I Love You Only is a 1935 Italian historical drama film directed by Mario Mattoli and starring Milly, Vittorio De Sica and Giuditta Rissone.
Domenico Serra (1899–1965) was an Italian stage and film actor. He made more than sixty films, many of them during the silent era including Mario Bonnard's historical film The Betrothed (1923). In the sound era, he largely played supporting or minor roles.
Carlo Lombardi was an Italian stage and film actor. Later in his career he often worked in television. He appeared in a number of films during the Fascist era, including a leading role in the historical epic Scipio Africanus (1937).
Carlo Campogalliani was an Italian screenwriter, actor and film director. Campogalliani directed around eighty films during his career and acted in another fifty. He directed the 1934 sports film Stadio. He was married to the actress Letizia Quaranta who appeared in several of his films.
It Always Ends That Way is a 1939 Italian musical comedy film directed by Enrique Susini and starring Vittorio De Sica, Nedda Francy and Roberto Rey. The film was based on a novel by Robert Dieudonné. It was shot at the Cinecittà studios in Rome with sets designed by Salvo D'Angelo.
World in My Pocket is a 1961 European crime-drama film directed by Alvin Rakoff. The film was a co-production between West Germany, France and Italy.
Take Care of Amelia is a 1925 Italian silent comedy film directed by Telemaco Ruggeri and starring Pina Menichelli, Marcel Lévesque and Elena Lunda. It is based on the 1908 play Occupe-toi d'Amélie! by Georges Feydeau, which has been made into several films. It was the final film to star Menichelli, one of the leading divas of early Italian cinema.
The Silent Partner is a 1939 Italian drama film directed by Roberto Roberti and starring Carlo Romano, Clara Calamai and Evi Maltagliati. It is based on the 1928 novel The Partner by Jenaro Prieto, which was turned into a British film The Mysterious Mr. Davis the same year.
The Angel of the Alps is a 1957 Italian historical melodrama film directed by Carlo Campogalliani and starring Luisella Boni, Alberto Farnese and Gino Sinimberghi.
The Beggar's Daughter is a 1950 Italian historical melodrama film directed by Carlo Campogalliani and starring Paola Barbara, Franca Maj and Steve Barclay. It is based on a novel of the same name by Carolina Invernizio.
Letizia Quaranta, also known with the stage name of Laetitia Quaranta, was an Italian film actress. She was mainly active in the silent era of cinema.
The Matchmaker is a 1934 Italian comedy film directed by Amleto Palermi and starring Angelo Musco, Rosina Anselmi and Enrica Fantis.
The Gift of the Morning is a 1932 Italian comedy film directed by Enrico Guazzoni and starring Germana Paolieri, Carlo Lombardi and Arturo Falconi. It was based on a play by Giovacchino Forzano. It was made by Caesar Film at the company's Rome studios.
Zaganella and the Cavalier is a 1932 Italian comedy film directed by Giorgio Mannini and Gustavo Serena and starring Arturo Falconi, Marcella Albani and Carlo Lombardi. It is also known as Zaganella and the Honorable Gentleman.
Roberto Villa was an Italian actor and voice actor.
Carlo Benetti (1885–1949) was an Italian film actor of the silent era. During the sound era he worked as production manager on a number of films.
Marco Visconti is a 1941 Italian historical drama film directed by Mario Bonnard and starring Carlo Ninchi, Roberto Villa and Mariella Lotti. It is based on the novel of the same name by Tommaso Grossi which had previously been made into a 1925 silent film.
The Last of the Bergeracs is a 1934 Italian comedy film directed by Gennaro Righelli and starring Ketty Maya, Arturo Falconi and Italia Almirante-Manzini.
Souls in Turmoil is a 1942 Italian drama film directed by Giulio Del Torre and starring Gina Falckenberg, Carlo Tamberlani and Leda Gloria.
The Lady of the Camellias is a 1947 Italian musical drama film directed by Carmine Gallone and starring Nelly Corradi, Gino Mattera and Manfredi Polverosi. It is an adaptation of the 1853 opera La traviata by Giuseppe Verdi. In 1948 it was released in America by Columbia Pictures under the title The Lost One.
