Oron Catts

Last updated

Oron Catts
Born
NationalityAustralian
Education Curtin University
Known for Visual Arts

Oron Catts is an Australian artist and researcher currently residing in Perth, Western Australia where he has been employed at the University of Western Australia since 1996. He works as an artistic director of SymbioticA, [1] which he also co-founded. Together with Ionat Zurr he founded the Tissue Culture & Art Project. [2] From 2000–2001 he was a Research Fellow at the Tissue Engineering and Organ Fabrication Laboratory at Harvard Medical School. He has also worked with numerous other bio-medical laboratories in several different countries.

Contents

Works

Victimless Leather – a prototype of a stitch-less jacket, grown from cell cultures into a layer of tissue supported by a coat shaped polymer layer. This is a sub-project of the Tissue Culture & Art Project where the artists are growing a leather jacket without killing any animals. Growing the victimless leather problematizes the concept of garment by making it semi-living. This artistic grown garment is intended to confront people with the moral implications of wearing parts of dead animals for protective and aesthetic reasons and confronts notions of relationships with manipulated living systems. [3] Controversy arose around this project when the museum ended the exhibition, thereby killing the living cells in the piece. [4]

Catts and Ionat Zurr were invited guest artist to the physics laboratory CERN in Geneva in 2019, where they presented their work at SymbioticA. [5]

Pig Wings Project [6] with Ionat Zurr and Guy Ben-Ary was developed in 2000-2001 during a residency in the Tissue Engineering and Organ Fabrication Laboratory in Massachusetts General Hospital, Harvard Medical School. The work used tissue engineering and stem cell technologies in order to grow pig bone tissue in the shape of these three sets of wings. The Pig Wings Project presents the first ever wing-shaped objects grown using living pig tissue. This absurd work presents ethical questions regarding a near future where semi-living objects (objects which are partly alive and partly constructed) exist together with philosophical concepts around inter-species organ transplantation. Along with the Center for Genomic Gastronomy he has hosted a live cooking show called Art Meat Flesh from 2012-2019. [7] Art Meat Flesh has featured research scientist Mark Post [8] and other scientists and philosophers tasting and debating the future of protein in the kitchen.

Related Research Articles

<span class="mw-page-title-main">Tissue engineering</span> Biomedical engineering discipline

Tissue engineering is a biomedical engineering discipline that uses a combination of cells, engineering, materials methods, and suitable biochemical and physicochemical factors to restore, maintain, improve, or replace different types of biological tissues. Tissue engineering often involves the use of cells placed on tissue scaffolds in the formation of new viable tissue for a medical purpose, but is not limited to applications involving cells and tissue scaffolds. While it was once categorized as a sub-field of biomaterials, having grown in scope and importance, it can is considered as a field of its own.

<span class="mw-page-title-main">Tissue culture</span> Growth of tissues or cells in an artificial medium separate from the parent organism

Tissue culture is the growth of tissues or cells in an artificial medium separate from the parent organism. This technique is also called micropropagation. This is typically facilitated via use of a liquid, semi-solid, or solid growth medium, such as broth or agar. Tissue culture commonly refers to the culture of animal cells and tissues, with the more specific term plant tissue culture being used for plants. The term "tissue culture" was coined by American pathologist Montrose Thomas Burrows. This is possible only in certain conditions. It also requires more attention. It can be done only in genetic labs with various chemicals.

Organ culture is the cultivation of either whole organs or parts of organs in vitro. It is a development from tissue culture methods of research, as the use of the actual in vitro organ itself allows for more accurate modelling of the functions of an organ in various states and conditions.

<span class="mw-page-title-main">Cultured meat</span> Meat created outside of a living animal

Cultured meat, also known as cultivated meat among other names, is a form of cellular agriculture where meat is produced by culturing animal cells in vitro. Cultured meat is produced using tissue engineering techniques pioneered in regenerative medicine. Jason Matheny popularized the concept in the early 2000s after he co-authored a paper on cultured meat production and created New Harvest, the world's first non-profit organization dedicated to in-vitro meat research. Cultured meat has the potential to address the environmental impact of meat production, animal welfare, food security and human health, in addition to its potential mitigation of climate change.

