below.
Mixes is the fourth remix album by Australian recording artist Kylie Minogue. It was released on 3 August 1998, by Deconstruction Records. The album contains remixes of tracks from her sixth studio album, Impossible Princess (1997). The remixes were done by DJs such as Brothers in Rhythm, Junior Vasquez, and Todd Terry. The remixes was influenced by various genres of dance music, such as electronica and dance-pop. The album was originally scheduled for a 1999 release, but Deconstruction pre-poned the release date of Mixes in the United Kingdom to August 1998, since the Australian counterpart, Impossible Remixes (1998), had been released earlier than its original date. With favourable critical reception, Mixes charted in the United Kingdom at number sixty-three on the UK Albums Chart, her highest remix album at the time. The Brothers in Rhythm remix of "Too Far" was released as a promotional single in the UK and North America.
"Jumpin', Jumpin'" is a song by American girl group Destiny's Child, released as the fourth and final single from the group's second studio album, The Writing's on the Wall (1999). The song was co-written and co-produced by group member Beyoncé and Chad Elliott, with additional writing from Rufus Moore and production assistance from Jovonn Alexander.
"Useless" is Depeche Mode's thirty-fourth UK single, released on 20 October 1997, and the fourth and final single for the album Ultra. It was released with "Home" as a double A-side in the US due to "Useless" getting airplay on US radio stations before "Home" was announced.
"Silence" is a song by Canadian electronic music group Delerium featuring Canadian singer and co-writer Sarah McLachlan. Over the years, it has been hailed as one of the greatest trance songs of all time, over a decade after its initial release. The Tiësto remix of the song was voted by Mixmag readers as the 12th greatest dance record of all time.
"Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album Accelerator. The single reached #22 on the UK singles chart. The track has been remixed and released many times since its original release, both legitimately and in bootleg format on CD, Vinyl and Cassette.
"Forever Young" is a song from German synthpop recording act Alphaville's 1984 debut album of the same name. The single was a strong hit in Scandinavia and in the European German-speaking countries in the same year.
Maximum Joy is a greatest hits album by Frankie Goes To Hollywood, released on 25 October 2000 by ZTT Records.
Remixes is a compilation of French singer Mylène Farmer's singles by various famous DJ's, including JXL, Felix Da Housecat and Paul Oakenfold.
"The Real Thing" is a song recorded by British singer Lisa Stansfield for her 1997 eponymous album. It was released as the first proper single from Lisa Stansfield in Europe, Australia and Japan on 10 March 1997, after "People Hold On".
Change is a song by English rock band Killing Joke that first appeared on the US release of their 1980 self-titled debut album. This same version of "Change" was released as the B-side of the band's single "Requiem". A version of the song recorded at a John Peel session on 5 March 1980 was issued that month as a limited-edition promotional single, available at gigs and without advertisement from the band's Malicious Damage label.
"Dónde Estarás" is a song performed by Ricky Martin, included on his album, A Medio Vivir (1995). It was released as a single on November 20, 1997.
Asides Besides is a compilation album by Talk Talk, released April 1998. It is a collection of rarities, B-sides and demos previously unavailable on CD. It was issued as a companion volume to the band's 1997 album remasters and has been described as "[tying] up loose ends" in the band's career. The album received positive reviews. The album only contains tracks from the 1982–1988 period, as EMI could only obtain rights for Talk Talk music from this period. An album of rarities for Talk Talk's career after 1988 was released in 2001 as Missing Pieces.
"You Blow Me Away" is a song by English vocalist Robert Palmer, released in 1994 as the third and final single from his twelfth studio album Honey. The song was written solely by Palmer, and produced by Stephen Hague and Palmer.
Read My Lips is the 1989 debut solo album by Jimmy Somerville, former lead singer of the successful synthpop groups Bronski Beat and The Communards. The album was released through London Records and peaked at number 29 on the UK Albums Chart. It has been certified Gold by the British Phonographic Industry for sales in excess of 100,000 copies.
"The Line" is a song recorded by British singer Lisa Stansfield, released as the third European single from her eponymous album (1997). It was written by Lisa Stansfield, Ian Devaney and Terry Gamwell, and produced by Devaney and Peter Mokran. The song received positive reviews from music critics. It was released as a single in Europe on 22 September 1997 and reached number sixty-four in the United Kingdom.
"No Place to Hide" is a song written and recorded by American nu metal band Korn for their second studio album, Life Is Peachy. It was released as the album's first single in September 1996.