<span class="mw-page-title-main">Xenotransplantation</span> Transplantation of cells or tissue across species

Xenotransplantation, or heterologous transplant, is the transplantation of living cells, tissues or organs from one species to another. Such cells, tissues or organs are called xenografts or xenotransplants. It is contrasted with allotransplantation, syngeneic transplantation or isotransplantation and autotransplantation. Xenotransplantation is an artificial method of creating an animal-human chimera, that is, a human with a subset of animal cells. In contrast, an individual where each cell contains genetic material from a human and an animal is called a human–animal hybrid.

<span class="mw-page-title-main">Cell culture</span> Process by which cells are grown under controlled conditions

Cell culture or tissue culture is the process by which cells are grown under controlled conditions, generally outside of their natural environment. After cells of interest have been isolated from living tissue, they can subsequently be maintained under carefully controlled conditions. They need to be kept at body temperature (37 °C) in an incubator. These conditions vary for each cell type, but generally consist of a suitable vessel with a substrate or rich medium that supplies the essential nutrients (amino acids, carbohydrates, vitamins, minerals), growth factors, hormones, and gases (CO2, O2), and regulates the physio-chemical environment (pH buffer, osmotic pressure, temperature). Most cells require a surface or an artificial substrate to form an adherent culture as a monolayer (one single-cell thick), whereas others can be grown free floating in a medium as a suspension culture. This is typically facilitated via use of a liquid, semi-solid, or solid growth medium, such as broth or agar. Tissue culture commonly refers to the culture of animal cells and tissues, with the more specific term plant tissue culture being used for plants. The lifespan of most cells is genetically determined, but some cell-culturing cells have been 'transformed' into immortal cells which will reproduce indefinitely if the optimal conditions are provided.

<span class="mw-page-title-main">Pig</span> Domesticated omnivorous even-toed ungulate

The pig, often called swine, hog, or domesticpig when distinguishing from other members of the genus Sus, is an omnivorous, domesticated, even-toed, hoofed mammal. It is variously considered a subspecies of Sus scrofa or a distinct species. Pigs were domesticated in the Neolithic, both in East Asia and in the Near East. When these arrived in Europe, they extensively interbred with wild boar but retained their domesticated features.

BioArt is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy, and biotechnology the artworks are produced in laboratories, galleries, or artists' studios. The scope of BioArt is a range considered by some artists to be strictly limited to "living forms", while other artists include art that uses the imagery of contemporary medicine and biological research, or require that it address a controversy or blind spot posed by the very character of the life sciences.

<span class="mw-page-title-main">Honor Fell</span> British scientist and zoologist

Dame Honor Bridget Fell, DBE, FRS was a British scientist and zoologist. Her contributions to science included the development of experimental methods in organ culture, tissue culture, and cell biology.

Microelectrode arrays (MEAs) are devices that contain multiple microelectrodes through which neural signals are obtained or delivered, essentially serving as neural interfaces that connect neurons to electronic circuitry. There are two general classes of MEAs: implantable MEAs, used in vivo, and non-implantable MEAs, used in vitro.

New Harvest is a donor-funded research institute dedicated to the field of cellular agriculture, focusing on advances in scientific research efforts surrounding cultured animal products. Its research aims to resolve growing environmental and ethical concerns associated with industrial livestock production.

NovoGen is a proprietary form of 3D printing technology that allows scientists to assemble living tissue cells into a desired pattern. When combined with an extracellular matrix, the cells can be arranged into complex structures, such as organs. Designed by Organovo, the NovoGen technology has been successfully integrated by Invetech with a production printer that is intended to help develop processes for tissue repair and organ development.

Victimless Leather (2004) is an art piece that represents a leather jacket without killing any animals. It is a prototype of a stitch-less jacket, grown from cell cultures into a layer of tissue supported by a coat shaped polymer layer. "Victimless Leather" was created created as a sub-project of the Tissue Culture & Art Project, from the University of Western Australia and showcased at the Museum of Modern Art in New York. The artwork, a miniature jacket made from living mouse stem cells in an incubator, was designed to challenge perceptions of life and human responsibility toward manipulated living systems. This artistic grown garment is intended to confront people with the moral implications of wearing parts of dead animals for protective and aesthetic reasons and confronts notions of relationships with manipulated living systems. However, due to rapid cell growth, the exhibit was eventually "killed" by cutting off its nutrients, aligning with the creators' intent to remind viewers of the responsibility towards manipulated life.

<span class="mw-page-title-main">Symbiotica</span>

SymbioticA is an artistic research lab at the University of Western Australia's School of Anatomy and Human Biology. The lab looks at biology and the life sciences from an artistic point of view and has been used to research, develop and execute a number of contemporary art & science and bioart projects.

<i>Slaughtered Ox</i> Painting by Rembrandt

Slaughtered Ox, also known as Flayed Ox, Side of Beef, or Carcass of Beef, is a 1655 oil on beech panel still life painting by Rembrandt. It has been in the collection of the Louvre in Paris since 1857. A similar painting is in Kelvingrove Art Gallery and Museum, Glasgow, possibly not created by Rembrandt himself but probably by one of his pupils, perhaps Carel Fabritius. Other similar paintings by Rembrandt or more likely his circle are held by museums in Budapest and Philadelphia.

<span class="mw-page-title-main">Margaret Reed Lewis</span> American cell biologist

Margaret Adaline Reed Lewis (1881–1970) was an American cell biologist and embryologist who made contributions to cancer research and cell culture techniques, and was likely the first person to successfully grow mammalian tissue in vitro. She authored around 150 papers, many co-authored with her husband Warren Harmon Lewis. The Lewises developed a growth medium called the Locke-Lewis solution and jointly received the Gerhard Gold Medal from the Pathological Society of Philadelphia.

Cellular agriculture focuses on the production of agricultural products from cell cultures using a combination of biotechnology, tissue engineering, molecular biology, and synthetic biology to create and design new methods of producing proteins, fats, and tissues that would otherwise come from traditional agriculture. Most of the industry is focused on animal products such as meat, milk, and eggs, produced in cell culture rather than raising and slaughtering farmed livestock which is associated with substantial global problems of detrimental environmental impacts, animal welfare, food security and human health. Cellular agriculture is a field of the biobased economy. The most well known cellular agriculture concept is cultured meat.

Mónica Bello is a Spanish curator and art historian. In her curatorial work she discusses the way artists instigate new conversations around emergent culture and societal phenomena, such as the role of science and technology in the perception of reality. For more than 15 years she has been curating exhibitions and events internationally in collaboration with leading artists, designers, researchers and scientists of various disciplines.

<span class="mw-page-title-main">Cellular Agriculture Society</span> American nonprofit organization

Cellular Agriculture Society is a lobby organization. It is an international 501(c)(3) organization based in Miami, created in 2017 to research, fund and advance cellular agriculture.

Dr. Ionat Zurr is an Australian artist, researcher and curator. She is also a lecturer for the University of Western Australia (UWA), and has been a visiting tutor in Design Interactions for the Royal College of Art. Zurr, together with Oron Catts, founded the Tissue Culture & Art Project in 1996, they were both guest artists at CERN in 2019. Zurr worked for more than 20 years at SymbioticA, UWA's Centre of Excellence in Biological Arts, and is a pioneer of making art with living, engineered tissue.

References

  1. The University of Western Australia. "SymbioticA". www.symbiotica.uwa.edu.au. Retrieved 7 March 2020.
  2. "The Tissue Culture and Art Project" . Retrieved 7 March 2020.
  3. Ransford, Matt (15 May 2008). "Victimless Leather?". Popular Science. Retrieved 1 October 2023.
  4. Schwartz, John (13 May 2008). "Museum Kills Live Exhibit". The New York Times. ISSN   0362-4331 . Retrieved 1 October 2023.
  5. "Ionat Zurr and Oron Catts | Arts at CERN". 1 November 2019. Archived from the original on 1 November 2019. Retrieved 27 February 2024.
  6. "Oron Catts, Ionat Zurr, Guy Ben-Ary, SymbioticA, The Art and Science Collaborative Research Laboratory, The University of Western Australia. The Pig Wings Project. 2000-01 | MoMA". The Museum of Modern Art. Retrieved 7 March 2020.
  7. "Art Meat Flesh". The Tissue Culture and Art Project. Retrieved 9 March 2020.
  8. "Art Meat Flesh 1". The Center for Genomic Gastronomy. Retrieved 9 March 2020.